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"Following the Faith of Abraham" by Olusola Areogum explores the life and faith of Abraham as portrayed in the Bible. The author delves into the lessons that can be learned from Abraham's journey of faith and obedience to God, offering practical wisdom and guidance for readers seeking to deepen their own spiritual walk. Through insightful analysis and reflection, Areogum encourages readers to trust in God, pursue righteousness, and live lives of faith that honor God, mirroring the example set by Abraham.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

What Cravings Will Take from You

We spend our lives with hands out and mouths open, looking for what we might consume. This is our experience as humans, in part because of how God designed us: we eat because our bodies require energy, and we reach with gentle affection for those we love out of a shared hunger for relationships. We’re born in need, and our desires, implanted by God himself (Acts 17:24–27), send us on a search for fullness of joy. Our desires, however, so easily turn into obsessions, leading us into wild over-consumption (James 4:1–3). Our desires become cravings, the ultimate pursuit and point of life itself. Rather than signals meant to send us off in exploration for the original source of joy (Psalm 16:11), they instead become taskmasters, demanding our undivided loyalty and taking our peace and joy right along with them. In our unchecked drive to consume, we ourselves become the ones consumed. My Primary (False) Allegiance When we don’t allow our desires to send us seeking fullness of joy from the source of all joy — God himself — we develop an allegiance to false kings. My primary false allegiance is to the love and admiration that come from other people. I crave validation, and I find myself performing for it like a circus animal. This is how I’ve come to know just how much I’ve allowed this false king to rule over me: the past few years have been brutal, full of confusion and emotional pain. Somewhere along the way, my heart, bowing before this false king, started aching for belonging. I started wondering if my presence mattered as a person and not as a performance. I started wondering if I was truly known. I started wondering if anyone might notice my need. My deep self-focus drew me further and further inside, and at some point I simply disengaged my heart. If I couldn’t have what I craved, I would not give of myself any longer. I began to look back at who I once was and how passionately I’d loved others, and I wanted so badly to be that person again. But I couldn’t manufacture love, and I started to believe that joy would never come again. My heart instead felt hard and apathetic, looking to be served, noticing every slight, envying the belonging of others. False Kings Only Take The trouble for an idolatrous heart (and the gift for the repentant heart) is that God will stubbornly interrupt and intercept our pursuit of joy as we seek it in anything less than him. He will not give us lasting peace in our false allegiances, because he is jealous for us to have the actual peace we’re pursuing. In those years of struggle, a chorus of people could have sung my praises, and it never would have settled as peace in my heart. Anytime a friend offered a word of encouragement, my mind immediately turned to panic: “What must I do to keep that love?” Or I’d think, “What about the one who didn’t voice encouragement? How do I win her over?” I was so hungry and thirsty that I was withering away, consumed by what I was trying to consume. False kings never give; they only take. Kings Who Take When the prophet Samuel was growing old, the Israelites worried about their future. Samuel had mediated for them well as both priest and prophet before God, but they needed a new leader, and humanly speaking, there were no options available. Samuel’s sons, the next sure thing for the nation, didn’t walk in the ways of the Lord, so the elders sought answers by looking around at how other nations were structured. They approached Samuel with their solution: “Now appoint for us a king to judge us like all the nations” (1 Samuel 8:5). At first glance, this doesn’t seem like such a bad request, but Scripture says it displeased Samuel, and it also displeased God, because the elders hadn’t thought to bring God into their calculations (1 Samuel 8:6–9). Did they not already have a King? They had, in effect, spurned the perfect rule of the One who’d delivered, provided for, led, and protected them, and they’d turned in their desire toward another option. They weren’t ready to reject God entirely. They just wanted him plus a safe, tangible plan B king like everyone else around them. Samuel’s response is a fair warning to us as well about plan B kings: they will only take from you. Samuel warns that a king appointed by people takes sons and sends them to war, takes children and turns them into slave labor, takes daughters into his service, and takes crops in order to feed his servants (1 Samuel 8:10–17). Samuel knows what false kings do: they take our best and then make us their slaves. Kingdoms with Two Kings We tend to believe the same as the Israelite elders: What will it hurt to have God and also hedge our bets a little? We want to believe we can pledge allegiance to King Jesus and also throw our heart to human kings or human things. But the Bible is plain: No one can serve two masters (Matthew 6:24). A divided kingdom cannot stand (Matthew 12:25). Jesus is our king, not merely a wise consultant we turn to when we need to know what to do. And as the Israelite leaders show us, a divided heart is actually not divided at all: it has already chosen sides. A divided heart is one that’s spurned God. We turn toward false kings who we think will give us comfort, security, belonging, approval, validation, love, sexual gratification — but in the end they only take. They promise life but give death. Consumed to Satisfy But God. Through Jesus Christ, he made a way for us out of this death spiral, giving us a direction to point our desires, providing something we can consume that doesn’t consume us in return. Jesus came saying, Repent and believe (Mark 1:15). His words were an invitation, a stretched-out hand, an open door for us to enter with him into the kingdom of God. Jesus came saying, This is my body, broken for you. This is my blood, poured out for you (Luke 22:19–20). Feed on me (John 6:51–58). Jesus was consumed by death precisely so that we would feast on him. This king is called Bread of Life (John 6:35) and Living Water (John 4:13–14), so we might know we can, in our hunger, eat, and in our thirst, drink. When we consume him, we find ourselves consuming his good rule, loving provision, and peaceful reign. We cannot reach the end of him, but in him we can certainly satisfy the longing underlying all of our desires: the longing for joy. The King Who Gives The Israelites placed a mirror before my heart, helping me see my false allegiances clearly. My actions were their actions: turning toward kings who couldn’t fulfill their promises. Like them, my desires and needs weren’t all wrong; what had been wrong was where I turned with them. I turned in repentance to Jesus and found joy again in allegiance to him. Do you have a need? A desire? Submit it totally to King Jesus. He doesn’t just require our allegiance, as if obedience is a form of punishment or something through which we grit our teeth. His demand of wholeheartedness is an invitation to receive what is his: the very kingdom (Matthew 5:3). He opens his treasury to us, sharing his peace, love, joy, life, and fruitfulness. And perhaps best of all, we receive his allegiance in return (Romans 8:38–39; Matthew 28:20; Hebrews 13:5). He is a king who gives. Article by Christine Hoover

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