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Christians In An Age Of Wealth - A Biblical Theology Of Stewardship Christians In An Age Of Wealth - A Biblical Theology Of Stewardship

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  • Author: Craig L. Blomberg
  • Size: 2.88MB | 509 pages
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About the Book


"Christians In An Age Of Wealth" by Craig L. Blomberg explores the biblical principles of stewardship in a world of materialism and wealth. The book emphasizes the importance of managing resources and possessions in a way that honors God and promotes justice and generosity. Blomberg challenges readers to examine their attitudes towards money and possessions, and offers practical guidance on how to live a life of stewardship and generosity as faithful followers of Christ.

Lecrae Moore

Lecrae Moore Lecrae Devaughn Moore, or simply Lecrae, is an American Christian rapper, songwriter, and record producer who performs both as a solo artist and as the leader of a group named ‘116 Clique’. He had a troubled beginning in life but all that changed after he found his faith at 19. Heavily influenced by 2Pac Shakur, and motivated by his new found faith, he ventured into a musical career. He and his friend Ben Washer set up their own independent record label ‘Reach Records’ and through it, he released his debut album ‘Real Talk’ in 2004. In the following years, he brought out six more studio albums, three mix tapes, and two EPs as a solo artist and three studio albums, one remix album, and one EP with his group. He has received six ‘GMA Dove Awards’, two Grammys, two ‘BET Awards’ and more. Lecrae is very active in the community and in 2005, he established ‘ReachLife Ministries’, the mission of which was to “bridge the gap between biblical truth and the urban context”. He is a vocal supporter of the preservation of responsibility and believes that fatherhood should be considered as a value to be installed among men in the United States. He has authored several op-ed articles on race relations in the modern-day America which were published by ‘Billboard’. Childhood & Early Life Lecrae Devaughn Moore was born on October 9, 1979, in Houston, Texas, USA. His father had always been absent from his life and later became a drug addict. He was raised by his poor but hardworking mother and grandmother. He attended services with them at their local church but the initial response to religion was indifferent at best. Growing up, he lived in San Diego, Denver, and Dallas. He suffered sexual molestation at the hands of a female baby sitter when he was eight, and according to Lecrae, it left a long-term negative impact on his views on sexuality. In a life full of abuse and violence, hip hop provided him with a refuge. Besides 2Pac who he admired for his rapping skills, he also looked up to his uncle who introduced him to a life of crime. He began doing drugs at 16 and soon started dealing as well. He kept a Bible with him that his grandmother had given him as a good luck charm. The turning point in his life came when he was arrested for drug possession. The officer let him go upon Lecrae’s promising that he would read and follow the Bible. He thus started visiting the church again. Upon an invitation from a friend, he also started attending Bible studies. He was once involved in an accident where he wrecked his car but he himself came out unscathed. This incident further strengthened his belief in Christ and he devoted his life fully to his faith. He returned to his college, the ‘University of North Texas’ and volunteered and sang at a juvenile detention centre. Career Six years after his conversion, Lecrae Moore released the album ‘Real Talk’ (2004) through ‘Reach Records’, a label he had founded with his friend Ben Washer. It reached #29 spot on the ‘Billboard Gospel Album’ chart after being re-released in 2005 by ‘Cross Movement Records’. In 2005, he formed ‘116 Clique’ with other artists who had signed with ‘Reach Records’. The group owes its name to the Bible Verse ‘Romans 1:16’. They debuted with ‘The Compilation Album’ in the same year. They have since released three more albums, ‘The Compilation Album: Chopped & Screwed’ (remix, 2006), ‘13 Letters’ (2007), and ‘Man Up’ (2011), and one EP, ‘Amped’ (2007). He was nominated for a ‘Stellar Award’ for the ‘Rap/Hip-Hop/Gospel CD of the Year’ for his second solo album ‘After the Music Stops’ (2006). In 2008, he put out his third studio album ‘Rebel’. In his fourth studio album, ‘Rehab’ (2010), Lecrae talks about freedom from inhibiting addictions and habits. Both Lecrae and his album received accolades in the 2010 ‘Rapzilla.com staff picks’, being hailed as the ‘Artist of the Year’ and the ‘Album of the Year’, respectively. His fifth studio album, ‘Rehab: The Overdose’ (2011) was a direct follow-up to ‘Rehab’, both being highly conceptual works. While ‘Rehab’ was about the victory over addiction, ‘Rehab: The Overdose’ focused on attaining "grace, love, peace and hope" in Jesus. He won his first two Doves because of this album, one for the ‘Rap/Hip Hop Album of the Year’ and the other for the ‘Rap/Hip Hop Recorded Song of the Year’ for the track, ‘Hallelujah’. ’Gravity’, released on September 4, 2012, was his sixth studio album and had 15 songs with a total runtime of 57 minutes. It peaked on the ‘Rap Albums’, ‘Christian Albums’, ‘Gospel Albums’, and ‘Independent Albums’ charts. Lecrae released his first mixtape ‘Church Clothes’ on May 10, 2012, through digital download for free. It was followed by ‘Church Clothes 2’ (November 7, 2013), and ‘Church Clothes 3’ (January 15, 2016). He has also released two Extended Plays till date, the EP version of ‘Church Clothes’, and ‘Gravity: The Remix EP’, both released in 2012. He has collaborated with the likes of Trip Lee, Tedashii, Canon, Mali Music, and Ty Dolla Sign. ‘Columbia Records’ signed him in May 2016, in a contract between them and his label. His most recent work, a track named ‘Hammer Time’, which is a collaborative effort with 1k Phew, was released on June 23, 2017. On May 3, 2016, he published his memoir titled ‘Unashamed’ through ‘Broadman & Holman Publishers’. It debuted at #19 spot on the ‘New York Times Best Sellers’ list. Philanthropic Works In 2011, Lecrae, through ‘116 Clique’ and the ‘ReachLife Ministries’, instigated the campaign ‘Man Up’, focused on providing guidance to young urban males on fatherhood and Biblical manhood. In March 2015, ReachLife was deactivated and ‘116 Clique’ shifted its attention to contribute to ‘Peace Preparatory Academy’, a Christian school in Atlanta. In May 2013, he worked alongside several other celebrities on a media initiative named ‘This is Fatherhood’. Jay Z, Barack Obama, Joshua DuBois, Lecrae himself, and others have appeared in the initiative’s promotional public service announcement videos. Major Works In a career marked by successful artistic ventures and awards, Lecrae’s greatest musical achievement is unarguably his seventh and the latest studio album ‘Anomaly’, released on September 9, 2014. It was the first album in history to debut at #1 on both ‘Billboard 200’ and ‘Top Gospel Albums’ charts. It was also certified Gold by the RIAA. Awards & Achievements Lecrae Moore received a Grammy in 2013 for the ‘Best Gospel Album’ for his sixth studio album ‘Gravity’. He won his second Grammy in 2015 for the ‘Best Contemporary Christian Music Performance/Song’ for the track ‘Messengers’ which also featured the Christian pop band ‘For King & Country’. He was named the best gospel artist at the ‘2015 BET Awards’. In 2017, he was the recipient of the ‘BET Best Gospel/ Inspirational Award’ for the song ‘Can’t Stop Me Now (Destination)’. On March 14, 2016, he was conferred with an honorary doctorate from ‘Canada Christian College’. Personal Life & Legacy Lecrae Moore met his wife Darragh at a Bible study when they were both teenagers. They have three children together, two sons and a daughter. The family resides in Atlanta, Georgia. In 2002, he was informed by his then girlfriend that she was pregnant with his child. The couple had an abortion, a decision which he has regretted since. The incident was the subject of the song ‘Good, Bad, Ugly’ from ‘Anomaly’. Trivia Lecrae portrayed the character Dr. Darnall Malmquist in the 2014 independent film ‘Believe Me’.

Though Dead, He Still Speaks - How Satan Remembers C.S. Lewis

The scene is in hell at the annual dinner of the Tempters’ Training College for young devils. The principal, Dr. Snufftub, has just proposed a toast to the health of the guests. Grimgod, a very experienced devil, who is the guest of honor, rises to reply: Headmaster, favorite Decadents, Ghouls, Fiends, and Imps, to my Intolerable Tempters, Ghastly Graduates, and Gentledevils: Gladly do I assume my place in our great tradition to charge our recent graduates towards highest malevolence, mischief, and devilry. I could begin my remarks by dribbling on about how honored I am to have been invited — but you, my lowly esteemed guests, are not humans to be flattered, and I, not a man to feign humility. I tell you plainly: I both deserve and expected to address you this evening. If but for that incompetent Dr. Slubgob — whose faults and failings (and finish) you are all keenly aware — I would have said my piece centuries ago. You would search in vain to find one more suitable in all of Satandom to enflame you in such crucial times as ours. Now that I have your attention, let me direct it to the point of my address: As the tide begins to turn decisively in our favor, we must not let the enemy regain his footing. To initiate a final push, to rally the closing campaign, we must do what young devils tend to relax: We must sever the humans from voices of the past. Now is the time to dispel the great cloud of witnesses, silence those terrible men and women who, though they died, still speak — should they continue to make fools of us? In the name of all that is unholy, they will not! Some of you — and this to your disgrace — do not mind old books lying peacefully upon nightstands. Some of these (and check the registry to recall which ones) cast light upon our shadows, point out ancient traps, inform them of our designs, and thus threaten to rouse this otherwise slumbering generation — but there they lie, tolerated. Many of you are too young to have grown already so careless. As we feast in celebration, I for one agitate to hear their voices sound disgracefully, mockingly outside of our gates. Can you not hear them? For every scrap of the damned that lies upon your plate, for every bite that inspires your snorts and howls, awaken to the fact that negligence in this matter allows the dead to steal meat from our bellies and drink from our cups. Gnash your teeth to realize that they caused us — during this past shortage — to sup on the relatives of most in this room. Their shrieks of protest, still fresh in my mind, commission us all to exorcise these voices from the earth. Should our war efforts continue to be frustrated by ghosts? Appraise one such a phantom — whose birthday happens to fall on this very day — that Irksome Irishman whose very name has become a curse: C.S. Lewis. Stories of Aslan First recall, with trembling voice, that embarrassment, Soretongue, who lost the patient after so many decades in his grasp. A blunder, young Graduates, that few listening to my voice could hope to surpass. His influence took a staunch atheist, a reviler of the faith, and turned him into one of these haunting voices of which I now warn you. Consider the error in full. Consider what this Lewis became. For one thing, this man — unlike so many of their drab ministers and colorless academics whose work we most heartily support — made ghastly impressions upon even our most prized possessions: the children. Through that otherwise terribly useful faculty, the imagination, he corrupted boys and girls across the globe with stories containing the Enemy’s horrible Echo scribbled across their pages. In a make-believe world, with a make-believe lion, and all sorts of other bumbling characters, he captured more than their attention. Can you believe that after losing the man, this dimwitted Tempter actually laughed over Clive’s shoulder as he wrote? “Pure rubbish,” I believe he called it. He could not discern the Enemy’s propaganda smuggled into fictional stories featuring the children, princes, rats, dragons, magical kingdoms, white witches, curses, and fauns. “As threatening to our designs as an old, blind, toothless tiger,” Soretongue reported. But this seducer beckoned into Narnia to show them earth. He introduced Edmund, Lucy, Peter, Eustace, Reepicheep to introduce them to themselves. He told of Aslan — and excuse me for my exasperation — to bring them to that nasty Uncreated One of Judah. He discovered how to preach sermons to children, and Soretongue smiled at it. The Enemy plundered our keepsake through the back of a wardrobe. Wicked Leaks In another turn, that logic, which we knew those many years only as an ally, betrayed us in the end. With each passing essay, with each published book, with each responded letter, radio broadcast, and sermon, he toured them up the mountain to look above to the Enemy and then below upon the labyrinths we so carefully devised for their destruction. Soretongue grossly underestimated the danger of this topographer in our war efforts. Our twisted and turned paths, knotted by delicious deceits and half-truths, began to be spoiled by his mapping out our temptations and pits. Our smoke of relativism, atheism, materialism — and our other favorite isms — availed minimally against this crow who made his nest above the fog. In the last, you might have thought, after Soretongue was through with him, that this fattened pig turned wizard to have broken so many of our spells of worldliness. So often did he — with great exaggeration and deceit, to be sure — appeal to that other world beyond, that many of our enticements fell useless against the bewitched souls of his hearers. His many embellishments about the “weight of glory” and other such nonsense, gross as such slobber stands to us, moved countless humans to take seriously the Enemy’s lies about such things as eternal life. He, pirating the Enemy’s horrible Book, talked often and much of holidays at sea, the country beyond, about the scent, the sight, the longing for a land that they were “made for” — a home standing just over the hill, just around the bend. And something called Joy with a capital J. He fooled the vermin, with pretty colors and poetic potpourri, that the Enemy’s torture and death somehow ensured that his followers — who also take up their own crosses and endure their own sufferings after him — might be the better off in the end. May it never be! Should not the mere existence of our established kingdom below expose the slight of hand? If heaven was as the Enemy so shamelessly boasts it is, why should a host of us so violently leave? But Lewis, with his wand in hand doodling fictions, compelled the swine towards the true ruin we so narrowly escaped. They will find him out eventually. Yet, though they will be sorely and deliciously disappointed at the road’s end, we will still remain the hungrier for it. Silence the Skunks But, enough of the man. I do not mean to honor the vermin by speaking too much of him. The point is this: Do not let the message of the departed saints survive. Should we, of all beings, not know how to silence the dead? Cut out the tongues of the mischief-makers. Six feet below is too shallow — dig deeper. A toast, then. You have studied. You have hungered. You have tempted, watched, and waited for this day. Each of you has, with the indispensable help of your more fiendish advisor, damned one human soul. The dish prepared so perversely before you contains remnants of your spoil — the lion’s share going, of course, to your mentor. May it be the beginning of uninterrupted success — for you know what awaits any alternative. Raise your glasses. To a future brim-filled with courage, cruelty, and conviction. To the setting of sun and the fleeing of the light. To the return of the age of devils. To the silencing of the skunks — to one we mock, “Happy birthday!” Onward and downward! Article by Greg Morse

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