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About the Book
"Escape Routes" by Johann Christoph Arnold is a powerful book that offers practical advice and inspiration for those seeking to break free from negative patterns, overcome adversity, and find a way to a more fulfilling life. Using personal anecdotes and wisdom from various spiritual traditions, Arnold encourages readers to discover their inner strength, embrace change, and find inner peace in the face of life's challenges. The book serves as a roadmap for anyone looking to escape the traps of negativity and move towards a more positive and purposeful existence.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Narnia Meets Middle-Earth
On December 3, 1929, C.S. Lewis began a letter to Arthur Greeves, his boyhood friend from Belfast. Having just turned 31 and in his fourth year as an Oxford don, Lewis described how he had gotten âinto a whirlâ as he always did near the end of the term. âI was up till 2:30 on Monday,â Lewis wrote, âtalking to the Anglo Saxon professor Tolkien who came with me to College from a society and sat discoursing of the gods and giants and Asgard for three hours, then departing in the wind and rain. . . . The fire was bright and the talk good.â1 This was Lewis pre-conversion and Tolkien before The Hobbit, two men virtually unknown outside their small circle at Oxford. Years later in The Four Loves, Lewis would note how great friendships can often be traced to the moment two people discover they have a common interest few others share â when each thinks, âYou too? I thought I was the only one.â2 For Lewis and Tolkien, it was a shared interest in old stories. Beginning of a Friendship The two had met for the first time three and a half years earlier at an English faculty meeting. Not long afterward, Tolkien invited Lewis to join the Kolbitar, a group that met to read Icelandic sagas together. But Lewisâs suggestion that Tolkien come back to his rooms at Magdalen on that blustery December night marked a pivotal step in their friendship. During their late-night discussion, Tolkien came to see that Lewis was one of those rare people who just might like the strange tales he had been working on since coming home from the war, stories he previously considered just a private hobby. And so, summoning up his courage, he lent Lewis a long, unfinished piece called âThe Gest of Beren and Luthien.â Several days later, Tolkien received a note with his friendâs reaction. âIt is ages since I have had an evening of such delight,â Lewis reported.3 Besides its mythic value, Lewis praised the sense of reality he found in the work, a quality that would be typical of Tolkienâs writing. At the end of Lewisâs note, he promised that detailed criticisms would follow, and they did â fourteen pages where Lewis praised a number of specific elements and pointed out what he saw as problems with others. Tolkien took heed of Lewisâs criticisms, but in a unique way. While accepting few specific suggestions, Tolkien rewrote almost every passage Lewis had problems with. Lewis would later say about Tolkien, âHe has only two reactions to criticism: either he begins the whole work over again from the beginning or else takes no notice at all.â4 And so began one of the worldâs great literary friendships. âHas Nobody Got Anything to Read Us?â While millions worldwide have come to love and value Tolkienâs stories of Middle-earth, Lewis was the first. His response, exuberant praise as well as hammer-and-tongs criticism, would also be the pattern for their writing group, the Inklings. And this blend of encouragement and critique provided the perfect soil in which some of the most beloved works of the twentieth century would sprout. The informal circle of friends would gather in Lewisâs rooms on Thursday nights. Lewisâs brother, Warnie, provides this description of what would happen next: When half a dozen or so had arrived, tea would be produced, and then when pipes were alight Jack would say, âWell, has nobody got anything to read us?â Out would come a manuscript, and we would settle down to sit in judgement upon it â real, unbiased judgement, too, since we were no mutual admiration society: praise for good work was unstinted, but censure for bad work â or even not-so-good work â was often brutally frank.5 âWhile millions worldwide have come to love and value Tolkienâs stories of Middle-earth, Lewis was the first.â Tolkien read sections of The Hobbit and The Lord of the Rings. Lewis read from The Problem of Pain, which he dedicated to the Inklings, as well as from The Screwtape Letters, which he dedicated to Tolkien. Other Lewis works debuted at Inklings meetings included Perelandra, That Hideous Strength, and The Great Divorce. Warnie read from The Splendid Century, his work about life under Louis XIV. Charles Williams read drafts of All Hallowsâ Eve. The Inklings were not without flaws. Rather than trying to help improve The Lord of the Rings, several simply disparaged it. Hugo Dyson was so negative that Tolkien finally chose not to read if he were present, saving his chapters for Lewis alone. A letter to Tolkienâs son Christopher in 1944 provides a window into what those private meetings were like, as Tolkien reports, âRead the last 2 chapters (âShelobâs Lairâ and âThe Choices of Master Samwiseâ) to C.S.L. on Monday morning. He approved with unusual fervor, and was actually affected to tears by the last chapter.â6 Unpayable Debt Years later, Tolkien would describe the âunpayable debtâ he owed Lewis, explaining, âOnly from him did I ever get the idea that my âstuffâ could be more than a private hobby. But for his interest and unceasing eagerness for more I should never have brought The Lord of the Rings to a conclusion.â7 Without Lewis, there would be no Lord of the Rings. We might also say that without Tolkien there would be no Chronicles of Narnia, not because of Tolkienâs literary interest in them but for a different reason. Today we know Lewis as one of the greatest Christian writers of the twentieth century, but while it was clear from the start that Lewis would be a writer, it was not clear at all that he would become a Christian. Before his midlife conversion, he would need Tolkien to provide a missing piece. Addisonâs Walk In another letter to Arthur, this one dated September 22, 1931, Lewis tells about an evening conversation that would change his life. He explains that he had a weekend guest, Dyson, from Reading University. Tolkien joined them for supper, and afterward the three went for a walk. âWe began (in Addisonâs walk just after dinner) on metaphor and myth,â Lewis writes. He then describes how they were interrupted by a rush of wind so unexpected they all held their breath. âWe continued (in my room) on Christianity,â Lewis adds, âa good long satisfying talk in which I learned a lot.â8 What Lewis learned was critical. He had previously ended his disbelief and became a theist. As he states in Surprised by Joy, âIn the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.â9 After this first step â with help from Christian friends and Christian authors like G.K. Chesterton, George Herbert, and George MacDonald â Lewis began the step that would lead to belief in Christ. Lewis explained to Arthur that what had been holding him back was his inability to comprehend in what sense Christâs life and death provided salvation to the world, except insofar as his example might help. What Dyson and Tolkien showed him was that understanding exactly how Christâs death puts us right with God was not most important but believing that it did. They urged him to allow the story of Christâs death and resurrection to work on him, as the other myths he loved did â with one tremendous difference: this one really happened. Nine days after that special night on Addisonâs Walk â during a ride to the zoo in the sidecar of Warnieâs motorbike â Lewis came to believe that Jesus is the Son of God. Years later he stated, âDyson and Tolkien were immediate human causes of my own conversion.â10 âIt Really Wonât Doâ Given Lewisâs encouragement of Tolkien and Tolkienâs role in Lewisâs acceptance of Christianity, we can say, in one sense, that without the otherâs contribution, we would not have Narnia or Middle-earth. But only in one sense. For while Lewis appreciated Tolkienâs stories about Middle-earth, Tolkien did not like Lewisâs books about Narnia. âWe can say, in one sense, that without the otherâs contribution, we would not have Narnia or Middle-earth.â Perhaps too much is made of Tolkienâs dislike for Narnia, particularly since Tolkien seems never to have made that much of it. While there is a good deal of speculation on the reasons for Tolkienâs disapproval, this speculation is based on secondhand reports. In Green and Hooperâs biography, we have several vague, disapproving, private comments Tolkien made about The Lion, the Witch and the Wardrobe, such as, âIt really wonât do, you know!â11 George Sayer, who knew both men personally, includes two paragraphs in his Lewis biography summarizing Tolkienâs objections but offering little in terms of direct quotes. In addition to their jumble of unrelated mythological elements, Sayer claims that Tolkien thought the Narnia stories showed signs of being âcarelessly and superficially written.â12 In a letter to David Kolb, we have a brief instance where Tolkien directly expresses his opinion of Narnia as he states, âIt is sad that âNarniaâ and all that part of C.S.L.âs work should remain outside the range of my sympathy.â13 Here we find the suggestion that Tolkienâs narrow tastes may have been part of the problem. We do know that when the Tolkiensâ granddaughter Joanna was staying with them and went looking for something to read, her grandfather directed her to the Narnia books on his bookshelf. âI Miss You Very Muchâ As the two men grew older, they were less close â another aspect scholars sometimes make too much of. Evidence that they remained friends, though in a less intense and intimate way, is found in a number of places. In the autumn of 1949, twelve years after first starting it, Tolkien finished typing a final copy of The Lord of the Rings. Lewis, now 50, was the first person to whom he lent the completed typescript. âI have drained the rich cup and satisfied a long thirst,â Lewis wrote on October 27, 1949, declaring it to be âalmost unequalled in the whole range of narrative art known to me.â Recalling the many obstacles Tolkien had overcome, Lewis declared, âAll the long years you have spent on it are justified.â Lewis closed the worldâs first review of Tolkienâs masterpiece with the words âI miss you very much.â14 It took more years for Tolkien to secure a publisher. In November 1952, when he learned Allen & Unwin was willing to publish the long-awaited sequel to The Hobbit, Tolkien immediately wrote Lewis with the good news. Lewis wrote back with warm congratulations, noting the âsheer pleasure of looking forward to having the book to read and re-read.â15 In 1954, after Lewis had been passed over more than once for a chair at Oxford, Tolkien played a key role in Lewis being offered and then accepting Cambridgeâs newly created Chair of Medieval and Renaissance Studies. And in 1961, less than three years before his death, Lewis was invited to nominate someone for the Nobel Prize in Literature and put forth Tolkienâs name. In November of the following year, Tolkien wrote to Lewis inviting him to a dinner celebrating the publication of English and Medieval Studies Presented to J.R.R. Tolkien on the Occasion of His Seventieth Birthday â a collection to which Lewis had contributed an essay. Citing his deteriorating health, Lewis thanked him but graciously declined. A few days before Christmas, Tolkien wrote again. We do not know the topic but do know that on Christmas Eve, 1962, Lewis wrote back thanking him for his âmost kind letter.â Lewis closed by saying, âIs it still possible amid the ghastly racket of âXmasâ to exchange greetings for the Feast of the Nativity? If so, mine, very warm, to both of you.â16 By the next Christmas, Lewis was gone. Lewis died at home on November 22, 1963, a week shy of his 65th birthday. Shortly afterward, Tolkien wrote his son Michael about the loss. Although they had become less close, Tolkien stated, âWe owed each a great debt to the other, and that tie with the deep affection that it begot, remains.â17 Here Tolkien, always careful with words, does not say that his tie and deep affection with Lewis remained all the way up until Lewisâs death, but that it remains. Presumably, it still does. âMuch Goodâ At the close of his biography, Alister McGrath seeks to explain Lewisâs enduring appeal, especially in America. McGrath proposes that by âengaging the mind, the feelings, and the imaginationâ of his readers, Lewis is able to extend and enrich their faith. Reading Lewis not only gives added power and depth to their commitment but also opens up a deeper vision of what Christianity is.18 I know this was true for me. Lewis was able to help extend and enrich my faith at a time when help was desperately needed. For those like me, Lewisâs books become lifelong companions, reminding us again and again of who we are and why we are here, seeing us through difficult times, and helping to shape and add meaning to our experience. Tolkien wrote in his diary, âFriendship with Lewis compensates for much, and besides giving constant pleasure and comfort has done me much good.â19 Today, on the anniversary of Lewisâs birth, people all over the world, from all walks of life and stages in faith, would agree. Yes, it does. And yes, it has. The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 1, Family Letters 1905â1931 (New York: HarperCollins, 2004), 838. â© C.S. Lewis, The Four Loves (New York: Harvest, 1988), 65. â© Humphrey Carpenter, J.R.R. Tolkien: A Biography (New York: Houghton Mifflin, 1977), 148â49. â© The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 3, Narnia, Cambridge, and Joy 1950â1963 (New York: HarperCollins, 2007), 1049. â© Warren Lewis, âMemoir of C.S. Lewis,â in Letters of C.S. Lewis, ed. W.H. Lewis and Walter Hooper (New York: Harvest, 1993), 21â46. â© Letters of C.S. Lewis, 83. â© Letters of C.S. Lewis, 362. â© Collected Letters, 1:970. â© C.S. Lewis, Surprised by Joy: The Shape of My Early Life (New York: Harvest, 1955), 228â29. â© Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 2, Books, Broadcasts, and the War 1931â1949 (New York: HarperCollins, 2004), 501. â© Roger Lancelyn Green and Walter Hooper. C.S. Lewis: A Biography (London: HarperCollins, 2002), 307. â© George Sayer, Jack: A Life of C.S. Lewis (Wheaton: Crossway, 1994), 313. â© Letters of C.S. Lewis, 352. â© Collected Letters, 2:990â91. â© Collected Letters, 3:249â50. â© Collected Letters, 3:1396. â© Letters of C.S. Lewis, 341. â© Alister McGrath, C.S. Lewis â A Life: Eccentric Genius, Reluctant Prophet (Carol Stream, IL: Tyndale, 2013), 375. â© Carpenter, J.R.R. Tolkien, 152. â© Article by Devin Brown Professor, Asbury University