About the Book
"On the Anvil" by Max Lucado is a collection of reflections on faith, resilience, and the purpose of trials in a Christian's life. Through personal anecdotes and biblical insights, Lucado encourages readers to trust in God's plan and find hope in the midst of adversity, believing that God is shaping and molding them into something beautiful on the anvil of life.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
the progressive pilgrim: allegory for an easy age
Jesus said, “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14). In the twenty-first century, does his statement seem true to you? Have you found an easier way? Abraham may have wandered in tents, Paul may have been hunted like a deer, the disciples may have met brutal ends to their earthly careers, and many in the early church may have been slandered, reviled, plundered, fed to lions, burned to light the streets of Rome — “killed all the day long . . . regarded as sheep to be slaughtered” (Romans 8:36) — but that was then . We have smartphones now. Modernity seems to have done wonders to smooth the way. The narrow path lying between the City of Destruction and the Celestial City seems paved. Nathaniel Hawthorne (1804–1864) made a similar observation in his day. Though no friend of the Puritans, his short story “The Celestial Railroad” imitates and engages with John Bunyan’s The Pilgrim’s Progress . In it, he critiques the pillow-soft spirituality of his day (including Unitarianism and Transcendentalism), firing a critique that could have been written yesterday to describe the rampant easy-believism of today. Celestial Railroad Wandering through the gate of dreams, Mr. Hawthorne arrives at the famous City of Destruction. Having read Mr. Bunyan on the place, he is rather taken aback, and pleasantly surprised, to find that hostilities between this city and the Celestial City have all but vanished. Former foes shake hands. A pact built on “mutual compromise” has made allies from enemies. Enmity between the two lands is water under the bridge — or rather, a shining railroad over it. The Wicket Gate, that narrow and impossibly awkward entryway, as Bunyan’s readers will recall, has been replaced by the railroad station itself. Mr. Smooth-it-away — a distinguished gentleman in the enterprise who guides Mr. Hawthorne on his journey — ensures us all that this large building is much better suited to include the broadminded travelers of modernity. And the effect cannot be overstated, as Mr. Hawthorne relays: It would have done Bunyan’s heart good to see it. Instead of a lonely and ragged man, with a huge burden on his back, plodding along sorrowfully on foot, while the whole city hooted after him, here were parties of the first gentry and most respectable people in the neighborhood, setting forth towards the Celestial City, as cheerfully as if the pilgrimage were merely a summer tour. (199) The Celestial Railroad now transports would-be travelers — comfortably and safely — to the renowned City of Light. Individuals from Christian’s birthplace saw to it that no good-hearted pilgrim would ever again leave the city in derision or vulnerable to unsavory conditions and smiling foes. Nor would any carry that dreadful burden upon his back for miles on end — no, as Hawthorne gladly reports, One great convenience of the new method of going on pilgrimage, I must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, were all snugly deposited in the baggage-car, and, as I was assured, would be delivered to their respective owners at the journey’s end. (200) The travelers are sent off with their backpacks snugly tucked away, “to be delivered to their respective owners at the journey’s end.” Genius. But this, dear reader, is but the start to the innovations of the Celestial Railroad. Let me relay but a few more to you. Old Sites, New Conveniences Lengthy scrolls and books are not needed as tiresome maps along this journey; only a ticket is required. Such is very reasonable and expedient. To begin the journey, the dreadful Slough of Despond — that bog full of past sins and lusts and fears and temptations and doubts, in which Christian sank and at which Pliable flustered, only to return home — has a new sparkling bridge erected overhead. While wholesome teaching could not fill Bunyan’s slough, Hawthorne tells us, books of morality, German rationalism, modern sermons, and extracts of Plato, combined with a few innovative commentaries on Scripture, sufficed to lay the sturdy foundations to erect the bridge upon (198). Traveling farther, one discovers that the Interpreter’s House, while still receiving the occasional pilgrim of the old method, was no stop of the Celestial Railroad. Regretfully, Mr. Smooth-it-away remarks, that grand Interpreter grew rather sour, prudish, and prejudiced in his old age (a similar theme for the likes of Evangelist and Great-heart, the latter even “perpetually at blows” with his new collaborators). He could not keep with the times and got left behind. Hurried Cross Yes, dear reader, I can hear your question: What has become of the cross  where the burden fell from Christian’s back? Let me cite the firsthand account: We were rushing by the place where Christian’s burden fell from his shoulders, [the] sight of the Cross. This served as a theme for Mr. Smooth-it-away, Mr. Live-for-the-world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of gentlemen from the town of Shun-repentance, to descant upon the inestimable advantages resulting from the safety of our baggage. (203) “Crosses must be carried in every age, and the costs must be considered.” Rushing past the cross, the passengers revel in their good fortune at finding a way to travel to the Celestial City without leaving behind their precious habits and secret delights. It would be a shame, after all, to lose such desirable pastimes if they could help it. Yet there are still more improvements upon the old way to display. A tunnel now conveniently travels through Hill Difficult — the excavated ground then used to fill in the Valley of Humiliation. That dreary and gloomy Valley of the Shadow of Death now glows with gas lamps. And should you, with Mr. Hawthorne, regret missing the chance to visit Palace Beautiful — where live the young and fair Piety, Prudence, and Charity — ease your disappointed mind by overhearing, “Young ladies!” cried Mr. Smooth-it-away, as soon as he could speak for laughing. “And charming young ladies! Why, my dear fellow, they are old maids, every soul of them — prim, starched, dry, and angular — and not one of them, I will venture to say, has altered so much as the fashion of her gown, since the days of Christian’s pilgrimage.” (203–204) These fair maidens of yesterday, again, resisted the hard-won improvements, cherishing ancient, rough, and inefficient paths. Vanity Fair What can be said of Vanity Fair? Hear it from Mr. Hawthorne: this wonder of a place has the power to make anyone feel at home. The “great capital of human business and pleasure” stands as the epitome of everything “fascinating beneath the sun.” The people, Hawthorne finds, are most interesting and agreeable. Concerning the hostility that once led to the unfortunate execution of Faithful, Christian’s beloved companion, they’ve come to see the misstep. These noble and charming and wise people now enter into great camaraderie and trade with the passengers of the Celestial Railroad; indeed, many of them have taken to the railway themselves. But of all the wonders of the metropolis, Hawthorne relates one that might outshine them all: The Christian reader, if he had no accounts of the city later than Bunyan’s time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. (209) Indeed, few places could boast so much religiosity. Hawthorne continues, In justification of this high praise, I need only mention the names of the Rev. Mr. Shallow-deep; the Rev. Mr. Stumble-at-Truth; that fine old clerical character, the Rev. Mr. This-to-day, who expects shortly to resign his pulpit to the Rev. Mr. That-to-morrow; together with the Rev. Mr. Bewilderment; the Rev. Mr. Clog-the-spirit; and, last and greatest, the Rev. Dr. Wind-of-doctrine. (209) Filled with fine-dressing, stimulating people, and endless pleasures to buy, sell, and enjoy — mind you, in such a fine Christian place  — the only curiosity was that people would just disappear. So common was the occurrence, Hawthorne relates, that the citizens learned to continue on as if nothing had happened. Today’s Celestial Railroad Now, Nathaniel Hawthorne was no Christian, and he wrote antagonistically about the Puritans in other stories (in part due to an infamous family history). But here, he casts stones — almost in sympathy with Bunyan — against the modern religiosity he viewed as shallow, smooth, and deceptive. Any reader of the story sees parallels today. They had Mr. Smooth-it-away; so have we. They had trains leaving every day to what is thought the Celestial City; so have we. They had people tucking their sins under the caboose, deploring the hard way, wanting merely a ticket to heaven; so have we. They hurried past the cross of Christ; so do many who claim to be his followers today. How many sermons, small groups, Christian ministries escape this description? There was much pleasant conversation about the news of the day, topics of business, politics, or the lighter matters of amusement while religion, though indubitably the main thing at heart, was thrown tastefully into the background. Even an infidel would have heard little or nothing to shock his sensibility. (200) “False paths, sliding downward, are smoothest.” Teachers and preachers, once found in the Interpreter’s house, wooing pilgrims with golden crowns and warning them against smooth paths, now create them. Done with the cautions and commands, they converse among friends. His name is not Pastor; it is Jake — just Jake. He does not tell you what God has said; he is there to listen, just another broken sheep like everyone else. He gives comforting homilies and entertaining stories, but the utterance “Thus says the Lord” is far from his lips. And I fear that, just as in the end of Hawthorne’s dream before he awakes, so in our world, Mr. Smooth-it-away leaves many on steam ferryboats traveling to Tophet (hell). False paths, sliding downward, are smoothest. The true path is not easy or broad — even for societies without much physical intimidation. Our Christ, who carried his own cross, leaves his church crosses to be carried in every age, and costs to be considered. This earth will pass away, but Jesus’s word shall not: “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14).