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About the Book
"Applying The Kingdom" by Myles Munroe explores the concept of the Kingdom of God and how individuals can apply its principles to their daily lives. Munroe emphasizes the importance of understanding and living out the principles of the Kingdom in all aspects of life, including relationships, work, and personal development. Through practical guidance and biblical insights, readers are empowered to live according to God's Kingdom and experience its fullness in their lives.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Trade Self-Help for God-Help
They set out to get help from a higher power. The lion needed courage. The tinman needed a heart. The scarecrow needed a brain. The little girl longed to return home. But at journey’s end, they came to the unfortunate discovery: The Wizard of Oz was no wizard at all. He relied on screens and microphones. His wand was broken. He had only pins and needles to give. Yet, all was not lost. Our four heroes realized that what each had sought, each already possessed. Along the way, Tinman loved, Lion risked, Scarecrow thought. Dorothy carried the ability to travel home wherever she went. They discovered that they did not need an all-powerful Oz behind the curtain. What each truly needed he already held within. Whether or not Frank Baum meant it or not, Wizard of Oz is an apt parable of the generations-old self-help movement in our increasingly post-Christian West. The Oz, many say, has nothing to offer. God, the wisdom of modern man finally confirms, is a fraud. Yet, some rush to tell us, all is not lost. After sobering from the opiate of the masses, they tell us to awaken to reality: what we’ve needed all along already resides within each of us. Truth in Self-Help Some professing Christians are promoting self-help resources at alarming rates. As can happen when biting into that pizza roll too quickly, we can lose the ability to taste differences. We chew pop-psychology’s ideology of self-reliance and discern no real difference from Christianity, which builds upon God-dependence. We swallow both indiscriminately and wonder why our stomachs hurt. Before we look at the differences between the ideologies, first a question: Can we learn anything from the self-help movement? Why does this placebo help some? Many will line up to testify of its cure-all power. What’s in the snake oil? At least one true ingredient: self-help acknowledges our personal agency. Self-help assumes that you can indeed do something to help yourself. It too rejects the deceit that we drift helplessly downstream from our past or current circumstances. We are not leaves floating down from trees. The me of yesterday doesn’t have to be the me of tomorrow. We can learn discipline. We can “take control” of various aspects of our lives, escape addictions, and overcome fears. At least self-help affirms what God always has: we can, even now, reap a different harvest by sowing a different crop. It properly highlights the truth that we can — and must — own some measures of responsibility for our lives. We each can choose, as Luther once said, many things under heaven. And each decision will have consequences. Self-help advice rescues some from the fatalistic, paternalistic, dehumanizing worldviews (so common today) that deny a crucial component of God’s world: “So God created man in his own image, in the image of God he created him; male and female he created them” (Genesis 1:27). Diagnosing the Difference The ineptitude of the self-help philosophy becomes apparent when we contrast it with God-help. Note three differences, among others. 1. On Whom Do You Rely? Self-help gurus have little to sell us other than ourselves. In stopping at mere personal agency, they send us to build a new life while denying us straw for our bricks. Sure, they interject themselves to get us going (for a small fee, of course), but the real power resides within. The god they point to stoops down to fit into every mirror we see. Returning to our childhood optimism, “I think I can, I think I can,” this endless search to find your true potential borrows from the oldest heresy: “And you will be like God” (Genesis 3:5). Claiming to be wise, these gurus exchange the glory of the immortal God for images of successful man. Believe in yourself. Clutch the scepter of your life. You can do all things through you who gives you strength. As if God, looking down from heaven without any mercy, thundered, “Just figure it out!” Promoters of self-help have not been tutored in that school that Paul had: We were so utterly burdened beyond our strength that we despaired of life itself. Indeed, we felt that we had received the sentence of death. But that was to make us rely not on ourselves but on God who raises the dead. (2 Corinthians 1:8–9) The illusions of self-help shatter when suffering weighs so heavily on our backs that we despair of life itself. Pain reminds us that we are still but creatures — for the gods do not bleed. But all affliction is a choice friend when it teaches us to sing, “I lift up my eyes to the hills. From where does my help come? My help comes from the Lord, who made heaven and earth” (Psalm 121:1–2). The shoulders of him alone, who carried the cross and willingly bled for the treason of our self-reliance, can bear all of our further needs. 2. What Help Do You Get? When we look within for help, we receive only temporal solutions to what amounts to eternal problems. That alcohol addiction is not first and foremost a sin because it destroys one’s family and poisons oneself. All transgression, as we shall all soon discover, is against God: “Against you, you only, have I sinned and done what is evil in your sight” (Psalm 51:4). God has the first grievance, though the shrapnel certainly strikes others as well. Self-dependence may subdue some of the symptoms of sin — you stop drinking, overeating, or committing adultery — but a life of sin against God remains unaddressed and ultimately unaltered. Whereas self-help can tidy a sinking ship, “godliness is of value in every way, as it holds promise for the present life and also for the life to come” (1 Timothy 4:8). Grace trains the Christian to say “No!” to theft, anger-issues, pornography, pride, laziness, and say, “Yes!” to self-control, uprightness, and godly lives in the present (Titus 2:11–12) — all while steering us home and preparing us for heaven, not hell. 3. Who Gets the Glory? When we trust in self — and actually succeed— we get the glory. I am smarter, more disciplined, better. When we become self-made men and women, and not God-made men and women, we run from disordered lives into the arms of pride. Having escaped the cobra, we encounter the bear. And this tempts the self-reliant to look down on others who aren’t successful, and, whether they ever succumb to temptation or not, they never bother looking up to God. But the man who makes God his trust has a very different victory song: Not in my bow do I trust, nor can my sword save me. But you have saved us from our foes and have put to shame those who hate us. In God we have boasted continually, and we will give thanks to your name forever. (Psalm 44:6–8) The Christian, awake to the reality that he has no good apart from his God (Psalm 16:2), speaks repeatedly, “Not to me, O God, not to me, but to your name give glory” (Psalm 115:1). Christ is his boast. Christ is his refrain. He wants every triumph to add another jewel to the crown of his King. Make the Trade Self-help gives me my own small, fleeting glory. God-help offers us deep, everlasting joy, secure in his unfading glory. Self-help offers a temporal good (at best). God-help gives eternal good with the temporal thrown in. Self-help relies on my discipline, my resolve, and my effort. God-help builds upon a child’s cry to his father, leaning on one’s eternal family, and trusting God’s unfailing promises. God-help sustains me with daily bread from heaven. Self-help cannibalizes me, for it can find no other food. God-help ends in salvation, glory, and the conquering of the world, the flesh, and the devil. Self-help addresses the coughs and sneezes of this life but leaves me, at the end of it, without hope, without forgiveness, and without God in this world. So, trade self-help for God-help. God does not help those who, unmindful of him, help themselves. He works for those who wait for him (Isaiah 64:4). In the end, self-help is sheer folly. It sends us to work on Babel, rent a room in Gomorrah, eat grass with the mad king, and speak over ourselves, “Take up your bed and rise.” The placebo works only for so long, but all shall fall eventually — and “great shall be the fall.” But those who trust in Christ have Almighty God working in them, unsearchable promises to guide them, a heaven to journey to, and a Savior to glorify along the way. Article by Greg Morse