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"God in the Manger" by John MacArthur is a collection of Christmas reflections that explore the significance of Jesus' birth. The book delves into the theology behind the incarnation and the impact of Jesus' birth on humanity. MacArthur encourages readers to reflect on the true meaning of Christmas and to embrace the hope and joy that come from God becoming man.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

The Brave Stunt That Brought Down Slavery

Have you ever heard about the extraordinary effect that the life of David Livingstone (1813–1873) had on the East African slave trade? It received only a passing sentence in an article I wrote two years ago. Then that summer, another world opened to me. I read Jay Milbrandt’s The Daring Heart of David Livingstone: Exile, African Slavery, and the Publicity Stunt That Saved Millions. I would like to give you a window into that world. Milbrandt’s subtitle is not only provocative; it prepares you for what’s coming. “Exile” refers to the long stretches of time Livingstone spent in the eastern interior of Africa, cut off from his homeland — sending, in one season, over forty letters, only to have one get through. “African Slavery” refers to “the devilish traffic in human flesh” feeding not the American plantations from West Africa, but the plantations of Arabia, Persia, and India, especially via the routes through the island of Zanzibar off the eastern coast of today’s Tanzania. “The Publicity Stunt” refers to Livingstone’s internationally hyped expedition to find the headwaters of the Nile. Milbrandt calls it a “stunt” because Livingstone’s deeper motive was not the Nile. “Livingstone was no longer mounting a Nile expedition, but a grand publicity stunt. The Nile quest provided the platform he needed to campaign against the slave trade” (118). The final phrase of the subtitle, “That Saved Millions,” carries more than one meaning. Not only was slavery declared illegal in colonial East Africa 36 days after Livingstone’s death, but his larger dream to see a “Christian Africa” was in one sense realized 140 years later, because “as of 2012, a Pew Foundation study reported 63% of Sub-Saharan Africa as identifiably Christian” (247). Missionary, Doctor, Advocate David Livingstone did not set out to be a global voice for the healing of the “open sore of the world” — the East African slave trade. He set out to heal the disease of sin with the gospel, and the diseases of the body with medical training — all the while believing the Africans were not subhuman. As a young man, he heard Robert Moffat, a missionary to South Africa, say, “I had sometimes seen in the morning sun the smoke of a thousand villages where no missionary had ever been.” This image captured him. God’s call emerged as Moffat’s testimony mingled with Livingstone’s confidence that the word of God would do its saving work: The Word written shall find its own mysterious tortuous way into every region, dialect, and language of the earth; and men shall be convinced of sin, as well as taught their need of a Saviour by its life-giving power. It shall whisper peace to the agitated conscience, and tell of the love of a Father reconciling the world to himself by the blood of his Son. (Dr. Livingstone’s Cambridge Lectures, 179) Then two more pieces of Livingstone’s calling were put in place. One was his conviction that medical training was crucial. Waiting to be sent by the London Missionary Society, Livingstone studied medicine at the Charing Cross Hospital Medical School. He said, My great object was to be like Him, to imitate Him as far as He could be imitated. We have not the power of working miracles, but we can do a little in the way of healing the sick, and I sought medical education in order that I might be like Him. (Daring Heart, 21) The other piece of his calling was the conviction that Africans were fully human — as he would discover, to his horror, the slave traders did not believe, with murderous results. In answer to objectors, we would say, Were not the ancient Egyptians true Negroes? They were masters of the civilization of the world. When Greece was just emerging from the shades of barbarism, and before the name of Rome was known, the negro-land of Mizraim was proficient in science and art, and Thebes, the wonder city of the world. Solon, Plato, and a host of our Greek and Roman intellectual masters confess their obligation to the stupendous “learning of the Egyptians” in which Moses was so apt and able a scholar; notwithstanding, too often does the white man of the present day undervalue the humble descendant of that giant who helped to make him what he is! (Dr. Livingstone’s Cambridge Lectures, 124) The seeds were all sown for the fury and perseverance Livingstone would repeatedly experience in the years to come, as he came closer and closer to “the open sore of the world.” ‘Establishing Trade, Destroying Slavery’ At first, he was optimistic that legitimate commerce with East Africa would dry up the need for slave capturing and trading. “I believe we can by legitimate commerce, in the course of a few years, put an entire stop to the traffic of slaves over a large extent of territory” (Daring Heart, 23). He believed this would even have profound effects on West African slave trading with America: England has, unfortunately, been compelled to obtain cotton and other raw material from the slave States, and has thus been the mainstay and support of slavery in America. Surely, then, it follows that if we can succeed in obtaining the raw material from other sources than from the slave States of America, we should strike a heavy blow at the system of slavery itself. (36) Over time, Livingstone came to see that “establishing trade and destroying slavery,” though connected, would not be achieved without working to turn the hearts of the entire British establishment, at home and in the colonies, against a trade that they were almost totally ignorant of. Hence his “stunt.” Picking Up His Pen At great cost to himself, Livingstone probed deeper and deeper into the darkness of the Arab and Portuguese slave trade, with indirect British support. On humanitarian grounds, the expedition had also uncovered the immense and devastating Arab slave trade and its routes through the Nyassa region to Zanzibar. These findings were new, informing the world and the British foreign office of unresolved horrors. (104) In 1864, he returned to England and took up his pen. In his earlier book Missionary Travels, he had written cautiously about the slave trade. But in recent years, in his travels along the Zambezi River, he had seen unspeakable cruelty. So in the preface to A Narrative of an Expedition to the Zambezi and Its Tributaries, he wrote, “It has been my object . . . to bring before my countrymen, and all others interested in the cause of humanity, the misery entailed by the slave-trade in its inland phases” (110). He had set his face to return to Africa and press on with his explorations and his exposure of the “gigantic evil” of the slave trade. “I am going out again. . . . It is only by holding on bulldog fashion one can succeed in doing anything against that gigantic evil, the slave trade” (121). ‘Sick of Human Blood’ What he saw as the years went by got worse. He describes one experience in which four hundred villagers — men and women — were gunned down. A slave trader named Dugumbe wanted complete control of the area without competing traders. One village was complicit in trading with others. Violence broke out. As the assailants continued their indiscriminate slaughter in the marketplace, an armed party near the Creek opened fire on those dashing toward the water. Even as the villagers, mostly unarmed women, attempted to flee across the nearby river, the attackers continued to fire on them. Aiming for their exposed heads, they shot those trying to swim to safety. . . . Dugumbe’s men had gunned down 400 men and women, all unarmed, and even killed two of their own. Then they followed the people back to their homes. The warfare continued. Livingstone counted 12 burning villages. (174) Livingstone wrote with great heaviness, “The prospects of getting slaves overpowers all else, and blood flows in horrid streams. I am heartsore, and sick of human blood” (172). Seeking the Nile, Finding a Mouth In a letter to his brother, Livingstone reasserted the terms of the “stunt”: If the good Lord permits me to put a stop to the enormous evils of the inland slave-trade, I shall not grudge my hunger and toils. I shall bless His name with all my heart. The Nile sources are valuable to me only as a means of enabling me to open my mouth with power among men. (210) In fact, the “stunt” worked. Both in England and America, Livingstone’s “mouth” — that is, his correspondence — was being heard with power. The famous Henry Stanley (“Dr. Livingstone, I presume”) had been sent by the American newspaper the New York Herald to find Livingstone after six years of being out of touch. He found him in November 1871, spent four months with him, came to love and admire him, and gave him a global voice by publishing his letters about the slave trade. On July 2, 1872, Livingstone wrote in the Herald, If my disclosures regarding the terrible Ujijian slavery should lead to the suppression of the east coast slave trade, I shall regard that as a greater matter by far than the discovery of all the Nile sources together. (201) Stanley’s book How I Found Livingstone was very popular both in America and England. It made Livingstone not just a British hero, but a transatlantic one. In another letter to the Herald, he repeated his life priorities: It would be better to lessen this great human woe than to discover the sources of the Nile. . . . May Heaven’s rich blessing come down on everyone, American, English, or Turk, who will help to heal this open sore of the world. (207) The Awakening of Parliament The effect of Livingstone’s communications in Britain was more than popular. It was political. Livingstone was informed by the head of the Royal Geographic Society, H.C. Rawlinson, that British intervention in Zanzibar was imminent: You will no doubt have heard of Sir Bartle Frere’s deputation to Zanzibar long before you receive this, and you will have learned with heartfelt satisfaction that there is now a definite prospect of the infamous East African slave-trade being suppressed. For this great end, if it be achieved, we shall be mainly indebted to your recent letters, which have had a powerful effect on the public mind in England, and have thus stimulated the action of the government. (214) The sultan of Zanzibar was given an ultimatum: “Consent immediately to the terms of the slave-trade-suppressing treaty, or face a blockade by British naval forces” (215). A little over a month after Livingstone’s death, the Zanzibar slave market closed forever. Queen Victoria announced the success to parliament: “Treaties have been concluded with the Sultan of Zanzibar . . . which provide means for the more effectual repression of the slave trade on the east coast of Africa” (221). Entering Glory on His Knees On May 1, 1873, David Livingstone was found dead, kneeling beside his bed with his face in his hands on the pillow. His longtime African servants and friends removed his vital organs in preparing the body for preservation and return to England. They buried his heart in a tin flour box under a mvula tree. Jacob Wainwright read Scripture and carved Livingstone’s name into the tree (217). After nine harrowing months of an extraordinary labor of love, Livingstone’s body reached the coast of Africa. It arrived in England on April 15, 1874, to a national day of mourning. The April 18 funeral was paid for by the British government. Amid huge crowds, his body was laid to rest in Westminster Abbey. His epitaph reads, in part, For 30 years his life was spent in an unwearied effort to evangelize the native races, to explore the undiscovered secrets, to abolish the desolating slave trade . . . this open sore of the world. Punch, a London magazine, muted its satire to bid farewell to David Livingstone: He knew not that the trumpet he had blown Out of the darkness of that dismal land Had reached and roused an army of its own To strike the chains from the slaves fettered hand. . . . He needs no epitaph to guard a name Which men shall prize while worthy work is known He lived and died for good be that his fame Let marble crumble this is Living stone. (228) Article by John Piper

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