About the Book
"Not Guilty" by Creflo Dollar is a book that explores the concept of guilt and how it can impact our lives. Dollar argues that through understanding and accepting God's forgiveness, we can let go of guilt and live a more fulfilling and purposeful life. The book provides practical advice and spiritual insights on how to overcome guilt and embrace a life of freedom and peace.
Aimee Semple McPherson
Aimee Semple McPherson was born on Oct. 9, 1890, on a farm in Salford Ontario, Canada. Her father, James Kennedy, was a farmer and came from a Methodist background. Her mother, Mildred, known as “Millie,” came from a Salvation Army background.
Although she was raised in a Christian home, she began to question the Bible during her teen years.
When she was 17, she attended a revival Pentecostal meeting presented by evangelist Robert Semple, where she heard the message of repentance. He also spoke of baptism in the Holy Spirit, an experience for which she hungered. After receiving the infilling of the Holy Spirit, she also was filled with a great love and compassion for souls and a fervent passion to serve the Lord throughout her whole life.
The meeting Aimee attended changed her life not only spiritually but also romantically. The evangelist Robert Semple later become Aimee’s husband. They were married when she was 18. Their ministry desires were compatible. After their ministry trips in Chicago and the Ingersoll area, they headed to China as missionaries.
In 1910 while in China, Robert and Aimee contracted Malaria within months of arriving in Hong Kong. Robert didn’t survive, leaving Aimee pregnant and a widow at 19. When her daughter, Roberta Star, was a month old, Aimee returned to United States to raise her. Aimee and Roberta lived in New York with Aimee’s mother.
She assisted her mother raising money for the Salvation Army. It was there she met and married a Christian businessman named Harold McPherson. They had a son, Rolf Kennedy McPherson. After a decline in health, two major surgeries and a near-death experience, God asked her one last time, “Now, will you go?” She answered yes to God’s call and almost immediately was healed. She never again questioned the call to preach the gospel.
Aimee is known for founding the Foursquare Gospel Church in 1918. She also was a woman ahead of her time, possessing boldness in her speaking ability and creative ways to communicate the gospel.
The name Foursquare Gospel originated from the Book of Ezekiel. It represents the four phases of the gospel of Jesus Christ. In the face of the Man, she saw Jesus our Saviour. In the face of the lion, she saw Jesus the mighty Baptiser with the Holy Spirit and fire. In the face of the ox, she saw Jesus the Great Burden Bearer. In the face of an eagle, she saw Jesus the coming King, who will return in power and glory. It was, in Aimee’s opinion, “a perfect gospel. A complete gospel for body, for spirit and for eternity.”
Her ministry was dynamic. She witnessed thousands saved and healed during her evangelistic meetings. Being creative and theatrical, Aimee used drama, music and opera to appeal to the audience. Bands, choirs and other crowd-pleasing touches enhanced her dynamic preaching. Though she was well-versed in the Bible, Aimee’s success wasn’t based on her knowledge, but rather the delivery of her messages.
She also was known as a faith healer, with claims of physical healing occurring during her meetings. Her faith healing demonstrations were written about extensively in the media, as they were a large focus of her early ministry. Aimee was an evangelistic pioneer, determined to spread the message of the Pentecostal faith, and used her fervour and flamboyance to win a huge following.
She had achieved what no one had yet done in ministry, which was to build a 5,000-seat auditorium in an influential area of Los Angeles. This paved the way for other female evangelists during a time when women were not accepted in the pulpit. She also launched the first Christian radio station and established a Bible college. By 1917, she had started her own magazine The Bridal Call, for which she wrote many articles about women’s roles in religion; she portrayed the link between Christians and Jesus as a marriage bond.
Jan. 1, 1923, the new Angelus Temple was opened in a flamboyant style. Aimee was seated on a red velvet throne dressed in a nurse’s uniform and cape. Accompanying her were 200 singers, three bands, two orchestras and six quartets. The Angelus Temple was featured on a float in Pasadena’s Tournament of Roses parade, while the extravagant dedication service was given full coverage in The New York Times. What became the home of The Church of the Foursquare Gospel filled four times each Sunday and twice weekly. Aimee also ministered at highly sought-after healing services during the week.
Reporters marveled at her oral skills, saying, “Never did I hear such language from a human being. Without one moment’s intermission, she would talk from an hour to an hour and a half, holding her audience spellbound.” Rather than using fire-and-brimstone preaching, Aimee resorted to a style of joyous celebration, representing the loving face of God.
She also brought old-time religion into the modern age, using illustrated sermons to help people understand the gospel better. Also, stage productions were incorporated, drawing people who usual didn’t attend church. In an era prior to television, these services proved entertaining, and she used this method to present the message of salvation through faith in Jesus.
Aimee welcomed all walks of life. She preached to the high class of society, as well as the poor and disadvantaged. She treated everyone equally regardless of race, gender or status.
In the 1920s, Aimee became a well-known voice among civic leaders, politicians, actors and actresses, and pastors from various denominations. Her sermons were reprinted in hundreds of newspapers in Canada, the United States and Mexico and were read by millions. In 1927, she opened a commissary to feed the marginalized and supply them with clothing and other necessities. Aimee set up a 24/7 soup kitchen at her temple in 1936 to help families through the Great Depression .She also became involved with war bond rallies and linked religion to patriotism in her sermons when America joined the Second World War in 1941.
Aimee’s legacy is threefold. Using the dramatic arts to reach the lost (an innovative tool) and the latest technology to spread the gospel. She reached out to the poor, helping thousands in the Los Angeles area who were starving. She taught a full-gospel message and regularly saw thousands of healings and miracles in her meetings.
Aimee passed away due to an accidental overdose in 1944 and was buried in Forest Lawn Memorial Park Cemetery in California. Her son, Rolf, has kept her memory and ministry alive by carrying the ministry for 40 four years. The Foursquare church is still standing strong with 8 million members worldwide.
The Awl
I saw a good Samaritan Slow down and stop. “This is that kind of road; and none Of my sweet business here.” Atop The hill just to the east he saw The restful spires Of Jericho. “There is no law,” He thought, “no statute that requires My bother, let alone the chance Of injury.” But conscience rose and put a glance Of his own son for him to see Before his father-eyes. He crossed The lonely road, And whispered to himself, “The cost Of this assault is not his load Alone. Perhaps his father waits In Jericho.” He knelt. “Such are the fates Samaritans endure.” Then, “No! This is a Jew!” And worse, much worse: The man was dead. “Now what?” he thought. “It is a curse To die and rot without a bed Beneath the ground. And he is young. His father will Be searching soon, perhaps.” He clung To one small metal awl until, In his dead hand, it pierced his skin, As if to say To highway thieves: “Not this, not in My life will this be snatched away.” The good Samaritan put him Upon his beast, And set his face to do the grim, Bleak work of bearing the deceased Up to Jerusalem to find A leather row Where some young tanner had been signed To take a load to Jericho. He stopped at the first shop, “Can you Say if a man Was sent with leather goods down through The road to Jericho?” “I can. But hardly yet a man! In age, Or worth, I think. For all I know, his grief and rage Drove him to steal the lot, and drink His sorry way to Gerasa. His father’s sick With fear. There was a bruhaha The night he left. He tried to stick A man because his mother’s name Was smeared. He slashed Him with a tanner’s awl. He came By here to get his load, and lashed It to his mule and disappeared. His mother died Last year. The old man with the beard, Down at the corner, right hand side, That’s his dad.” “Thank you.” Hesitant, And burdened down With death, he waited at the front, Until the old man, with a frown, Said, “What you got for sale there, sir?” “It’s not for sale, Or trade, or deals. But if it were, You’d pay me anything. This veil Lies on the treasure of your life: Your son. And in His hand, unstolen in the strife. There is an awl thrust through his skin.” The old man lifted up the cloak, And put it back. “I found him on the road.” “Your folk Hate Jews, my friend. And there’s no lack Of corpses on that road. What do You want from me For this?” “I want to know from you About the awl. And I would be Obliged if you would tell me what It means.” “All right. A year ago, tonight, we shut His mother’s eyes. And every light Went out for him. But just before She died, she called Him. It was early, and a score Of birds were singing. So enthralled, She seemed, then said to him, ‘My child, With singing birds, I give you now my awl.’” He smiled, “She always had a way with words.” John Piper
