GIP Library icon

LOG IN TO REVIEW

Inspiring, I was much impacted.

- ella user (5 months ago)

About the Book


"How To See In The Spirit" by Michael Van Vlymen is a guide for individuals looking to develop their spiritual sensitivity and strengthen their relationship with God. The book offers practical techniques and insights on how to open one's spiritual eyes to see and experience the spiritual realm, including visions, dreams, and discerning God's voice. Van Vlymen emphasizes the importance of faith, humility, and obedience in activating the gift of spiritual sight.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

the majesty of god mastered him: john calvin

In 1538, the Italian Cardinal Sadolet wrote to the leaders of Geneva trying to win them back to the Roman Catholic Church after they had turned to the Reformed teachings. John Calvin’s response to Sadolet uncovers the root of Calvin’s quarrel with Rome that would determine his whole life. Here’s what Calvin wrote to the cardinal: “[Your] zeal for heavenly life [is] a zeal which keeps a man entirely devoted to himself, and does not, even by one expression, arouse him to  sanctify the name of God ” ( John Calvin: Selections from His Writings , 89). The issue for Calvin was not, first, the well-known sticking points of the Reformation: justification, priestly abuses, transubstantiation, prayers to saints, and papal authority. All those would come in for discussion. But beneath all of them, the fundamental issue for Calvin, from the beginning to the end of his life, was the issue of the centrality and supremacy and majesty of the glory of God. Calvin goes on and says to Sadolet that what he should do — and what Calvin aims to do with all his life — is “set before [man], as the prime motive of his existence,  zeal to illustrate the glory of God ” ( Selections , 89). This would be a fitting banner over all of John Calvin’s life and work —  zeal to illustrate the glory of God . The essential meaning of Calvin’s life and preaching is that he recovered and embodied a passion for the absolute reality and majesty of God. Captive to Glory What happened to John Calvin to make him a man so mastered by the majesty of God? And what kind of ministry did this produce in his life? He was born July 10, 1509, in Noyon, France, when Martin Luther was 25 years old and had just begun to teach the Bible in Wittenberg. When he was 14, his father sent him to study theology at the University of Paris, which at that time was untouched by the Reformation and steeped in Medieval theology. But five years later (when Calvin was 19), his father ran afoul of the church and told his son to leave theology and study law, which he did for the next three years at Orleans and Bourges. His father died in May of 1531, when Calvin was 21. Calvin felt free then to turn from law to his first love, which had become the classics. He published his first book, a commentary on Seneca, in 1532, at the age of 23. But sometime during these years he was coming into contact with the message and the spirit of the Reformation, and by 1533 something dramatic had happened in his life. Calvin recounts, seven years later, how his conversion came about. He describes how he had been struggling to live out the Catholic faith with zeal when I at length perceived, as if light had broken in upon me, in what a sty of error I had wallowed, and how much pollution and impurity I had thereby contracted. Being exceedingly alarmed at the misery into which I had fallen . . . as in duty bound, [I] made it my first business to betake myself to thy way [O God], condemning my past life, not without groans and tears. God, by a sudden conversion, subdued and brought my mind to a teachable frame. . . . Having thus received some taste and knowledge of true godliness, I was immediately inflamed with [an] intense desire to make progress. ( Selections , 26) What was the foundation of Calvin’s faith that yielded a life devoted utterly to displaying the glory and majesty of God? The answer seems to be that Calvin suddenly, as he says, saw and tasted in Scripture the majesty of God. And in that moment, both God and the word of God were so powerfully and unquestionably authenticated to his soul that he became the loving servant of God and his word the rest of his life. Henceforth he would be a man utterly devoted to displaying the majesty of God by the exposition of the word of God. Compelled to Geneva What form would that ministry take? Calvin knew what he wanted. He wanted the enjoyment of literary ease so he could promote the Reformed faith as a literary scholar. That is what he thought he was cut out for by nature. But God had radically different plans. In 1536, Calvin left France, taking his brother Antoine and sister Marie with him. He intended to go to Strasbourg and devote himself to a life of peaceful literary production. But one night, as Calvin stayed in Geneva, William Farel, the fiery leader of the Reformation in that city, found out he was there and sought him out. It was a meeting that changed the course of history, not just for Geneva, but for the world. Calvin tells us what happened in his preface to his commentary on Psalms: Farel, who burned with an extraordinary zeal to advance the gospel, immediately learned that my heart was set upon devoting myself to private studies, for which I wished to keep myself free from other pursuits, and finding that he gained nothing by entreaties, he proceeded to utter an imprecation that God would curse my retirement, and the tranquillity of the studies which I sought, if I should withdraw and refuse to give assistance, when the necessity was so urgent. By this imprecation I was so stricken with terror, that I desisted from the journey which I had undertaken. ( Selections , 28) The course of his life was irrevocably changed. Not just geographically, but vocationally. Never again would Calvin work in what he called the “tranquillity of . . . studies.” From now on, every page of the 48 volumes of books and tracts and sermons and commentaries and letters that he wrote would be hammered out on the anvil of pastoral responsibility. Unrelenting Exposition Once in Geneva, what kind of ministry did his commitment to the majesty of God produce? Part of the answer is that it produced a ministry of incredible steadfastness — a ministry, to use Calvin’s own description of faithful ministers of the word, of “invincible constancy” ( Sermons from Job , 245). But that is only half the answer. The constancy had a focus: the unrelenting exposition of the word of God. Calvin had seen the majesty of God in the Scriptures. This persuaded him that the Scriptures were the very word of God. He said, “We owe to the Scripture the same reverence which we owe to God, because it has proceeded from Him alone, and has nothing of man mixed with it” ( John Calvin: A Collection of Distinguished Essays , 162). His own experience had taught him that “the highest proof of Scripture derives in general from the fact that God in person speaks in it” ( Institutes of the Christian Religion , 1.7.4). These truths led to an inevitable conclusion for Calvin. Since the Scriptures are the very voice of God, and since they are therefore self-authenticating in revealing the majesty of God, and since the majesty and glory of God are the reason for all existence, it follows that Calvin’s life would be marked by “invincible constancy” in the exposition of Scripture. He wrote tracts, he wrote the great  Institutes , he wrote commentaries (on all the New Testament books except Revelation, plus the Pentateuch, Psalms, Isaiah, Jeremiah, and Joshua), he gave biblical lectures (many of which were published as virtual commentaries), and he preached ten sermons every two weeks. But  all  of it was exposition of Scripture. In his last will and testament, he said, “I have endeavored, both in my sermons and also in my writings and commentaries, to preach the Word purely and chastely, and faithfully to interpret His sacred Scriptures” ( Selections , 35). This was the ministry unleashed by seeing the majesty of God in Scripture. The Scriptures were absolutely central because they were absolutely the word of God and had as their self-authenticating theme the majesty and glory of God. But out of all these labors of exposition, preaching was supreme. God’s Voice in Every Verse Calvin’s preaching was of one kind from beginning to end: he preached steadily through book after book of the Bible. He never wavered from this approach to preaching for almost 25 years of ministry in St. Peter’s church of Geneva — with the exception of a few high festivals and special occasions. “On Sunday he took always the New Testament, except for a few Psalms on Sunday afternoons. During the week . . . it was always the Old Testament.” To give you some idea of the scope of Calvin’s pulpit, he began his series on the book of Acts on August 25, 1549, and ended it in March 1554. After Acts he went on to the Epistles to the Thessalonians (46 sermons), Corinthians (186 sermons), the Pastoral Epistles (86 sermons), Galatians (43 sermons), Ephesians (48 sermons) — until May 1558. Then there is a gap when he was ill. In the spring of 1559, he began the Harmony of the Gospels and was not finished when he died in May 1564. On the weekdays during that season he preached 159 sermons on Job, 200 on Deuteronomy, 353 on Isaiah, 123 on Genesis, and so on. One of the clearest illustrations that this was a self-conscious choice on Calvin’s part was the fact that on Easter Day, 1538, after preaching, he left the pulpit of St. Peter’s, banished by the City Council. He returned in September 1541, over three years later, and picked up the exposition in the next verse. Divine Majesty of the Word Why this remarkable commitment to the centrality of sequential expository preaching? Three reasons are just as valid today as they were in the sixteenth century. First, Calvin believed that the word of God was a lamp that had been taken away from the churches. He said in his own personal testimony, “Thy word, which ought to have shone on all thy people like a lamp, was taken away, or at least suppressed as to us.” Calvin reckoned that the continuous exposition of books of the Bible was the best way to overcome the “fearful abandonment of [God’s] Word” ( Selections , 115). Second, biographer T.H.L. Parker says that Calvin had a horror of those who preached their own ideas in the pulpit. He said, “When we enter the pulpit, it is not so that we may bring our own dreams and fancies with us” ( Portrait of Calvin , 83). He believed that by expounding the Scriptures as a whole, he would be forced to deal with all that God wanted to say, not just what  he  might want to say. Third, he believed with all his heart that the word of God was indeed the word of  God , and that all of it was inspired and profitable and radiant with the light of the glory of God. In Sermon number 61 on Deuteronomy, he challenged pastors of his day and ours: Let the pastors boldly dare all things  by the word of God . . . . Let them constrain all the power, glory, and excellence of the world to give place to and to obey the divine  majesty of this word . Let them enjoin everyone by it, from the highest to the lowest. Let them edify the body of Christ. Let them devastate Satan’s reign. Let them pasture the sheep, kill the wolves, instruct and exhort the rebellious. Let them bind and loose thunder and lightning, if necessary,  but let them do all according to the word of God . ( Sermons on the Epistle to the Ephesians , xii) The key phrase here is “the divine majesty of this word.” This was always the root issue for Calvin. How might he best show forth for all of Geneva and all of Europe and all of history the majesty of God? He answered with a life of continuous expository preaching. This is why preaching remains a central event in the life of the church five hundred years after Calvin. If God is the great, absolute, sovereign, mysterious, all-glorious God of majesty whom Calvin saw in Scripture, there will always be preaching, because the more this God is known and the more this God is central, the more we will feel that he must not just be analyzed and explained — he must be acclaimed and heralded and magnified with expository exultation.

Feedback
Suggestionsuggestion box
x