Living In The Kingdom Where Grace Rules Order Printed Copy
- Author: Steve Mcvey
- Size: 957KB | 223 pages
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About the Book
"Living in the Kingdom Where Grace Rules" by Steve McVey is a Christian book that explores the concept of God's grace and its transformative power in our lives. McVey delves into how understanding and embracing God's grace can lead to freedom, peace, and a deeper relationship with God. The book offers practical guidance on living a life grounded in grace and experiencing the fullness of God's love and mercy.
William Still
I recently read Dying to Live (Christian Focus, 1991), the autobiography of Scottish pastor William Still. I became interested in Still after reading his book The Work of the Pastor earlier this year.
The first half of Dying to Live tells about Still’s early years into young adulthood and his beginning in pastoral ministry. Still had an unsettled childhood. His parents were separated in his early years, and his father was an alcoholic. He was a sickly child who took refuge in music and became an accomplished pianist. He was part of the Salvation Army as a young man but then entered ministry in the Church of Scotland and served at the Gilcomston Church in his hometown of Aberdeen from 1945-1997.
The second half of the book deals with various aspects of Still’s pastoral ministry. Still was an evangelical. In his early ministry he worked with Billy Graham, Alan Redpath, and others in evangelistic events. With time, however, he moved away from what he came to call “evangelisticism” to develop a solid expositional ministry.
Still faced his fair share of hardships during the course of his ministry. When he moved away from pragmatic evangelistic methods, for example, more than two hundred people stopped attending his church almost overnight. In the preface, he references Martin Luther’s observation that there are three things which make a minister: study, prayer, and afflictions. He observes, “He who is not prepared to make enemies for Christ’s sake by the faithful preaching of the Word will never make lasting friends for Christ, either” (p. 93).
He describes one particularly difficult controversy early in his ministry when he confronted a group of disgruntled elders. At the end of one Sunday service, he read a statement confronting these men, which ended, “There you sit, with your heads down, guilty men. What would you say if I named you before the whole congregation? You stand condemned before God for your contempt of the Word and of his folk.” He adds, “The moment I had finished, I walked out of the pulpit. There was no last hymn—no benediction. I went right home. It was the hardest and most shocking thing I ever had to do in Gilcomston” (p. 124). That same week seven of his elders resigned and Still was called twice before his Presbytery to answer for the controversy. Yet, he endured.
Still maintains that in light of the unpleasantness one will face in the ministry that the minister of the Word must possess one quality in particular: “…I would say that this quality is courage: guts, sheer lion-hearted bravery, clarity of mind and purpose, grit. Weaklings are no use here. They have a place in the economy of God if they are not deliberate weaklings and stunted adults as Paul writes of both to the Romans and to the Corinthians. But weaklings are no use to go out and speak prophetically to men from God and declare with all compassion, as well as with faithfulness, the truth: the divine Word that cuts across all men’s worldly plans for their lives” (p. 140).
Still was a pioneer in several areas. First, he developed a pattern of preaching and teaching systematically through books of the Bible at a time when this was rarely done. He began a ministry of “consecutive Bible teaching” starting with the book of Galatians in 1947, calling this transition from “evangelisticism to systematic exposition … probably the most significant decision in my life” (p. 191).
He was also a pioneer in simplifying and integrating the ministry of the church. After noting how youth in the church were drifting away, even after extensive involvement in the church’s children’s ministry, Still writes, “I conceived the idea of ceasing all Sunday School after beginners and Primary age (seven years) and invited parents to have their children sit with them in the family pew from the age of eight” (p. 171). He laments “the disastrous dispersion of congregations by the common practice of segregating the church family into every conceivable category of division of ages, sexes, etc.” (p. 173).
Dying to Live is a helpful and encouraging work about the life and work of the minister and is to be commended to all engaged in the call of gospel ministry. As the title indicates, Still’s essential thesis is that in order to be effective in ministry the minister must suffer a series of deaths to himself (cf. John 12:24). On this he writes:
The deaths one dies before ministry can be of long duration—it can be hours and days before we minister, before the resurrection experience of anointed preaching. And then there is another death afterwards, sometimes worse than the death before. From the moment that you stand there dead in Christ and dead to everything you are and have and ever shall be and have, every breath you breathe thereafter, every thought you think, every word you say and deed you do, must be done over the top of your own corpse or reaching over it in your preaching to others. Then it can only be Jesus that comes over and no one else. And I believe that every preacher must bear the mark of that death. Your life must be signed by the Cross, not just Christ’s cross (and there is really no other) but your cross in his Cross, your particular and unique cross that no one ever died—the cross that no one ever could die but you and you alone: your death in Christ’s death (p. 136).
god filled your bible with poems
I define poetry as an effort to share a moving experience by using language that is chosen and structured differently from ordinary prose . Sometimes it rhymes. Sometimes it doesn’t. Sometimes it has a regular cadence. Sometimes it doesn’t. But almost always the poet has experienced  something — something horrible or wonderful or ordinary — and he feels that he must share it. Using words differently from ordinary prose is the poet’s way of trying to awaken something of his experience (and perhaps even more) in the reader. God Speaks in Poems It has always boggled my mind that so much of the Bible is poetry. God inspired this, and he did not have to do it this way. How much of God’s inspired word is poetry? Leland Ryken answers, One-third of the Bible is not too high an estimate. Whole books of the Bible are poetic: Job, Psalms, Proverbs, Song of Solomon. A majority of Old Testament prophecy is poetic in form. Jesus is one of the most famous poets of the world. Beyond these predominantly poetic parts of the Bible, figurative language appears throughout the Bible, and whenever it does, it requires the same type of analysis given to poetry. That is a lot of poetry — language that is chosen and structured differently from ordinary prose . God can raise the dead by any means he pleases. He can waken dull hearts to the reality of his beauty any way he desires. And one of the ways he pleases to do it is by inspiring his spokesmen to write poetry. Resist the Inexpressible Paradoxically, poetry is an expression of the fact that there are great things that are inexpressible. There is no one-to-one correspondence between the depths of human experience and the capacities of language to capture that experience. There are experiences that go beyond the ability of language to express them. For the poet, this limitation of language does not produce silence; it produces poetry. Poetry is a kind of verbal resistance to the impenetrability of human experience. The poet will at least try. Say It with a Poem For example, can we even begin to imagine what it felt like for the fathers and mothers of the children in Bethlehem to lose their little ones when Herod’s murder squad arrived and slaughtered all of them under two years old? Perhaps not. But there was one year (inspired by the loss of a son in our church) when I said: I will try. And I will try with a poem. It has come to be called The Innkeeper . I imagine a father who not only lost two sons that horrible night, but also his wife and his arm. He made room for Joseph and Mary. But he had no idea what it would cost him to embrace the Son of God. Jesus comes back to visit him just before going to the cross. The poem describes the meeting. Slow Communication Is Not Popular We do not live in a day when poetry is in vogue. Perhaps it has never been in vogue. Shaped by smartphones and soundbites, we are impatient with communication that forces us to slow down. Poetry, by definition, is a kind of communication that cannot be fully appreciated on the first reading. Suppose a poem has a structure of cadence and rhyme and form. Two or three attempts are needed to make the path familiar enough to allow the eyes to be lifted. Then, when the reader is comfortably in the flow, he begins to see so much more than when he was too distracted by the form. So poetry books will seldom be best-sellers. And God has mercifully put all kinds of writing in the Bible besides poetry. He knows better than I do that some people prefer stories (like our Gospels) and others prefer arguments (like the epistle to the Romans). So I will understand if you are not a poetry-lover. But don’t limit yourself too quickly. People change. Times change. This may be the season for you to slow down and reconsider.