About the Book
"TAKE CARE HOW YOU LISTEN" by John Piper is a collection of sermons that emphasizes the importance of paying close attention to God's word and being intentional in how we listen to it. Piper encourages readers to approach the Bible with humility, openness, and a willingness to be transformed by its teachings. The book challenges readers to be active listeners and to allow God's word to shape and direct their lives.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
the other spurgeon: how susannah loved charles through suffering
On January 31, 1892, Charles Haddon Spurgeon (1834–1892) died in Menton, France, with his wife, Susie, at his bedside. His death was the deepest valley of Susie’s many years of suffering. While Charles’s body was transported back to London for a week of memorial services, Susie retreated to the estate of Thomas Hanbury, just across the Italian border and only a few miles from Menton, her grief and her physical affliction barring her from returning home immediately. There, as the blue waters of the Mediterranean kissed the Italian shoreline, Susie contemplated her future without Charles: When the storms come, and our trees of delight are bare and leafless, when He strips us of the comforts to which His love has accustomed us — or more painful still, — when He leaves us alone in the world, to mourn the absence of the chief desire of our heart; — to sing to Him then , to bless and praise and laud His dear name then , this is the work of His free grace only. ( The Sword and the Trowel , December 1903, 606) For decades, Susie had borne the anxiety of Charles’s trials as well as the weight of her own poor health. Though youthful curls still donned her face, wrinkles betrayed the challenges of her life. Staring at the sea from the portico of the majestic Hanbury mansion a thousand miles from home, Susie determined to continue Charles’s gospel-centered ministry. But how? Hardworking Widow Susie reflected back to 1875. The first volume of Charles’s book Lectures to My Students  was about to be published, and Susie expressed a great desire for every pastor in England to receive a copy. Far from dismissing her idea, Charles encouraged her to act on her godly desire. And so began “Mrs. Spurgeon’s Book Fund.” Now, seventeen years later, overlooking the Italian coast, Susie decided that the Book Fund would remain her first priority of ministry. This was no small commitment, for she would oversee every aspect of the Fund, and by the time she died in 1903, Susie had given over 200,000 books to 25,000 pastors — gifts that encouraged them, strengthened their churches, and promoted the gospel across the land. While being the largest of Susie’s ministry endeavors, the Book Fund was only one among many ministries for the widow. In the mid-1890s, she helped plant Beulah Baptist Church at Bexhill-on-Sea. She also authored several books herself and even served as coeditor and major contributor to the four-volume C.H. Spurgeon’s Autobiography . All of this work grew from Susie’s commitment to labor for the glory of God, the good of many, and the promotion of her husband’s legacy. During their engagement, she had vowed never to hinder the preacher in his ministry, and though she was now aging, afflicted, and alone, she wouldn’t abandon the task. Susie Meets Charles Susannah (Susie) Thompson was born January 15, 1832, in London, the only daughter of Robert and Susannah Thompson. A London girl with big city ways, she made several trips to Paris during her youth in order to learn French. Her family attended New Park Street Chapel, where James Smith pastored (1842–1850), his evangelistic ministry provoking a desire in Susie for salvation and baptism. The desire was realized in 1852, when the 20-year-old Susie was converted. Due in part to her personality and in part to various cultural factors, however, she concealed her faith for a time. In April of 1854, after the youthful Charles had arrived to serve as pastor of New Park Street Chapel, he learned of Susie’s spiritual struggles and gifted her his favorite book, John Bunyan’s The Pilgrim’s Progress , in order to assist her spiritual growth. This outreach by Charles pried open Susie’s shy heart. Charles counseled her to engage her faith in diligent Christian service, and his message stuck. At the same time, love blossomed between the two, and they were engaged in August of 1854. Susie was baptized by Charles in early 1855, and they were married on January 8, 1856. Twin sons followed, but shortly after their birth, the first major trial of the young couple’s marriage confronted them. The Spurgeons’ Suffering Charles and Susie honeymooned in Paris and enjoyed a full cultural experience, from art galleries to cathedrals. Susie spoke French fluently, but Charles not at all. He delighted in his new bride serving as his interpreter. After returning to London, they moved into their first residence together, a place that Susie called “Love Land” ( Autobiography , 2:180). Her description of their first home is apt, for Charles and Susie enjoyed a delightful marriage of 36 years: affectionate and happily romantic. But woven into the fabric of their marriage were also seasons of dark suffering, separation, and sadness. MUSIC HALL DISASTER Charles was extremely busy the first year of their marriage: caring for a growing congregation, leading auxiliary ministries connected to the church, answering mounds of correspondence, and preaching across the British Isles, along with editing and writing. The Surrey Gardens Music Hall disaster on October 19, 1856, illustrates both the heights of Charles’s fame and the depths of his sorrows. Charles was but 22 years old when upwards of ten thousand people crowded the hall to hear him preach, with thousands more gathered outside. Early in the service, a contingency of mischief-makers yelled “Fire!” though there was no fire. Panic ensued, and in the rush to exit the building, seven people were trampled to death, and thirty more were badly injured. Spurgeon was inconsolable, and the future of his ministry seemed in doubt. When Susie received the news at home, she hit her knees in prayer for the many sufferers and for her despondent husband. Though Spurgeon resumed his ministry a couple of weeks later, he was permanently scarred emotionally. Susie was an anchor in this storm as they looked to Christ together. PHYSICAL AFFLICTIONS Charles’s physical nemesis was gout. Later, kidney disease was added, and both were coupled with seasons of depression aggravated by memories of the disaster at the Music Hall. For Susie’s part, in mid-1868 her church attendance began to wane, and from then until 1892, she rarely attended worship services due to physical ailments. In early 1869, she was operated on by the acclaimed gynecologist James Simpson, and though she was helped somewhat by the surgery, she nevertheless continued to suffer for the rest of her days. THEOLOGICAL CONTROVERSIES Several controversies erupted throughout Charles’s ministry, but the one that most troubled him was known as the Down-Grade Controversy of 1887. At the heart of this controversy was what Charles saw as the undermining of fundamental biblical doctrines by some men in the Baptist Union. The disagreement led Charles to resign from the Union. Though not engaged directly in the controversy, Susie contended for the truth by increasing her Book Fund efforts, encouraging pastors to read doctrinally sound books. In her own way, she pushed back against the tide of theological liberalism alongside her husband. Susie believed that this controversy, with its corresponding loss of friendships, tragically accelerated Spurgeon’s death. Humble, Steadfast Faith Charles’s death in 1892 grieved but did not paralyze Susie. Throughout her life, Susie was motivated by Charles’s early words to her when she was facing doubts. “Active service brings with it warmth, and this tends to remove doubting, for our works thus become evidence of our calling and election” ( Letters of Charles Haddon Spurgeon , 54). Charles’s words motivated Susie then and for all of her days. Yet it wasn’t only personal resolve that kept her going. Proclaiming the true power behind her labor, Susie writes, “I look unto the Lord with humble, steadfast gaze, and receive courage and strength to press onward and upward in the path he has marked out for me!” ( Free Grace and Dying Love , 101–2). This statement didn’t come cheaply, either, as if it were merely the product of an emotional moment. For Susie, Bible reading year after year and cover to cover, along with prayer and regular reading of the best soul-nourishing devotional writings of the day, cultivated a deep and abiding Christ-centeredness. Susie’s story contains bountiful evidence of her faith in Christ and sacrificial service for his kingdom. Her son Charles wrote of her “labor for the Lord” even when “the mind was weary, and the body exceedingly weak” ( The Sword and the Trowel , December 1903, 607). At her death, Susie’s other son, Thomas, wrote of how his mother’s life might speak to future generations: Methinks she would press upon us, even more earnestly and sweetly than before, the preciousness of the Word, and our duty to hide it in our hearts. She would bid us prize and plead the promises. She would charge us to cling to the Cross and to cleave to that which is good. She would implore the unsaved at once to trust the finished work of Jesus. ( The Sword and the Trowel , December 1903, 608) Susie’s great-great-granddaughter, Susie Spurgeon Cochrane, writes, “When there were good times, she gave Him the praise, and when there were trials, she fell on her knees before Him, Again and again she went to the Fountain of Living Water and drank deeply from it. Then, and only then, was she able to do all that she did in her life” ( Susie: The Life and Legacy of Susannah Spurgeon , 256). The Bitter Is Sweet Susie was the wife of the world’s most famous pastor, an author of books, a lover of the poor, a church-plant helper, and a devoted mother and grandmother. Though pressed in the vice of affliction and grief, Susie was determined to live with Christ as her life and the joy of others as her mission (Philippians 1:21–26). On the tomb where Susie is buried beside Charles are inscribed the words of a hymn — words descriptive of her devotion to Jesus and hope for the future. Since all that I meet shall work for my good, The bitter is sweet, the medicine is food. Though painful at present, wilt cease before long, And then, O! how pleasant, the conqueror’s song.
