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About the Book
In "Don't Settle for Safe," Sarah Jakes Roberts encourages readers to break free from the limitations of their past and step into a life of purpose, power, and fulfillment. She shares personal stories and insights to inspire readers to take risks, embrace their true selves, and pursue their dreams with courage and faith. Ultimately, the book serves as a guide for individuals seeking to overcome their fears, doubts, and insecurities in order to live a life that is truly extraordinary.
Nick Vujicic
Nick Vujicic, famous for his inspirational speeches, was born without limbs in his body. However, instead of letting his disability deter his everyday life, he took it as a challenge, using it to change millions of lives with the same faith that kept him going. As a child of ten, he always wondered why he was different from others, and decided to drown himself since he saw no purpose to his living. However, he stopped himself in time, thinking of his loving parents and how much it would hurt them to see him dead. From then on, there was no looking back for this young man, who now has founded his own organization, called âLife Without Limbsâ. He has released motivational films, like 'Life's Greater Purpose' and 'Biography of a Determined Man of Faith'. He has also written a book titled 'Life Without Limits: Inspiration for a Ridiculously Good Life'. This speaker has even acted in a short film, âThe Butterfly Circusâ, earning the film three awards, and bagging one himself, for his brilliant portrayal of a man very much like himself, who is given a second chance to love himself. He is a devout Christian, believing that God loves everyone equally, and has taken it upon himself to spread the message to everyone around the world.
Childhood & Early Life
Nicholas James Vujicic the eldest son of Dushka and Boris was born in Melbourne, Australia, on December 4, 1982. The infant, though healthy in all other aspects, was born with autosomal recessive tetra-amelia, a rare condition where the child has no limbs at all, except feet with just two toes.
Initially, it was quite difficult for the child and his family to cope up with the troubles that accompany the absence of hands and legs. He wasn't even allowed to study in a normal school, even though there was nothing wrong with his IQ.
He gradually learnt to use his feet to write, type, play, and shave. He pursued his secondary education from the 'Runcorn State High School', Queensland, Australia, where he was also the head boy. He was also on the student council that carried out humanitarian work.
Career
When Nick, as he is known, turned seventeen, he started delivering speeches in his church group. He earned a Bachelor's degree in Commerce, specializing in financial planning and accountancy, from the 'Griffith University' in Queensland.
As a speaker, he mainly addresses school children, young adults, and working professionals. He has also spoken at various churches, all across the globe, because he believes that Christ loves him as He loves all his children.
In his career, Nick has travelled to more than sixty countries around the world, and has touched the lives of millions of people. In 2005, he established an NGO named 'Life Without Limbs', which has its headquarters in Agoura Hills, California.
In the same year, Vujicic released the DVD of a documentary movie, titled 'Life's Greater Purpose'. The film talks about the motivational speaker's childhood, how he learned to use whatever was there of his limbs, and his married life.
In March 2008, Nick appeared in the '20/20' television series aired in the United States, for an interview, taken by presenter Bob Cummings.
In 2009, Vujicic featured in a short film titled 'The Butterfly Circus', directed by Joshua Weigel. It also starred Mexican actor, Eduardo VerĂĄstegui, and American Doug Jones.
The movie won a lot of accolades, including the first prize awarded by the 'Doorpost Film Project', and the 'Best Short Film' at the 'Method Fest Independent Film Festival', as well as the 'The Feel Good Film Festival'.
In 2010, Nick wrote a book, 'Life Without Limits: Inspiration for a Ridiculously Good Life', under the banner of publishing company, 'Random House'. He also released a DVD titled 'Biography of a Determined Man of Faith'.
Vujicic gave a heart-rending speech in Switzerland, at the 'World Economic Forum', for their Annual Meeting's special session, 'Inspired for a Lifetime', in 2011.
Major Works
Nick is an evangelist who is known for his organization, âLife Without Limbsâ, that hosts events and presents talks on courage and faith in God to overcome any adversity faced in life.
Awards & Achievements
In 1990, Vujicic's determination and courage impressed the world, and he was felicitated with the 'Australian Young Citizen Award'.
He was one of the contenders for the 'Young Australian of the Year Award' in the year 2005.
In 2010, he won the 'Best Actor in Short Film' award at the 'Method Fest Independent Film Festival' for his performance in the role of Will, from the movie 'The Butterfly Circus'.
Personal Life & Legacy
In 2012, Vujicic got married to the love of his life, Kanae Miyahara, and the couple have been blessed with a son, Kiyoshi James.
The Blissful and Trivial Life - How Entertainment Deprives a Soul
When we, as a society, stopped reading and started watching, we began thinking and talking less â at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives â it became our lives. And everything else in our lives â news, politics, education, even religion â was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to âthe nightly newsâ; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. âThe television slowly taught us that nothing was worth our time unless it was entertaining.â The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us â less thinking, less study, less work. Entertainment, after all, isnât meant to be taken seriously. But when everything is entertainment, doesnât that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxleyâs vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didnât come along for another fifteen years (and really didnât become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today â a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when itâs nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized â and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the âmedium is the metaphor.â Meaning, any given medium â whether text, television, or social media â doesnât only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyoneâs business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68â69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: âHow often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?â (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isnât a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture â but is this effective communication or just effective marketing? Maybe itâs more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, havenât we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. âI will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declinesâ (29). We descend into âa vast triviality,â he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, âOur Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselvesâ (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. âLong ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Sonâ (Hebrews 1:1â2). God didnât build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). âIn the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truthâ (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But âfaith comes from hearing, and hearing through the word of Christâ (Romans 10:17). For now, faith looks ânot to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternalâ (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way weâre using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. âBlessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and nightâ (Psalm 1:1â2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. âThe life of the mind is a pivotal battleground in the pursuit of real and abundant life.â The medium is not the enemy â television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind â slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org