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About the Book
"Intentional Living" by John Maxwell is a guide to living a purposeful and meaningful life by making conscious choices and setting clear goals. Maxwell encourages readers to align their actions with their values, take personal responsibility for their lives, and pursue their dreams with focus and determination. Through practical advice and inspiring stories, the book offers a roadmap for creating a life of intention and fulfillment.
Kathryn Kuhlman
Kathryn Johanna Kuhlman was born on May 9, 1907, in Concordia, Missouri. Her parents were German and she was one of four children. Her mother was a harsh disciplinarian, who showed little love or affection. On the other hand, she had an extremely close and loving relationship with her father. She would describe, as a small child how, her father would come home from work and she would hang on his leg and cling to him. She often said that her relationship with God the Father was extremely real because of her relationship with her own father.
Kuhlman was converted, when she was 14, at an evangelistic meeting held in a small Methodist church. When she was 16 she graduated from high school, which only went to tenth grade in their town. He older sister Myrtle had married an itinerant evangelist, Everett B. Parrott. They spent their time traveling and asked that Kathryn could join them for the summer. Her parents agreed and she went to Oregon to help out. She worked with them, and often gave her testimony. When the summer was over she wanted to stay, and the couple agreed. She ended up working with them for five years.
The evangelistic team was made up of four people, Everette, Myrtle, Kathryn, and pianists named Helen Gulliford. In 1928 Everette missed a meeting in Boise, Idaho. Myrtle and Kathryn preached to cover for Everette. The pastor of the church encouraged Kathryn to step out on her own. Helen agreed to join her. Her first sermon was in a run-down pool hall in Boise, Idaho. The team covered Idaho, Utah, and Colorado for the following five years. In 1933 they moved into Pueblo, Colorado. They set up in an abandoned Montgomery Ward warehouse. They stayed there for six months.
Denver, being a much bigger city, was the next stop. They moved several times but ended up in a paper company's warehouse, which they named the Kuhlman Revival Tabernacle. Then in 1935 they moved once more to an abandoned truck garage they named the Denver Revival Tabernacle. Kathryn was seeing a lot of success in Denver. The church grew to about 2000 members. She began a radio show called "Smiling Through" and invited speakers from all over the country. One of them was Phil Kerr who taught on divine healing. In 1935 another invited evangelist was Burroughs Waltrip.
Waltrip was bad news for Kuhlman. He was a charismatic, handsome man several years older than she was. There was an immediate attraction, and one family claims to have seen the couple embracing in 1935, but he was married and had two children. Waltrip left Denver and went home to Austin, Texas, but the relationship simmered between Kuhlman and Waltrip. In 1937 he was invited back to Denver to take the pulpit for two months. Shortly after he divorced his wife and abandoned his two sons. He then spread the story that his wife had left him. He moved to Mason City, Iowa, where he told everyone he was single, and started a new ministry. Waltrip raised pledges of $70,000 to build a ministry building called Radio Chapel. It was state of the art with a disappearing pulpit and an art deco style. He appeared to be a successful and dynamic preacher.
There was an ongoing relationship between Kuhlman and Waltrip, and they married in September 1938. Kuhlman was naive about the consequences of her choices and the marriage was a disaster. She announced to her church that she and Waltrip were married and they would go between Denver and Mason City preaching at their two churches. Most of the people in her congregation left due to her relationship with Waltrip. She gave up her church in Denver, lost some of her closest associates, and moved to Mason City. Waltrip's success turned out to be a pipe dream as well. The Radio Chapel was completed in June of 1938. By October 1938 Waltrip could not meet his debts. In December Waltrip was demanding a higher salary, even with the shortfall in income. His Board of Directors quit and left him to deal with the finances. His solution was not to pay the mortgage or debts on the Chapel. Radio Chapel went into bankruptcy. Waltrip's last sermon was in May 1939. The Waltrips were on their own. Kathryn's happy vision of she and her husband flying back and forth between Denver and Mason City with a successful preaching careers was utterly demolished.
The next few years were very hard for the couple. They embarked on the road as traveling evangelists, primarily staying in the Midwest. They were not accepted in many places due to their marriage history. Initial advertisements listed Waltrip as the primary evangelist. Then occasionally Mrs. Waltrip was also mentioned. By the early 1940s Kathryn Kuhlman Waltrip was given equal billing. Finally by the mid-1940s Kathryn was using only Kathryn Kuhlman in meetings where she was the primary speaker. In 1944 Kuhlman went on an evangelistic tour on the east coast without Waltrip. It may have been a conscious decision to leave him, or she may also have taken the opportunity to reassess her life. It appears to have been more gradual as Waltrip wrote about them as a couple as late as 1946. Kuhlman never returned to Waltrip and they eventually divorced in 1947. She left her marriage behind and from then on acted as if it never existed in the first place.
In 1946 Kuhlman was asked to speak in Franklin, Pennsylvania. She was well received and decided to stay in the area. Kuhlman began preaching on radio broadcasts in Oil City, Pennsylvania. These became so popular they were picked up in Pittsburgh, and she was preaching throughout the area. She began to preach about the healing power of God. In 1947 a woman was healed of a tumor while listening to Kuhlman preach. Several Sundays later a man was also healed while she was teaching on the Holy Spirit. She was now convinced of God's healing work. One important thing to note is the context and timing of this breakout period in Kuhlman's life. 1947 was the beginning of the Healing Revival (sometimes referred to as the Latter Rain Revival) that would last for the next 10 years. What was happening in Kuhlman's meetings was breaking out across the United States. It was in this time frame that the Voice of Healing Ministry was established and men like William Branham, Oral Roberts, A.A. Allen and many others were propelled onto the public stage. Kuhlman was not associated with those groups, but stepped into the flow of what God's Spirit was doing across the nation and the world.
In 1948 Kuhlman held a series of meetings at Carnegie Hall in Pittsburgh. She eventually moved to Pittsburgh in 1950, and continued to hold meetings at Carnegie Hall until 1971. She was used by God to bring the charismatic message to many denominational churches, including the Catholic Church. (She received a lot of criticism over this and was accused of being a closet Catholic.) These were her best known years. Her style was flamboyant. She would hold her famous miracle services and the auditorium was filled to capacity every time. She was on radio and television shows. She was ordained in 1968 by the Evangelical Church Alliance. Hundreds of people were healed in her meetings, and even while listening to her on the radio or television. People she prayed for would often be hit with the power of God and be "slain in the Spirit." Kuhlman never claimed that she was the healer. She always pointed people to Jesus as their healer.
Kuhlman had been diagnosed with a heart problem in 1955. She kept a very busy schedule and overworked herself, especially in the 1970's. She traveled back and forth from Pittsburgh to Los Angeles frequently, as well as taking trips around the world. Her heart was enlarged and Kuhlman died on February 20, 1976, in Tulsa, following open-heart surgery. Videos of some of her services are still available and continue to be popular today.
The Soundtrack of Heaven
The book of Revelation confuses many Christians. Filled with beasts, angels, living creatures, wars, lightning, thunder, prophecies, and visions, its story can be a bit overwhelming for any of us. Something like a Marvel movie on steroids. Not surprisingly, scholars differ widely on what it all means. Some try to tie it to actual people and events in history. Others assign most of Revelation to the future. Still others believe God is giving us repeated descriptions of what is taking place now in the church age. Wherever we land on the bigger picture, Revelation gives us a series of windows into reality that are both hard to miss and easier to understand: its songs. Woven into the fabric of the book are around a dozen choruses, both spoken and sung. That shouldn’t surprise us given how often in Scripture drawing near to God is expressed and encouraged through singing. But these songs of heaven are unique. They’re written by God himself, and they show us what singing in God’s presence will really be like. And we may be singing some form of these particular choruses forever. Even now, though, they have much to teach us. Songs of Exuberance Let’s admit it. The descriptions of the singing of heaven put the sound of any rock concert or sports stadium to shame, not to mention most churches. Myriads of myriads and thousands of thousands, saying with a loud voice . . . (Revelation 5:11–12) And I heard every creature in heaven and on earth and under the earth and in the sea . . . (Revelation 5:13) And all the angels . . . fell on their faces before the throne. (Revelation 7:11) Then I heard what seemed to be the voice of a great multitude, like the roar of many waters and like the sound of mighty peals of thunder . . . (Revelation 19:6) “The example of heaven challenges the assumption that congregational worship should be reserved and subdued.” Both audibly and visually, we’re confronted with the fact that those who truly grasp God’s nature and what he’s accomplished will be moved to sing. As Dennis Johnson writes, Revelation shows us that “those who dwell with God in heaven constantly break forth in song, overwhelmed with joy and adoration by his perfections in himself and by his awesome achievements in creation and redemption” (Triumph of the Lamb, 330). The example of heaven challenges the assumption that congregational worship should be reserved and subdued. While we cite proof texts, claim to honor tradition, and avoid looking too fanatical, might it be that we’re actually just failing to see how great God’s glory in Christ really is? Songs of Explanation Heaven’s songs give us insight into the character of God, the works of his hands, and why he does what he does. We don’t hear any of the simple, repetitious 7-11 songs (7 words repeated 11 times — or more!) that are so popular today. Rather, the lyrics shed real light on what’s happening in the world and in the heavenly throne room. ILLUMINATING HOLINESS For instance, at the beginning of Revelation 4, John is shown an open door in heaven. He paints a moving picture of what he sees and hears. A throne. An emerald-like rainbow. Flashes of lightning. Peals of thunder. But what does it all mean? Revelation 4:8 tells us: Holy, holy, holy, is the Lord God Almighty, who was and is and is to come! God is thrice holy — righteous, omnipotent, eternal, set apart. The song of verse 11 further explains that God created all things and sustains all things for his pleasure: Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created. (Revelation 4:11) UNFOLDING REDEMPTION At the beginning of chapter 5, John hears a new song, sung to the Lamb: Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth. (Revelation 5:9–10) The Lamb could open the scroll because he was slain, a reference to his substitutionary death on the cross. His death ransomed people for God from every tribe, language, people, and nation, a reference to the international scope of the gospel invitation. The ransomed will be a kingdom and priests to God who will reign forever on earth, a statement showing that God’s promise to make Israel “a kingdom of priests and a holy nation” (Exodus 19:6) was fulfilled in the church, made up of both Jews and Gentiles. In short, despite the turmoil and tests of the present age, God will surely have a diverse people for his glory with whom he will live forever. After an outpouring of praise for the Lamb’s attributes (Revelation 5:12), we hear another song, declaring Jesus’s divinity as clearly as any passage in Scripture: “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” (Revelation 5:13). In a similar way, our songs should be filled with the character, nature, purposes, actions, and heart of God. Words don’t get in the way of worship. They give substance and meaning to it. Songs of Encouragement When God gave John the prophecy of Revelation, Christians were already facing varying degrees of persecution, and it was expected to increase. Pressures to conform to a pagan culture, and even to participate in the idolatry of emperor worship, came at Christians from every direction. What would give John’s readers faith to endure and courage to stand against opposition? What would strengthen their resolve as they saw friends and family members taken from their homes and martyred for their allegiance to King Jesus? The knowledge that God’s throne is immovable, sovereign, and eternal. The saints needed to be reminded that, in the heavenly realms, God’s authority and rule are not only affirmed, but celebrated: The kingdom of the world has become the kingdom of our Lord and of his Christ. (Revelation 11:15) We give thanks to you, Lord God Almighty, who is and who was, for you have taken your great power and begun to reign. (Revelation 11:17) Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants. (Revelation 19:1–2) How often do our songs both detail the forces of evil arrayed against us and point us clearly to the God who has triumphed over them in Christ? David Peterson asks, Do our hymns and acclamations . . . challenge us to take a firm stand against every manifestation of Satan’s power and to bear faithful witness to the truth of the gospel in our society? It is not good enough to sing certain items merely because they make the congregation feel good! (Engaging with God, 278) “Words don’t get in the way of worship. They give substance and meaning to it.” When we sing together, our strength comes not from aiming to feel and emote, but to see and hear. We want to see God reigning on his throne with absolute justice, wisdom, and power over every terrorist, virus, dictator, and manifestation of evil in our day. And we want to hear and join in the cries of jubilation that are already ascending to the God who can do all things and whose purposes cannot be thwarted (Job 42:2). Songs of Expectation Endurance is one thing. Expectation is another. It’s possible to sing through dark seasons, discouraging outcomes, heart-wrenching losses, relentless opposition, and dwindling resources with grit, resolve, and stoicism. But that doesn’t describe the songs of heaven. Not even close. They’re marked by joy. And that joy stems from a confident expectation that God will accomplish everything he has promised. The final songs of Revelation describe God overcoming all evil, the nations bowing down in worship, and the bride of Christ finally beholding her groom, King Jesus, at a never-ending royal celebration of grace. All nations will come and worship you, for your righteous acts have been revealed. (Revelation 15:4) Hallelujah! For the Lord our God the Almighty reigns. Let us rejoice and exult and give him the glory, for the marriage of the Lamb has come, and his Bride has made herself ready; it was granted her to clothe herself with fine linen, bright and pure. (Revelation 19:6–8) Do our songs help people clearly understand that what’s yet to come is not only certain but worth celebrating now? Do we fill them with anticipation for our glorious future in Christ, when “all the waiting will be over, every sorrow will be healed, all the dreams it seemed could never be will all be real”? Our songs help bring into sharper focus the things hoped for and unseen that God has promised to us. Transformed Through Singing Will our earthly songs look and sound exactly like the songs of heaven? No. But can the songs of heaven motivate us to sing with greater passion, understanding, confidence, and anticipation now? Absolutely. G.K. Beale writes, Is it possible . . . that, as we declared the same truths about God as the heavenly beings do, the same Holy Spirit who is pictured as being before the throne would deepen and transform our understanding of God and his glory in a way that touches our whole being, in its spiritual, intellectual, emotional, and even physical components? (Revelation: A Shorter Commentary, 108) It’s not only possible. It’s God’s intention. So, may we joyfully model our singing after the songs of heaven until, by the grace of God, they are no longer just a worthy goal, but the sound of present reality. Article by Bob Kauflin
