Bonhoeffer - Pastor, Martyr, Prophet, Spy Order Printed Copy
- Author: Eric Metaxas
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About the Book
"Bonhoeffer - Pastor, Martyr, Prophet, Spy" is a biography of Dietrich Bonhoeffer, a German Lutheran pastor, theologian, and anti-Nazi dissident who was involved in a plot to assassinate Adolf Hitler during World War II. The book explores Bonhoeffer's life, work, and ultimately his martyrdom for his beliefs. It sheds light on his courage, faith, and commitment to standing against tyranny and injustice.
Fanny Crosby
"Oh, what a happy soul I am, / although I cannot see! / I am resolved that in this world / Contented I will be."
Francis Jane Crosby wrote more than 9,000 hymns, some of which are among the most popular in every Christian denomination. She wrote so many that she was forced to use pen names lest the hymnals be filled with her name above all others. And, for most people, the most remarkable thing about her was that she had done so in spite of her blindness.
"I think it is a great pity that the Master did not give you sight when he showered so many other gifts upon you," remarked one well-meaning preacher.
Fanny Crosby responded at once, as she had heard such comments before. "Do you know that if at birth I had been able to make one petition, it would have been that I was born blind?" said the poet, who had been able to see only for her first six weeks of life. "Because when I get to heaven, the first face that shall ever gladden my sight will be that of my Savior."
Blinded by a quack
Born in Putnam County, New York, Crosby became ill within two months. Unfortunately, the family doctor was away, and another man—pretending to be a certified doctor—treated her by prescribing hot mustard poultices to be applied to her eyes. Her illness eventually relented, but the treatment left her blind. When the doctor was revealed to be a quack, he disappeared. A few months later, Crosby's father died. Her mother was forced to find work as a maid to support the family, and Fanny was mostly raised by her Christian grandmother.
Her love of poetry began early—her first verse, written at age 8, echoed her lifelong refusal to feel sorry for herself:
Oh, what a happy soul I am,
although I cannot see!
I am resolved that in this world
Contented I will be.
How many blessings I enjoy
That other people don't,
To weep and sigh because I'm blind
I cannot, and I won't!
While she enjoyed her poetry, she zealously memorized the Bible. Memorizing five chapters a week, even as a child she could recite the Pentateuch, the Gospels, Proverbs, the Song of Solomon, and many psalms chapter and verse.
Her mother's hard work paid off. Shortly before her fifteenth birthday, Crosby was sent to the recently founded New York Institute for the Blind, which would be her home for 23 years: 12 as a student, 11 as a teacher. She initially indulged in her own poetry and was called upon to pen verses for various occasions. In time the principal asked her to avoid such "distractions" in favor of her general instruction. "We have no right to be vain in the presence of the Owner and Creator of all things," he said.
It was the work of a traveling phrenologist (one who studies the shape and irregularities of the skull for insights into character and mental capacity) that changed the school's mind and again ignited her passion. Though his study is now the ridicule of science, the phrenologist's words were to prove prophetic: "Here is a poetess. Give her every possible encouragement. Read the best books to her and teach her the finest that is in poetry. You will hear from this young lady some day."
Poetry for presidents
It didn't take long. By age 23 Crosby was addressing Congress and making friendships with presidents. In fact, she knew all the chief executives of her lifetime, especially Grover Cleveland, who served as secretary for the Institute for the Blind before his election.
Another member of the institute, former pupil Alexander van Alstine, married Crosby in 1858. Considered one of New York's best organists, he wrote the music to many of Crosby's hymns. Crosby herself put music to only a few of hers, though she played harp, piano, guitar, and other instruments. More often, musicians came to her for lyrics. For example, one day musician William Doane dropped by her home for a surprise visit, begging her to put some words to a tune he had recently written and which he was to perform at an upcoming Sunday School convention. The only problem was that his train to the convention was leaving in 35 minutes. He sat at the piano and played the tune.
"Your music says, 'Safe in the Arms of Jesus,'" Crosby said, scribbling out the hymn's words immediately. "Read it on the train and hurry. You don't want to be late!" The hymn became one of Crosby's most famous.
Though she was under contract to submit three hymns a week to her publisher and often wrote six or seven a day (for a dollar or two each), many became incredibly popular. When Dwight Moody and Ira Sankey began to use them in their crusades, they received even more attention. Among them are "Blessed Assurance," "All the Way My Savior Leads Me," "To God Be the Glory," "Pass Me Not, O Gentle Savior," "Safe in the Arms of Jesus," "Rescue the Perishing," and "Jesus Keep Me Near the Cross."
She could write very complex hymns and compose music with a more classical structure (she could even improvise it), but she preferred to write simple, sentimental verses that could be used for evangelism. She continued to write her poetry up to her death, a month shy of her ninety-fifth birthday. "You will reach the river brink, some sweet day, bye and bye," was her last stanza.
the progressive pilgrim: allegory for an easy age
Jesus said, “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14). In the twenty-first century, does his statement seem true to you? Have you found an easier way? Abraham may have wandered in tents, Paul may have been hunted like a deer, the disciples may have met brutal ends to their earthly careers, and many in the early church may have been slandered, reviled, plundered, fed to lions, burned to light the streets of Rome — “killed all the day long . . . regarded as sheep to be slaughtered” (Romans 8:36) — but that was then . We have smartphones now. Modernity seems to have done wonders to smooth the way. The narrow path lying between the City of Destruction and the Celestial City seems paved. Nathaniel Hawthorne (1804–1864) made a similar observation in his day. Though no friend of the Puritans, his short story “The Celestial Railroad” imitates and engages with John Bunyan’s The Pilgrim’s Progress . In it, he critiques the pillow-soft spirituality of his day (including Unitarianism and Transcendentalism), firing a critique that could have been written yesterday to describe the rampant easy-believism of today. Celestial Railroad Wandering through the gate of dreams, Mr. Hawthorne arrives at the famous City of Destruction. Having read Mr. Bunyan on the place, he is rather taken aback, and pleasantly surprised, to find that hostilities between this city and the Celestial City have all but vanished. Former foes shake hands. A pact built on “mutual compromise” has made allies from enemies. Enmity between the two lands is water under the bridge — or rather, a shining railroad over it. The Wicket Gate, that narrow and impossibly awkward entryway, as Bunyan’s readers will recall, has been replaced by the railroad station itself. Mr. Smooth-it-away — a distinguished gentleman in the enterprise who guides Mr. Hawthorne on his journey — ensures us all that this large building is much better suited to include the broadminded travelers of modernity. And the effect cannot be overstated, as Mr. Hawthorne relays: It would have done Bunyan’s heart good to see it. Instead of a lonely and ragged man, with a huge burden on his back, plodding along sorrowfully on foot, while the whole city hooted after him, here were parties of the first gentry and most respectable people in the neighborhood, setting forth towards the Celestial City, as cheerfully as if the pilgrimage were merely a summer tour. (199) The Celestial Railroad now transports would-be travelers — comfortably and safely — to the renowned City of Light. Individuals from Christian’s birthplace saw to it that no good-hearted pilgrim would ever again leave the city in derision or vulnerable to unsavory conditions and smiling foes. Nor would any carry that dreadful burden upon his back for miles on end — no, as Hawthorne gladly reports, One great convenience of the new method of going on pilgrimage, I must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, were all snugly deposited in the baggage-car, and, as I was assured, would be delivered to their respective owners at the journey’s end. (200) The travelers are sent off with their backpacks snugly tucked away, “to be delivered to their respective owners at the journey’s end.” Genius. But this, dear reader, is but the start to the innovations of the Celestial Railroad. Let me relay but a few more to you. Old Sites, New Conveniences Lengthy scrolls and books are not needed as tiresome maps along this journey; only a ticket is required. Such is very reasonable and expedient. To begin the journey, the dreadful Slough of Despond — that bog full of past sins and lusts and fears and temptations and doubts, in which Christian sank and at which Pliable flustered, only to return home — has a new sparkling bridge erected overhead. While wholesome teaching could not fill Bunyan’s slough, Hawthorne tells us, books of morality, German rationalism, modern sermons, and extracts of Plato, combined with a few innovative commentaries on Scripture, sufficed to lay the sturdy foundations to erect the bridge upon (198). Traveling farther, one discovers that the Interpreter’s House, while still receiving the occasional pilgrim of the old method, was no stop of the Celestial Railroad. Regretfully, Mr. Smooth-it-away remarks, that grand Interpreter grew rather sour, prudish, and prejudiced in his old age (a similar theme for the likes of Evangelist and Great-heart, the latter even “perpetually at blows” with his new collaborators). He could not keep with the times and got left behind. Hurried Cross Yes, dear reader, I can hear your question: What has become of the cross  where the burden fell from Christian’s back? Let me cite the firsthand account: We were rushing by the place where Christian’s burden fell from his shoulders, [the] sight of the Cross. This served as a theme for Mr. Smooth-it-away, Mr. Live-for-the-world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of gentlemen from the town of Shun-repentance, to descant upon the inestimable advantages resulting from the safety of our baggage. (203) “Crosses must be carried in every age, and the costs must be considered.” Rushing past the cross, the passengers revel in their good fortune at finding a way to travel to the Celestial City without leaving behind their precious habits and secret delights. It would be a shame, after all, to lose such desirable pastimes if they could help it. Yet there are still more improvements upon the old way to display. A tunnel now conveniently travels through Hill Difficult — the excavated ground then used to fill in the Valley of Humiliation. That dreary and gloomy Valley of the Shadow of Death now glows with gas lamps. And should you, with Mr. Hawthorne, regret missing the chance to visit Palace Beautiful — where live the young and fair Piety, Prudence, and Charity — ease your disappointed mind by overhearing, “Young ladies!” cried Mr. Smooth-it-away, as soon as he could speak for laughing. “And charming young ladies! Why, my dear fellow, they are old maids, every soul of them — prim, starched, dry, and angular — and not one of them, I will venture to say, has altered so much as the fashion of her gown, since the days of Christian’s pilgrimage.” (203–204) These fair maidens of yesterday, again, resisted the hard-won improvements, cherishing ancient, rough, and inefficient paths. Vanity Fair What can be said of Vanity Fair? Hear it from Mr. Hawthorne: this wonder of a place has the power to make anyone feel at home. The “great capital of human business and pleasure” stands as the epitome of everything “fascinating beneath the sun.” The people, Hawthorne finds, are most interesting and agreeable. Concerning the hostility that once led to the unfortunate execution of Faithful, Christian’s beloved companion, they’ve come to see the misstep. These noble and charming and wise people now enter into great camaraderie and trade with the passengers of the Celestial Railroad; indeed, many of them have taken to the railway themselves. But of all the wonders of the metropolis, Hawthorne relates one that might outshine them all: The Christian reader, if he had no accounts of the city later than Bunyan’s time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. (209) Indeed, few places could boast so much religiosity. Hawthorne continues, In justification of this high praise, I need only mention the names of the Rev. Mr. Shallow-deep; the Rev. Mr. Stumble-at-Truth; that fine old clerical character, the Rev. Mr. This-to-day, who expects shortly to resign his pulpit to the Rev. Mr. That-to-morrow; together with the Rev. Mr. Bewilderment; the Rev. Mr. Clog-the-spirit; and, last and greatest, the Rev. Dr. Wind-of-doctrine. (209) Filled with fine-dressing, stimulating people, and endless pleasures to buy, sell, and enjoy — mind you, in such a fine Christian place  — the only curiosity was that people would just disappear. So common was the occurrence, Hawthorne relates, that the citizens learned to continue on as if nothing had happened. Today’s Celestial Railroad Now, Nathaniel Hawthorne was no Christian, and he wrote antagonistically about the Puritans in other stories (in part due to an infamous family history). But here, he casts stones — almost in sympathy with Bunyan — against the modern religiosity he viewed as shallow, smooth, and deceptive. Any reader of the story sees parallels today. They had Mr. Smooth-it-away; so have we. They had trains leaving every day to what is thought the Celestial City; so have we. They had people tucking their sins under the caboose, deploring the hard way, wanting merely a ticket to heaven; so have we. They hurried past the cross of Christ; so do many who claim to be his followers today. How many sermons, small groups, Christian ministries escape this description? There was much pleasant conversation about the news of the day, topics of business, politics, or the lighter matters of amusement while religion, though indubitably the main thing at heart, was thrown tastefully into the background. Even an infidel would have heard little or nothing to shock his sensibility. (200) “False paths, sliding downward, are smoothest.” Teachers and preachers, once found in the Interpreter’s house, wooing pilgrims with golden crowns and warning them against smooth paths, now create them. Done with the cautions and commands, they converse among friends. His name is not Pastor; it is Jake — just Jake. He does not tell you what God has said; he is there to listen, just another broken sheep like everyone else. He gives comforting homilies and entertaining stories, but the utterance “Thus says the Lord” is far from his lips. And I fear that, just as in the end of Hawthorne’s dream before he awakes, so in our world, Mr. Smooth-it-away leaves many on steam ferryboats traveling to Tophet (hell). False paths, sliding downward, are smoothest. The true path is not easy or broad — even for societies without much physical intimidation. Our Christ, who carried his own cross, leaves his church crosses to be carried in every age, and costs to be considered. This earth will pass away, but Jesus’s word shall not: “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14).