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About the Book
"Now That I Believe" by Robert A. Cook explores the Christian faith and the journey of belief. The book discusses how faith can transform and empower individuals, and offers guidance on deepening one's relationship with God. Cook shares personal stories and reflections to help readers navigate their own spiritual journeys and live out their beliefs in a meaningful way. Ultimately, the book emphasizes the importance of surrendering to God and trusting in His plan.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
isn’t she beautiful: the role of physical attraction in dating
How significant should physical attraction be in the pursuit of marriage? Or, what role, if any, should physical appearance play in Christian dating? Guys have come to me over the years asking about this. Usually he respects or admires a godly young woman (or, maybe more often, other people in his life think he should  admire her more), and yet he’s not physically attracted to her. She’s not his “type,” he says. “Should I still pursue her?” What would you say to him? I would say, “No.” Or at least, “Not yet.” Given the common assumptions and practices in our society today, including the church, I do not believe a man (or woman) should begin a dating relationship with someone to whom they are not physically attracted. If he admires other things about her, I’m all for him befriending  her and getting to know her in safe, unambiguous, non-flirtatious ways (probably in groups). But I believe physical attraction, at least in the vast majority of cases, is one critical piece in discerning whether to date or marry someone. That being said, I also believe that physical attraction is far deeper and more dynamic, even spiritual, than we tend to think. It’s not static or objective. Real, meaningful, durable attraction is far more than physical. A man or woman’s physical appearance only plays one role in what makes them attractive or appealing. Its role is massive initially, say the very first time you see someone, when all you know about them is what you see, before you even know their name or hear their voice. But its role will necessarily evolve the more you learn about someone. After you’ve learned more about them — by asking their friends, or by hearing them talk, or by watching the way they live — you’ll never see them again as just the person you saw at first. The more we learn about them, the more their appearance is filled, for better or for worse, with new and deeper meaning — with their personality, their convictions, their sense of humor, their faith. The once-stunning girl may lose most of her charm, and the easily overlooked girl may become undeniably beautiful. They each look exactly the same as before, and yet they don’t. You see them, even their physical appearance, differently now. Physical (and Flexible) Attraction Don’t believe me? Ask sixty-year-old love birds if they’re still “physically attracted” to each other. Some of them are more attracted to each other than ever, and it’s not  because they’re gaining weight, losing their hair, or having more trouble getting around. It’s because their appearance, in the eyes of their beloved, is increasingly filled with a deepening appreciation for the beauty in the other. They see something different in each other’s eyes. The hands are worn, but familiar and safe. The wrinkles are the years of faithfulness and bliss spent together. Their love not only looks beyond the surface, but sees the surface with new eyes. “True love not only looks beyond the surface, but sees the surface with new eyes.” On the other side, that celebrity you think is so  hot right now can lose all of his or her appeal overnight, literally in one headline. The heartthrob guy beats his girlfriend, or the magazine-cover woman sleeps with three more guys. It’s suddenly harder to even look at pictures of them anymore. They each look exactly the same, but they don’t. You see the same pictures differently now — same hair, same eyes, same figure — all suddenly unappealing, unattractive. Physical attraction is real, but flexible. God has wired us to appreciate beauty in his design — to find men (for women) or women (for men) physically appealing — and that is a real and important element in our pursuit of marriage, and eventually in our flourishing within the covenant. God gave us physical senses and desires for our good. But that’s only one piece of what makes people attractive, and it is not the main piece — nowhere close. Mutual faith in Jesus Christ should be the most arrestingly attractive thing about any potential spouse. Beauty Is Vain This may be the most important thing to learn about physical (or sexual) attraction: that at its richest and fullest, it is not only or even mainly physical (eyes, hair, and figure). “Charm is deceitful, and beauty is vain, but a woman who fears the Lord is to be praised” (Proverbs 31:30). Why does Solomon even need to say that? Because physical beauty and charm are naturally appealing. But without faith, they’re fading, and fast. You can look at a picture in an ad or on an app and decide whether someone’s physical appearance is appealing to you, but that’s like buying a house based on a picture from the front yard. Most people want to enjoy how the front of their house looks, but that doesn’t typically break the list of the top ten or fifteen things they’re looking for in a home. How many bedrooms and bathrooms? Have the appliances been updated in the last five or ten years? What kind of shape is the foundation in? The outside may be most important to some people, but they’re probably people who haven’t owned a home before. The inside of a house — space, appliances, interior design — can cover a multitude of sins outside. But no amount of paint and creativity outside can fix serious issues inside. “Godliness should be the most attractive thing about the most attractive people.” So, let’s ask the question another way. Should a Christian man pursue a Christian woman to whom he is  physically attracted? I might say, “No.” That is, if all you know or like about her is what you see. I would encourage you to befriend her and get to know her in safe, unambiguous, non-flirtatious ways (probably in groups), until you know whether there is real beauty behind her face and everything else anyone can see. Have you seen enough of her faith, her spiritual strength and maturity, her Christlikeness to know if her beauty is real and durable, or superficial and fading? Better with Age I would not encourage a man to pursue a godly woman whom he’s not attracted to physically, but I won’t let the conversation end there, either. I’ll give him a few other questions to ask himself. For instance, if she really is a godly woman, why might you be more attracted to the unbelieving girl in your algebra class? Or (for the women), if he really is a godly man, why might you be more attracted to the ungodly guy at work? As godly men and women, we should find godliness incredibly attractive. In fact, in our eyes and hearts, it should be the most attractive thing about the most attractive people. That doesn’t mean that if you’re a Christian, you should find every Christian man or woman attractive. But it should mean there’s a theme or trend in your attractions. In our day, it seems wise, in general, for men and women to date someone to whom they are attracted. And  Christian men and women should be cultivating hearts that are more attracted to faith and character than anything else. The world around us will preach that physical beauty is everything, but we know and desire better. Of all the people in the world, we should be the most free from enslavement to physical appearances and sexual titillation. Our eyes should be increasingly drawn to modesty, not immodesty. As we put on the eyes and heart of Christ, we should increasingly be able to see through all the temporary and fading appearances to the things that are truly beautiful — the qualities in each other that imitate Jesus and anticipate heaven. The qualities that get better with age. My Hope for Men What’s my hope for Christian men? “It is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the glory and praise of God” (Philippians 1:9–11). I want our men (and women) to be known for recognizing and approving what is truly excellent and beautiful, that there would be a strange and durable purity to our pursuits of marriage. What an awesome thing it would be if the world was confused today by your interest in a Christian woman whom they find less physically attractive, only to have it make perfect sense  twenty-five years later when you’re happily married (and more attracted to each other than ever) — and they’re five months into their fifth marriage. “Christians should be cultivating hearts that are more attracted to faith and character than anything else.” If you’re a Christian, and you’re not as attracted to godliness as you want to be, or if you feel yourself fixated on physical beauty, what should you do? Confess that to a brother. Bring someone in to sift through those desires with you, someone who can help you apply the gospel with grace and truth. And then start looking for evidences of grace in godly women. It’s easy to notice physical features — almost any man in the world is capable of that — but discipline yourself to notice and appreciate true beauty, which is not flaunted, but buried in a woman’s heart and expressed in things like patience, kindness, and selflessness. Say a prayer of thanks for what you see in women like that, and then share it with your friend. Turn the world’s crude locker-room conversations on their head by commending true and lasting beauty with humility and respect. Learn the vanity of physical beauty (by itself) and the lies lacing flirtatious charm and flattery, and train your heart and mind to praise and desire the woman whose heart is hot for Jesus.
