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About the Book


"What Matters to Jesus" by Tony Evans explores the teachings of Jesus and focuses on the key aspects of his message that are most important for Christians to understand and apply in their lives. The book highlights the significance of love, forgiveness, obedience, and service in living a fulfilling and faithful life according to Jesus' teachings. Evans challenges readers to prioritize their relationship with God and to strive to embody the values and principles that were most important to Jesus during his time on Earth.

Lecrae Moore

Lecrae Moore Lecrae Devaughn Moore, or simply Lecrae, is an American Christian rapper, songwriter, and record producer who performs both as a solo artist and as the leader of a group named ‘116 Clique’. He had a troubled beginning in life but all that changed after he found his faith at 19. Heavily influenced by 2Pac Shakur, and motivated by his new found faith, he ventured into a musical career. He and his friend Ben Washer set up their own independent record label ‘Reach Records’ and through it, he released his debut album ‘Real Talk’ in 2004. In the following years, he brought out six more studio albums, three mix tapes, and two EPs as a solo artist and three studio albums, one remix album, and one EP with his group. He has received six ‘GMA Dove Awards’, two Grammys, two ‘BET Awards’ and more. Lecrae is very active in the community and in 2005, he established ‘ReachLife Ministries’, the mission of which was to “bridge the gap between biblical truth and the urban context”. He is a vocal supporter of the preservation of responsibility and believes that fatherhood should be considered as a value to be installed among men in the United States. He has authored several op-ed articles on race relations in the modern-day America which were published by ‘Billboard’. Childhood & Early Life Lecrae Devaughn Moore was born on October 9, 1979, in Houston, Texas, USA. His father had always been absent from his life and later became a drug addict. He was raised by his poor but hardworking mother and grandmother. He attended services with them at their local church but the initial response to religion was indifferent at best. Growing up, he lived in San Diego, Denver, and Dallas. He suffered sexual molestation at the hands of a female baby sitter when he was eight, and according to Lecrae, it left a long-term negative impact on his views on sexuality. In a life full of abuse and violence, hip hop provided him with a refuge. Besides 2Pac who he admired for his rapping skills, he also looked up to his uncle who introduced him to a life of crime. He began doing drugs at 16 and soon started dealing as well. He kept a Bible with him that his grandmother had given him as a good luck charm. The turning point in his life came when he was arrested for drug possession. The officer let him go upon Lecrae’s promising that he would read and follow the Bible. He thus started visiting the church again. Upon an invitation from a friend, he also started attending Bible studies. He was once involved in an accident where he wrecked his car but he himself came out unscathed. This incident further strengthened his belief in Christ and he devoted his life fully to his faith. He returned to his college, the ‘University of North Texas’ and volunteered and sang at a juvenile detention centre. Career Six years after his conversion, Lecrae Moore released the album ‘Real Talk’ (2004) through ‘Reach Records’, a label he had founded with his friend Ben Washer. It reached #29 spot on the ‘Billboard Gospel Album’ chart after being re-released in 2005 by ‘Cross Movement Records’. In 2005, he formed ‘116 Clique’ with other artists who had signed with ‘Reach Records’. The group owes its name to the Bible Verse ‘Romans 1:16’. They debuted with ‘The Compilation Album’ in the same year. They have since released three more albums, ‘The Compilation Album: Chopped & Screwed’ (remix, 2006), ‘13 Letters’ (2007), and ‘Man Up’ (2011), and one EP, ‘Amped’ (2007). He was nominated for a ‘Stellar Award’ for the ‘Rap/Hip-Hop/Gospel CD of the Year’ for his second solo album ‘After the Music Stops’ (2006). In 2008, he put out his third studio album ‘Rebel’. In his fourth studio album, ‘Rehab’ (2010), Lecrae talks about freedom from inhibiting addictions and habits. Both Lecrae and his album received accolades in the 2010 ‘Rapzilla.com staff picks’, being hailed as the ‘Artist of the Year’ and the ‘Album of the Year’, respectively. His fifth studio album, ‘Rehab: The Overdose’ (2011) was a direct follow-up to ‘Rehab’, both being highly conceptual works. While ‘Rehab’ was about the victory over addiction, ‘Rehab: The Overdose’ focused on attaining "grace, love, peace and hope" in Jesus. He won his first two Doves because of this album, one for the ‘Rap/Hip Hop Album of the Year’ and the other for the ‘Rap/Hip Hop Recorded Song of the Year’ for the track, ‘Hallelujah’. ’Gravity’, released on September 4, 2012, was his sixth studio album and had 15 songs with a total runtime of 57 minutes. It peaked on the ‘Rap Albums’, ‘Christian Albums’, ‘Gospel Albums’, and ‘Independent Albums’ charts. Lecrae released his first mixtape ‘Church Clothes’ on May 10, 2012, through digital download for free. It was followed by ‘Church Clothes 2’ (November 7, 2013), and ‘Church Clothes 3’ (January 15, 2016). He has also released two Extended Plays till date, the EP version of ‘Church Clothes’, and ‘Gravity: The Remix EP’, both released in 2012. He has collaborated with the likes of Trip Lee, Tedashii, Canon, Mali Music, and Ty Dolla Sign. ‘Columbia Records’ signed him in May 2016, in a contract between them and his label. His most recent work, a track named ‘Hammer Time’, which is a collaborative effort with 1k Phew, was released on June 23, 2017. On May 3, 2016, he published his memoir titled ‘Unashamed’ through ‘Broadman & Holman Publishers’. It debuted at #19 spot on the ‘New York Times Best Sellers’ list. Philanthropic Works In 2011, Lecrae, through ‘116 Clique’ and the ‘ReachLife Ministries’, instigated the campaign ‘Man Up’, focused on providing guidance to young urban males on fatherhood and Biblical manhood. In March 2015, ReachLife was deactivated and ‘116 Clique’ shifted its attention to contribute to ‘Peace Preparatory Academy’, a Christian school in Atlanta. In May 2013, he worked alongside several other celebrities on a media initiative named ‘This is Fatherhood’. Jay Z, Barack Obama, Joshua DuBois, Lecrae himself, and others have appeared in the initiative’s promotional public service announcement videos. Major Works In a career marked by successful artistic ventures and awards, Lecrae’s greatest musical achievement is unarguably his seventh and the latest studio album ‘Anomaly’, released on September 9, 2014. It was the first album in history to debut at #1 on both ‘Billboard 200’ and ‘Top Gospel Albums’ charts. It was also certified Gold by the RIAA. Awards & Achievements Lecrae Moore received a Grammy in 2013 for the ‘Best Gospel Album’ for his sixth studio album ‘Gravity’. He won his second Grammy in 2015 for the ‘Best Contemporary Christian Music Performance/Song’ for the track ‘Messengers’ which also featured the Christian pop band ‘For King & Country’. He was named the best gospel artist at the ‘2015 BET Awards’. In 2017, he was the recipient of the ‘BET Best Gospel/ Inspirational Award’ for the song ‘Can’t Stop Me Now (Destination)’. On March 14, 2016, he was conferred with an honorary doctorate from ‘Canada Christian College’. Personal Life & Legacy Lecrae Moore met his wife Darragh at a Bible study when they were both teenagers. They have three children together, two sons and a daughter. The family resides in Atlanta, Georgia. In 2002, he was informed by his then girlfriend that she was pregnant with his child. The couple had an abortion, a decision which he has regretted since. The incident was the subject of the song ‘Good, Bad, Ugly’ from ‘Anomaly’. Trivia Lecrae portrayed the character Dr. Darnall Malmquist in the 2014 independent film ‘Believe Me’.

you can’t fake what you love

The soul is measured by its flights, Some low and others high, The heart is known by its delights, And pleasures never lie. I was 25 years old when John Piper’s book  The Pleasures of God  was first released in 1991. My wife and I had been attending Bethlehem Baptist for two years and had read John’s book  Desiring God , which unpacked what he called Christian Hedonism. His fresh emphasis on the truth that  God is most glorified in us when we are most satisfied in him  was working its way into our spiritual bones. But as I read the introduction to  The Pleasures of God , the one-sentence poem above crystalized the truth of Christian Hedonism for me, opening my mind to the role delight plays in the Christian life. One Sentence Begets Another John wrote that life-changing sentence as a kind of exposition of  another  life-changing sentence he had read four years earlier. In fact, the whole sermon series that birthed the book was born of his meditation on that sentence written in the seventeenth century by a young Professor of Divinity in Scotland named Henry Scougal. Scougal had actually penned the sentence in a personal letter of spiritual counsel to a friend, but it was so profound that others copied and passed it around. Eventually Scougal gave permission for it to be published in 1677 as  The Life of God in the Soul of Man . A year later, Scougal died of tuberculosis before he had reached his twenty-eighth birthday. John Piper describes what gripped him so powerfully: One sentence riveted my attention. It took hold of my thought life in early 1987 and became the center of my meditation for about three months. What Scougal said in this sentence was the key that opened for me the treasure house of the pleasures of God. He said, “ The worth and excellency of a soul is to be measured by the object of its love .” (18) John realized that this statement is as true of God as it was of man. The worth and excellency of  God’s  soul is measured by the object of its love. This object must, then, be God himself, since nothing of greater value exists than God. John previously devoted a whole chapter in  Desiring God  to God’s happiness in himself — the God-centeredness of God. Scougal’s sentence, however, opened glorious new dimensions of this truth for John as he contemplated how the excellency of God’s soul is measured. And John’s sentence opened glorious new dimensions for me as I began to contemplate that a heart, whether human or divine, is known by its delights. Pleasures Never Lie It was the last line of John’s poem that hit me hardest: The heart is known by its delights, And pleasures never lie. Pleasures never lie.  This phrase cut through a lot of my confusion and self-deceit to the very heart of the matter: what really matters to my heart. “Our lips can lie about what we love, but our pleasures never lie.” “Pleasures never lie” doesn’t mean things we find pleasurable are never deceitful. We all know, from personal experience as well as the testimony of Scripture, that many worldly pleasures lie to us (Hebrews 11:25). Rather, it means that pleasure is the whistle-blower of the heart. Pleasure is our heart’s way of telling us what we treasure (Matthew 6:21). When we take pleasure in something evil, we don’t have a  pleasure problem ; we have a  treasure problem . Our heart’s pleasure gauge is working just like it’s supposed to. What’s wrong is what our heart loves. Our lips can lie about what we love, but our  pleasures never lie . And we can’t keep our pleasure-giving treasures hidden, whether good or evil, at least not for long. What we truly love always ends up working its way out of the unseen heart into the plain view of what we say and don’t say, and what we do and don’t do. My heart, like God’s heart, is known by its delights. I found this wonderfully clarifying. It resonated deeply; all my experience bore out its truth. And I saw it woven throughout the Bible. The more I contemplated it, however, the more devastating this truth became. Devastated by Delight It’s devastating because if the worth and excellency of my soul is measured by the heights of its flights of delights in God, I find myself “naked and exposed” before God, without embellishment or disguise (Hebrews 4:13). No professed theology, however robust and historically orthodox, no amount of giftedness I possess, no “reputation of being alive” (Revelation 3:1) can compensate if I have a deficit of delight in God. And to make sure I understand what is and isn’t allowed on the affectional scale, John says, You don’t judge the glory of a soul by what it wills to do with lukewarm interest, or with mere teeth-gritting determination. To know a soul’s proportions you need to know its passions. The true dimensions of a soul are seen in its delights. Not what we dutifully will but what we passionately want reveals our excellence or evil. (18) As I place my passions on God’s soul-scale, my deficits become clear. I’m a mixed bag when it comes to my passion for God. I can savor God like Psalm 63 and yet still sin against him like Psalm 51. I have treasured God like Psalm 73:25–26, and questioned him like Psalm 73:2–3. Sometimes I sweetly sing Psalm 23:1–3, and sometimes I bitterly cry Psalm 10:1. At times I keenly feel the wretchedness of Romans 7:24, and at times the wonder of Romans 8:1. I have known the light of Psalm 119:105 and the darkness of Psalm 88:1–3. I’ve known the fervency of Romans 12:11 and the lukewarmness of Revelation 3:15. Many times I need Jesus’s exhortation in Matthew 26:41. “We must know our spiritual poverty before we will earnestly seek true spiritual wealth.” It is devastating to stand before God with only what we passionately want revealing the state of our hearts, measuring the worth of our souls. But it is a merciful devastation we desperately need. For we must know our spiritual poverty before we will earnestly seek true spiritual wealth. We must see our miserable idolatries before we will repent and forsake them. We must feel our spiritual deadness before we will cry out, “Will you not revive us again, that your people may rejoice in you?” (Psalm 85:6) That’s all true. However, the longer I contemplated John’s sentence over time, the more I realized the devastating exposure of my spiritual poverty is meant to be a door into an eternal world of delight-filled love. Pleasures Forevermore I made this discovery in the story of the rich young man (Mark 10:17–22). When Jesus helped this man see his heart’s true passions (when he exposed his spiritual poverty), the exposure wasn’t Jesus’s primary purpose. Jesus wanted the man to have “treasure in heaven,” to give this man eternal joy (Mark 10:21). And Jesus knew the man would never joyfully sell everything he had to obtain the treasure that is God unless he saw God as his supreme treasure (Matthew 13:44). So he tried to show him by calling the man to the devastating door of exposure and knocking on it. And he grieved when the man wouldn’t open it, because the door led to a far greater treasure than the one he would leave behind. God created pleasure because he is a happy God and wants his joy to be in us and our joy to be full (John 15:11). When he designed pleasure as the measure of our treasure, his ultimate purpose was that we would experience maximal joy in the Treasure. And that the Treasure would receive maximal glory from the joy we experience in him. It is a marvelous, merciful, absolutely genius design:  God is most glorified in us when we are most satisfied in him . If God has to expose our poverty to pursue our eternal joy, he will. But what he really wants for us is to experience “fullness of joy” in his presence and “pleasures forevermore” at his right hand (Psalm 16:11). And so it is a great mercy, even if at times devastating, that our pleasures never lie.

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