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About the Book


"On the Anvil" by Max Lucado is a collection of reflections on faith, resilience, and the purpose of trials in a Christian's life. Through personal anecdotes and biblical insights, Lucado encourages readers to trust in God's plan and find hope in the midst of adversity, believing that God is shaping and molding them into something beautiful on the anvil of life.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

the quiet power of ordinary devotions

As Christians, we are not interested in merely reading our Bibles. We want to be moved, inspired, changed by what we read. We do not wake up early simply to pass our eyes over the pages of Scripture. We come to meet God (1 Samuel 3:21). We come to taste honey and gather gold (Psalm 19:10). We come to “rejoice with joy that is inexpressible and filled with glory” (1 Peter 1:8). That means days of ordinary devotions, as we’ve all experienced, can be all the more disappointing. As any faithful Bible reader knows, many devotional times come and go without fireworks. We may get alone, ask for God’s help, read attentively, and then rise up feeling — normal. Our time in the living, active, inspired word of God has felt spectacularly ordinary. Sometimes, the ordinariness comes as a result of our lingering blindness to glory. I, for one, feel a kinship with those disciples on the Emmaus road, to whom Jesus said, “O foolish ones, and slow of heart to believe all that the prophets have spoken” (Luke 24:25). God save us from foolish minds and slow hearts, which so often close our eyes to the light of his revelation. “The grace of God sometimes lands on us like lighting, and sometimes falls like dew.” Yet the cause does not always lie in us. If we are reading our Bibles rightly, in fact, we should expect many mornings of ordinary devotions: devotions that do not sparkle with insight or direct-to-life application, but that nevertheless do us good. Just as most meals are ordinary, but still nourish, and just as most conversations with friends are ordinary, but still deepen affection, so most devotions are ordinary, but still grow us in the grace and knowledge of Jesus Christ. Saturated with Scripture As a new Christian in college, I carried in my pocket a packet of Scripture-memory cards from the Navigators. On one of the first cards, I found 2 Timothy 3:16: “All Scripture is breathed out by God and profitable for teaching, for reproof, for correction, and for training in righteousness.” I believed Paul’s words readily, having felt firsthand the profit of books like John and Romans, Philippians and James. Scarcely did I realize then, however, that Paul would have thought first of passages quite different from these — passages from which I struggled then (and still do now) to find the same kind of encouragement. Consider, for example, some of the God-breathed, profitable Scripture Paul had in mind as he wrote 2 Timothy: Solomon’s discussion of wisdom in Proverbs 2:6 (2 Timothy 2:7) Isaiah’s prophecy of the cornerstone in Isaiah 28:16 (2 Timothy 2:19) The story of Korah’s rebellion in Numbers 16 (2 Timothy 2:19) The account of the Egyptian magicians in Exodus 7–9 (2 Timothy 3:8) Few of us would dip into these passages for immediate edification. Few of us would offer them as our first illustrations of God-breathed, profitable Scriptures. Many of us, after stumbling through such pages of God’s word, emerge on the other side feeling unchanged, uninspired — ordinary. We can strive to avoid such experiences, of course, by staying safely in those parts of Scripture where we have felt God’s breath most powerfully. And yet, if we want a soul not merely sprinkled but saturated with God’s words, our only option is to carry on a long, patient acquaintance with passages that seem obscure. With passages that, upon first, second, or even fifth reading, leave us feeling quite ordinary afterward, but that slowly reveal the scope of God’s glory and make us “wise for salvation through faith in Christ Jesus” (2 Timothy 3:15). Devotions Without a Devotional Perhaps our impatience with days of ordinary devotions comes from the expectation that daily  devotions  should be like  devotionals . A devotional gathers perhaps a month’s or a year’s worth of daily readings, each designed to give a boost toward Godward thinking and living. And the best of them do so quite well. Daily devotionals have a place in the Christian life. (I would have to ditch Charles Spurgeon’s  Morning and Evening  if I thought otherwise.) Yet we do well to remember that, in giving us Scripture, God did not intend to give us a typical daily devotional. If he had, the chronicler might have spared us his genealogies, Ezekiel might have skipped his extended temple vision, and the author of Hebrews might have left out Melchizedek. If a daily devotional is like a photo album, with each page offering a self-contained snapshot of glory, Scripture itself is like a mural, with each day’s reading comprising only a centimeter of the whole. Some days, we happen upon a centimeter bright with glory, perhaps Psalm 23 or Romans 8. Other days, a dark image appears before us, as when we read prophecies or stories of judgment. Still other days, we find a section that simply mystifies us, the kind that we would never find in a daily devotional. Over time, though, we begin to grasp a glory in this mural that a snapshot could never give: a swirl of brightness and darkness, clarity and obscurity that coalesces into a masterpiece. And on those days, we will not wish that we had stayed safely within the snapshots of glory. Grace Like Dew We can rarely judge the value of our daily devotions, then, by considering any day in itself. In fact, initial impressions can deceive. High-octane devotions do not always lead to spiritual growth, and ordinary devotions often yield more fruit than we expect. J.C. Ryle once preached, Do not think you are getting no good from the Bible, merely because you do not see that good day by day. The greatest effects are by no means those which make the most noise, and are the most easily observed. The greatest effects are often silent, quiet, and hard to detect at the time they are being produced. Think of the influence of the moon upon the earth, and of the air upon the human lungs. Remember how silently the dew falls, and how imperceptibly the grass grows. There may be far more doing than you think in your soul by your Bible-reading. “Ordinary devotions are not the enemy. Like the manna in the wilderness, they too are from God.” The grace of God sometimes lands on us like lighting, and sometimes falls like dew. During some devotions, God places us in the cleft of the rock and lets us catch the trailing edge of his glory as he passes by (Exodus 33:18–23). During others, he shrouds us in darkness so that we cannot see (Isaiah 50:10). Yet if we read patiently and faithfully, not trusting in our wisdom but crying out for God’s, then the grace of God, though perhaps hidden in the moment, will in due time reveal its silent working. Sometimes, then, we do well to ask of our morning devotions not “What were my feelings?” but “What, over time, are the effects?” Regardless of what I feel on any given morning, am I coming to treasure more of Christ’s multifaceted glories? Is God’s word making me a more holy husband, wife, brother, sister, friend? Am I growing in my readiness for every good work (2 Timothy 3:17)? Manna and Milk Ordinary devotions, of course, are not the ideal. We do not hope to come to our Bibles and walk away unmoved — or, worse, confused. We hope rather to “behold wondrous things out of your law” (Psalm 119:18) and walk away full of praise. And when this hope is deferred, it too can make the heart sick. Yet neither are ordinary devotions the enemy. Like the manna in the wilderness, they too are from God. They too nourish and sustain us, even if imperceptibly. If we will patiently, faithfully eat the food God provides, ordinary days will give way to the milk and honey we long to taste again. And in the meantime, how good it is for us to be thrown back on God, knowing more deeply than ever that if we are to see at all,  he  must give us sight. How good to sing with the psalmist, “As the eyes of servants look to the hand of their master, as the eyes of a maidservant to the hand of her mistress, so our eyes look to the Lord our God, till he has mercy upon us” (Psalm 123:2). In God’s good time, if we do not give up, the unfolding of his words will give light (Psalm 119:130).

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