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About the Book


"Still Not Professionals" by John Piper is a collection of essays that challenges pastors and church leaders to prioritize sound doctrine, holiness, and a deep knowledge of God's Word. Piper emphasizes the importance of maintaining a godly lifestyle and commitment to biblical teaching in ministry, arguing that professionalism should not take precedence over spiritual growth and faithfulness to God's calling. The book serves as a strong reminder for those in ministry to remain faithful to their calling and prioritize their relationship with God above all else.

Fanny Crosby

Fanny Crosby "Oh, what a happy soul I am, / although I cannot see! / I am resolved that in this world / Contented I will be." Francis Jane Crosby wrote more than 9,000 hymns, some of which are among the most popular in every Christian denomination. She wrote so many that she was forced to use pen names lest the hymnals be filled with her name above all others. And, for most people, the most remarkable thing about her was that she had done so in spite of her blindness. "I think it is a great pity that the Master did not give you sight when he showered so many other gifts upon you," remarked one well-meaning preacher. Fanny Crosby responded at once, as she had heard such comments before. "Do you know that if at birth I had been able to make one petition, it would have been that I was born blind?" said the poet, who had been able to see only for her first six weeks of life. "Because when I get to heaven, the first face that shall ever gladden my sight will be that of my Savior." Blinded by a quack Born in Putnam County, New York, Crosby became ill within two months. Unfortunately, the family doctor was away, and another man—pretending to be a certified doctor—treated her by prescribing hot mustard poultices to be applied to her eyes. Her illness eventually relented, but the treatment left her blind. When the doctor was revealed to be a quack, he disappeared. A few months later, Crosby's father died. Her mother was forced to find work as a maid to support the family, and Fanny was mostly raised by her Christian grandmother. Her love of poetry began early—her first verse, written at age 8, echoed her lifelong refusal to feel sorry for herself: Oh, what a happy soul I am, although I cannot see! I am resolved that in this world Contented I will be. How many blessings I enjoy That other people don't, To weep and sigh because I'm blind I cannot, and I won't! While she enjoyed her poetry, she zealously memorized the Bible. Memorizing five chapters a week, even as a child she could recite the Pentateuch, the Gospels, Proverbs, the Song of Solomon, and many psalms chapter and verse. Her mother's hard work paid off. Shortly before her fifteenth birthday, Crosby was sent to the recently founded New York Institute for the Blind, which would be her home for 23 years: 12 as a student, 11 as a teacher. She initially indulged in her own poetry and was called upon to pen verses for various occasions. In time the principal asked her to avoid such "distractions" in favor of her general instruction. "We have no right to be vain in the presence of the Owner and Creator of all things," he said. It was the work of a traveling phrenologist (one who studies the shape and irregularities of the skull for insights into character and mental capacity) that changed the school's mind and again ignited her passion. Though his study is now the ridicule of science, the phrenologist's words were to prove prophetic: "Here is a poetess. Give her every possible encouragement. Read the best books to her and teach her the finest that is in poetry. You will hear from this young lady some day." Poetry for presidents It didn't take long. By age 23 Crosby was addressing Congress and making friendships with presidents. In fact, she knew all the chief executives of her lifetime, especially Grover Cleveland, who served as secretary for the Institute for the Blind before his election. Another member of the institute, former pupil Alexander van Alstine, married Crosby in 1858. Considered one of New York's best organists, he wrote the music to many of Crosby's hymns. Crosby herself put music to only a few of hers, though she played harp, piano, guitar, and other instruments. More often, musicians came to her for lyrics. For example, one day musician William Doane dropped by her home for a surprise visit, begging her to put some words to a tune he had recently written and which he was to perform at an upcoming Sunday School convention. The only problem was that his train to the convention was leaving in 35 minutes. He sat at the piano and played the tune. "Your music says, 'Safe in the Arms of Jesus,'" Crosby said, scribbling out the hymn's words immediately. "Read it on the train and hurry. You don't want to be late!" The hymn became one of Crosby's most famous. Though she was under contract to submit three hymns a week to her publisher and often wrote six or seven a day (for a dollar or two each), many became incredibly popular. When Dwight Moody and Ira Sankey began to use them in their crusades, they received even more attention. Among them are "Blessed Assurance," "All the Way My Savior Leads Me," "To God Be the Glory," "Pass Me Not, O Gentle Savior," "Safe in the Arms of Jesus," "Rescue the Perishing," and "Jesus Keep Me Near the Cross." She could write very complex hymns and compose music with a more classical structure (she could even improvise it), but she preferred to write simple, sentimental verses that could be used for evangelism. She continued to write her poetry up to her death, a month shy of her ninety-fifth birthday. "You will reach the river brink, some sweet day, bye and bye," was her last stanza.

Our God Listens

You have been invited to speak to the God of the universe, the Almighty. Not just the mightiest, but the all-mighty. All power is his, and under his control. And he is the one who made you, and keeps you in existence. This God, the one God — almighty, creator, rescuer — speaks to us to reveal himself, that we might genuinely know him, but he doesn’t only speak. In one of the great wonders in all the world and history, this God listens. First he speaks, and bids us respond. Then he pauses. He stoops. He bends his ear toward his people. And he hears us in this marvel we so often take for granted, and so flippantly call prayer. What Comes Before Prayer The wonder of prayer might lead us to rush past a critical reality before we start “dialing up” the God of heaven. There is an order to his speaking and listening, and to ours. He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak. “He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak.” Prayer is not a conversation we start. Rather, God takes the initiative. First, he has spoken. He has revealed himself to us in his world, and in his word, and in the Word. And through his word, illumined by his Spirit, he continues to speak. “See that you do not refuse him who is speaking” (Hebrews 12:25). His word is not dead and gone but “living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). And in his word, and by his Word, he extends to us this stunning offer: to have his ear. Golden Scepter When Esther learned of Haman’s plot to destroy the Jews, a great barrier stood before her. Mordecai directed her “to go to the king to beg his favor and plead with him on behalf of her people” (Esther 4:8). Easier said than done. Esther knew these were life-and-death stakes, not just for the Jews but for her: “If any man or woman goes to the king inside the inner court without being called, there is but one law — to be put to death, except the one to whom the king holds out the golden scepter so that he may live.” And she knew the threat that lay before her: “But as for me, I have not been called to come in to the king these thirty days” (Esther 4:11). Yet in the end, in faith and courage, she resolved, “I will go to the king, though it is against the law, and if I perish, I perish” (Esther 4:16). One does not simply saunter into the presence of a great king “without being called.” And all the more with God Almighty. Not simply because it’s a great risk, as with an earthly king, but with God it’s not even physically possible. He is no man on earth, that one might slip past the palace guards and approach him. He is utterly unapproachable — “without being called.” Yet in Christ, the throne of heaven has taken the initiative, and now holds out the golden scepter. Why We Can Come Near The two great bookends (4:14–16; 10:19–25) of the heart of the epistle to the Hebrews (chapters 5–10) make clear why we can draw near and how. Hebrews is set against the backdrop of God’s first covenant with his people, through Moses. What Exodus, Leviticus, and Numbers say about “drawing near” or “coming near” to God is sobering. For one, the tabernacle, and the whole system of worship given at Mount Sinai, taught the people of their distance from God, with barriers between them, because of their sin. The people must stay back, lest God’s righteous anger break out against their sin (Exodus 19:22, 24). First, Moses alone is permitted to come near (Exodus 24:2), and then Moses’s brother, Aaron, and his sons, serving as priests, may “come near” (Exodus 28:43; 30:20). No outsider may come near (Numbers 1:51; 3:10), nor any priest with a blemish (Leviticus 21:18, 21). Only the ordained priests may “draw near to the altar” to make atonement for themselves and for the people (Leviticus 9:7) — and only in the way God has instructed, as memorably taught in the horrors of Nadab and Abihu (Leviticus 10) and Korah’s rebellion (Numbers 16; also 17:13; 18:3–4, 7, 22). “It is almost too good to be true — almost — that we have access to God.” But now, in Christ, “we have a great high priest who has passed through the heavens, Jesus, the Son of God” (Hebrews 4:14). In him, “we have a great priest over the house of God,” a priest who is ours by faith, and so we “enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh” (Hebrews 10:19–21). Not only does Christ enter God’s presence on our behalf, but he welcomes us in his wake. He is our pioneer, who blazes our trail. We now may “draw near” to God, “come near” to heaven’s throne of grace, because of Christ’s achievements for us, in his life and death and resurrection. How We Can Come Near Then, to add wonder to wonder, we not only draw near to God himself in Christ, but we are invited, indeed expected, to do so with confidence — with boldness and full assurance. Since we have such a high priest as Christ, “let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need” (Hebrews 4:16). In him, “we have confidence to enter the holy places by the blood of Jesus” (Hebrews 10:19). Not by our own value, status, or achievements, but his. We “draw near with a true heart in full assurance of faith” (Hebrews 10:22), a faith looking outside ourselves to ask not “Am I worthy?” to approach God’s throne, but “Is Jesus worthy?” Wait No Longer It is almost too good to be true — almost — that we have access to God (Ephesians 2:18) and “access with confidence” at that (Ephesians 3:12). In Christ, the King of the universe holds out the golden scepter. The question is no longer whether we can come, but will we, and how often? We have access. God expects us to take hold on his Son by faith, and approach his throne with confidence. Our God listens. He hears our prayers. What are you waiting for? Article by David Mathis

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