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About the Book
"Freedom from Depression" by Curry Blake is a guide that provides practical strategies and tools for overcoming depression and reclaiming joy in life. Drawing on his own personal experiences and biblical teachings, Blake offers a holistic approach to dealing with depression that addresses the spiritual, emotional, and physical aspects of the condition. Through faith-based principles and practical advice, readers are empowered to break free from the grip of depression and live a fulfilling and abundant life.
Calvin Miller
Calvin Miller was a pastor, professor and storyteller, best known for The Singer Trilogy, a mythic retelling of the New Testament story in the spirit of C. S. Lewis and J. R. R. Tolkien. Miller passed away on the afternoon of August 19, 2012, due to complications after heart surgery. He was 75.
A prolific artist and a writer's writer, Miller garnered respect and praise throughout his career from peers like Luci Shaw, Max Lucado and Philip Yancey. He was the author of more than forty books of popular theology and Christian inspiration including such recent books as Letters to Heaven, The Path of Celtic Prayer, Letters to a Young Pastor and his memoir Life Is Mostly Edges.
In addition to his twenty years of pastoral service at Westside Church in Omaha, Nebraska, Miller was also a great mentor to many students and leaders through his preaching and pastoral ministry classes at Beeson Divinity School. Calvin Miller, never one to multiply words, used just four to describe his rule of life: "Time is a gift."
RESCUE FROM THE SLUSH PILE
In October 1973 one important book was rescued from the slush pile (the stack of unsolicited manuscripts every publisher receives) by assistant editor Don Smith. He read a manuscript by a little-known Baptist pastor in Nebraska that was a poetic retelling of the life of Jesus—portraying him as a Troubadour. Both he and Linda Doll excitedly encouraged Jim Sire to take this imaginative manuscript seriously. In February 1974 Sire wrote the author, Calvin Miller, that IVP wanted to publish his book The Singer.
Months before, Miller had been waking up nights, stirred to write this tale, perhaps unconsciously inspired by the recent Broadway hits Jesus Christ Superstar and Godspell. Later Miller wrote:
When the manuscript was done, I sent it to Jim Sire at InterVarsity Press. “It’s good,” he said, “but we want to think about it a couple of weeks before we give you an answer.” So I waited until finally the letter came. They were going to do it. Jim Sire had done his Ph.D. on John Milton, and the fact that he liked it was joy immeasurable to me. “But,” he cautioned, “we’re going to print five thousand of these. They may not do well—in fact we may end up with four thousand of them on skids in our basement for the next ten years. Still, it’s a good book and deserves to be in print.”
Far more than a thousand copies sold. Actually, over three hundred times that amount sold in its first decade. It became “the most successful evangelical publication in this genre.” The Singer was followed in two years by The Song (paralleling the story of the early church in Acts) and two years after that by The Finale (inspired by the book of Revelation). Publication of The Singer changed Miller’s life. Even though he stayed in the pastorate for many years, it set him on a course of writing and speaking that he could not have imagined.
The Awl
I saw a good Samaritan Slow down and stop. “This is that kind of road; and none Of my sweet business here.” Atop The hill just to the east he saw The restful spires Of Jericho. “There is no law,” He thought, “no statute that requires My bother, let alone the chance Of injury.” But conscience rose and put a glance Of his own son for him to see Before his father-eyes. He crossed The lonely road, And whispered to himself, “The cost Of this assault is not his load Alone. Perhaps his father waits In Jericho.” He knelt. “Such are the fates Samaritans endure.” Then, “No! This is a Jew!” And worse, much worse: The man was dead. “Now what?” he thought. “It is a curse To die and rot without a bed Beneath the ground. And he is young. His father will Be searching soon, perhaps.” He clung To one small metal awl until, In his dead hand, it pierced his skin, As if to say To highway thieves: “Not this, not in My life will this be snatched away.” The good Samaritan put him Upon his beast, And set his face to do the grim, Bleak work of bearing the deceased Up to Jerusalem to find A leather row Where some young tanner had been signed To take a load to Jericho. He stopped at the first shop, “Can you Say if a man Was sent with leather goods down through The road to Jericho?” “I can. But hardly yet a man! In age, Or worth, I think. For all I know, his grief and rage Drove him to steal the lot, and drink His sorry way to Gerasa. His father’s sick With fear. There was a bruhaha The night he left. He tried to stick A man because his mother’s name Was smeared. He slashed Him with a tanner’s awl. He came By here to get his load, and lashed It to his mule and disappeared. His mother died Last year. The old man with the beard, Down at the corner, right hand side, That’s his dad.” “Thank you.” Hesitant, And burdened down With death, he waited at the front, Until the old man, with a frown, Said, “What you got for sale there, sir?” “It’s not for sale, Or trade, or deals. But if it were, You’d pay me anything. This veil Lies on the treasure of your life: Your son. And in His hand, unstolen in the strife. There is an awl thrust through his skin.” The old man lifted up the cloak, And put it back. “I found him on the road.” “Your folk Hate Jews, my friend. And there’s no lack Of corpses on that road. What do You want from me For this?” “I want to know from you About the awl. And I would be Obliged if you would tell me what It means.” “All right. A year ago, tonight, we shut His mother’s eyes. And every light Went out for him. But just before She died, she called Him. It was early, and a score Of birds were singing. So enthralled, She seemed, then said to him, ‘My child, With singing birds, I give you now my awl.’” He smiled, “She always had a way with words.” John Piper