Raising Giant-Killers Order Printed Copy
- Author: Bill Johnson & Beni Johnson
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About the Book
"Raising Giant-Killers" by Bill Johnson and Beni Johnson explores the principles and practices for raising children who know their identity as sons and daughters of God and walk in their full potential as spiritual warriors. The book offers practical insights and guidance for parents on how to cultivate a Kingdom mindset in their children and equip them to live out their faith boldly in the world.
Gordon Lindsay
Gordon Lindsay’s Early life
Gordon Lindsay’s parents were members of J. A. Dowie’s Zion City, Illinois when he was born. The city’s financial difficulties forced the family west in 1904, where they temporarily joined another Christian-based community led by Finis Yoakum at Pisgah Grande, California. When similar problems emerged the family moved to Oregon after only a few months. From here the family moved to Portland, Oregon where Lindsay attended high school and was converted during a Charles F. Parham evangelistic campaign.
During his youth he came under the influence of John G. Lake, former resident of Zion City, missionary to South Africa, and founder of the Divine Healing missions in Spokane, Washington, and Portland, Oregon in 1920. Lindsay joined the healing and evangelistic campaigns of Lake, traveling throughout California and the southern states.
Lindsay began his own ministry in California as pastor of small churches in Avenal and San Fernando and for the next eighteen years, he travelled acros s the country holding revivals in full gospel churches. This period of travel prepared him as perhaps no other man in the nation to establish communication among a variety of Pentecostals.
When World War II began, Lindsay felt compelled to give up his evangelistic ministry because its rigorous lifestyle was taking its toll on his young family. He accepted a call to pastor a church in Ashland, Oregon.
William Branham enters Gordon Lindsay’s life
By 1947 he had witnessed the extraordinary ministry of William Branham and responded to the invitation to become Branham’s manager. His managerial skills were soon obvious in the Branham campaigns, and in April 1948, he furthered the cause of the of the revival when he produced the first issue of The Voice of Healing, specifically to promote Branham’s ministry. To Lindsay’s great surprise Branham announced that he “would not continue on the field more than a few weeks more.”
At great financial cost Lindsay decided to continue the publication of the new magazine in cooperation with his long-time friends, Jack Moore and his talented daughter Anna Jeanne Moore. He broadened the scope of the magazine by including more of the lesser known healing evangelists who were beginning to hold campaigns and were drawing large audiences.
One such evangelist was William Freeman who had been holding meetings in small churches. Lindsay visited one of his campaigns and immediately felt it was the will of God to team up with him and organise a series of meetings through 1948. The Voice of Healing featured the miracles of the Freeman campaigns.
Voice of Healing Conventions
By March 1949 The Voice of Healing circulation had grown to nearly 30,000 per month and had clearly become the voice of the healing movement. It’s pages successfully spread the message of the Salvation-Deliverance-Healing revival across the world.
In December 1949, Lindsay arranged the first convention of healing revivalists in Dallas, Texas. The assembly was addressed by Branham, Lindsay, Moore, old-timers such as F. F. Bosworth and Raymond T. Richey, and a number of rising revivalists including O. L. Jaggers, Gayle Jackson, Velmer Gardner, and Clifton Erickson. This historic conference symbolized the vitality and cohesion of the revival.
The following year, the convention, now about 1,000 strong, met in Kansas City, with virtually every important revivalist in the nation, with the notable exceptions of William Branham and Oral Roberts. Lindsay exercised great skill and wisdom exposing several points of danger and tension in the movement proposed guidelines for the future. Lindsay understood the fears of the older Pentecostal denominations and leaders and tried his utmost to deal with the offending issues.
In an article announcing “the purpose, plan and policy of the Voice of Healing Convention,” he denounced “free-lancers who violently and indiscriminately attack organization in general,” and he urged avoidance of “novel prophetic interpretations, dogmatic doctrinal assertions, sectarian predilections, theological hair-splitting.”
The Voice of Healing Association
The 1950 meeting made the Voice of Healing convention into a loose association of healing revivalists. The evangelists officially associated with The Voice of Healing magazine held “family meetings” at the conventions, at the same time maintaining their desire to “prove to the world that those associated with The Voice of Healing have no intention to organize another movement.” Through the decade the Voice of Healing conventions were showcases for healing revivalism.
The conference programs were workshops on the problems of healing evangelists. Typical topics were “prayer and fasting,” “preparation for a campaign,” “the follow-up work after a campaign,” “the system of cards for the prayer tent and the healing line” and the delicate issue of finances. As the association grew in importance in the 1950s, the program was frequently headed by Roberts or Branham; though every new revivalist aspired to be a speaker on the program.
The Voice of Healing family of evangelists flowered in the early 1950s. Lindsay continued to publicize Branham’s work, although he was not formally associated with the organization; the nucleus of the fellowship was an influential clique which included O. L. Jaggers, William Freeman, Jack Coe, T. L. Osborn, A. A. Allen, and Velmer Gardner.
Gradually major ministries began their own magazines and had no further need for Voice of Healing promotion. Nevertheless, by 1954 the “associate editors and evangelists” listed in The Voice of Healing numbered nearly fifty.
Though Lindsay became personally involved with healing evangelism from 1949, especially with other revivalists such as T. L. Osborn, he confined his best work to organization and management of the Voice of Healing magazine. By 1956 the expenses of the Voice of Healing were running $1,000 a day. In addition to the national and regional conventions sponsored by his organization, Lindsay also began to sponsor missions and a radio program.
“Lindsay was more than an advisor during the first decade of the healing revival; he was much like the director of an unruly orchestra. He tried desperately to control the proliferation of ministries in an effort to keep the revival respectable. He repeatedly advised, “It is better for one to go slow. Get your ministry on a solid foundation. . . . By all means avoid Hollywood press agent stuff.”
Many of the new leaders of the early 1950s owed their early success to the literary support of Gordon Lindsay through the Voice of Healing, but by 1958, many of the revivalists believed that Lindsay’s work was over.
An evolving ministry
Lindsay’s efforts to consolidate and coordinate the healing movement and its ministries became an impossible task. The increasing independence of ministries and the burgeoning charismatic movement caused Lindsay to reconsider his goals. He took the example of T. L. Osborn and concentrated on missionary endeavours. He remained the historian and theologian of the healing movement but began to produce teaching and evangelistic materials which were sent across the world.
The Voice of Healing ultimately became Christ for the Nations. Native church programs, literature, teaching tapes and funds were distributed to hundreds of locations. The organization had changed from one of healing revivalists into an important missionary society.
His ministry was always to those involved in the healing revival, independents and mainline Pentecostals, but the new charismatics – Lutherans, Methodists and Baptists – became his new audience. His encouragement of, and involvement with, the Full Gospel Businessmen’s Fellowship was designed to provide teaching and wisdom for charismatic leaders, many of whom held Lindsay in high regard.
His death on April 1st 1971
Suddenly, on April 1, 1973, Gordon Lindsay died. His wife, Freda, stepped into the breach and was able to stabilize and advance the ministry of Christ for the Nations. Lindsay’s death brought unparalleled financial support paying off all debts and expanding most of its programs.
David Harrel summarises the life of Gordon Lindsay perfectly: ‘The death of Gordon Lindsay closed a major chapter in the charismatic revival. No single man knew the revival and its leaders so well. No man understood its origins, its changes, and its diversity as did Lindsay. A shrewd manager and financier, Lindsay had been as nearly the coordinator of the healing revival as any man could be.
When the revival began to wane, Lindsay was faced with a crisis more severe than those of most of the evangelists themselves. Never a dynamic preacher, he found himself virtually abandoned by his most successful protégés. But Lindsay proved able to adapt. Always a balanced person, Lindsay built a balanced and enduring ministry.’
Tony Cauchi
god filled your bible with poems
I define poetry as an effort to share a moving experience by using language that is chosen and structured differently from ordinary prose . Sometimes it rhymes. Sometimes it doesn’t. Sometimes it has a regular cadence. Sometimes it doesn’t. But almost always the poet has experienced something — something horrible or wonderful or ordinary — and he feels that he must share it. Using words differently from ordinary prose is the poet’s way of trying to awaken something of his experience (and perhaps even more) in the reader. God Speaks in Poems It has always boggled my mind that so much of the Bible is poetry. God inspired this, and he did not have to do it this way. How much of God’s inspired word is poetry? Leland Ryken answers, One-third of the Bible is not too high an estimate. Whole books of the Bible are poetic: Job, Psalms, Proverbs, Song of Solomon. A majority of Old Testament prophecy is poetic in form. Jesus is one of the most famous poets of the world. Beyond these predominantly poetic parts of the Bible, figurative language appears throughout the Bible, and whenever it does, it requires the same type of analysis given to poetry. That is a lot of poetry — language that is chosen and structured differently from ordinary prose . God can raise the dead by any means he pleases. He can waken dull hearts to the reality of his beauty any way he desires. And one of the ways he pleases to do it is by inspiring his spokesmen to write poetry. Resist the Inexpressible Paradoxically, poetry is an expression of the fact that there are great things that are inexpressible. There is no one-to-one correspondence between the depths of human experience and the capacities of language to capture that experience. There are experiences that go beyond the ability of language to express them. For the poet, this limitation of language does not produce silence; it produces poetry. Poetry is a kind of verbal resistance to the impenetrability of human experience. The poet will at least try. Say It with a Poem For example, can we even begin to imagine what it felt like for the fathers and mothers of the children in Bethlehem to lose their little ones when Herod’s murder squad arrived and slaughtered all of them under two years old? Perhaps not. But there was one year (inspired by the loss of a son in our church) when I said: I will try. And I will try with a poem. It has come to be called The Innkeeper . I imagine a father who not only lost two sons that horrible night, but also his wife and his arm. He made room for Joseph and Mary. But he had no idea what it would cost him to embrace the Son of God. Jesus comes back to visit him just before going to the cross. The poem describes the meeting. Slow Communication Is Not Popular We do not live in a day when poetry is in vogue. Perhaps it has never been in vogue. Shaped by smartphones and soundbites, we are impatient with communication that forces us to slow down. Poetry, by definition, is a kind of communication that cannot be fully appreciated on the first reading. Suppose a poem has a structure of cadence and rhyme and form. Two or three attempts are needed to make the path familiar enough to allow the eyes to be lifted. Then, when the reader is comfortably in the flow, he begins to see so much more than when he was too distracted by the form. So poetry books will seldom be best-sellers. And God has mercifully put all kinds of writing in the Bible besides poetry. He knows better than I do that some people prefer stories (like our Gospels) and others prefer arguments (like the epistle to the Romans). So I will understand if you are not a poetry-lover. But don’t limit yourself too quickly. People change. Times change. This may be the season for you to slow down and reconsider.