Others like anagkazo: compelling power Features >>
6 Steps To Multiplication
Jeshua Hamashiah
Friend Of Sinners (Why Jesus Cares More About Relationship Than Perfection)
True Revivals And The Men God Uses
The Most Important Decision You Will Ever Make
Why Jesus Appears To People Today
Many Are Called
Time Is Running Out
Evidence For The Resurrection (What It Means For Your Relationship With God)
The Gospel Commission
About the Book
"Anagkazo: Compelling Power" by Dag Heward is a book that explores the concept of anagkazo, which means compelling power in Greek. The author delves into the idea of tapping into one's inner strength and experiencing the transformative power of faith and determination. The book emphasizes the importance of overcoming challenges and obstacles through faith and unwavering belief in oneself.
Calvin Miller
Calvin Miller was a pastor, professor and storyteller, best known for The Singer Trilogy, a mythic retelling of the New Testament story in the spirit of C. S. Lewis and J. R. R. Tolkien. Miller passed away on the afternoon of August 19, 2012, due to complications after heart surgery. He was 75.
A prolific artist and a writer's writer, Miller garnered respect and praise throughout his career from peers like Luci Shaw, Max Lucado and Philip Yancey. He was the author of more than forty books of popular theology and Christian inspiration including such recent books as Letters to Heaven, The Path of Celtic Prayer, Letters to a Young Pastor and his memoir Life Is Mostly Edges.
In addition to his twenty years of pastoral service at Westside Church in Omaha, Nebraska, Miller was also a great mentor to many students and leaders through his preaching and pastoral ministry classes at Beeson Divinity School. Calvin Miller, never one to multiply words, used just four to describe his rule of life: "Time is a gift."
RESCUE FROM THE SLUSH PILE
In October 1973 one important book was rescued from the slush pile (the stack of unsolicited manuscripts every publisher receives) by assistant editor Don Smith. He read a manuscript by a little-known Baptist pastor in Nebraska that was a poetic retelling of the life of Jesus—portraying him as a Troubadour. Both he and Linda Doll excitedly encouraged Jim Sire to take this imaginative manuscript seriously. In February 1974 Sire wrote the author, Calvin Miller, that IVP wanted to publish his book The Singer.
Months before, Miller had been waking up nights, stirred to write this tale, perhaps unconsciously inspired by the recent Broadway hits Jesus Christ Superstar and Godspell. Later Miller wrote:
When the manuscript was done, I sent it to Jim Sire at InterVarsity Press. “It’s good,” he said, “but we want to think about it a couple of weeks before we give you an answer.” So I waited until finally the letter came. They were going to do it. Jim Sire had done his Ph.D. on John Milton, and the fact that he liked it was joy immeasurable to me. “But,” he cautioned, “we’re going to print five thousand of these. They may not do well—in fact we may end up with four thousand of them on skids in our basement for the next ten years. Still, it’s a good book and deserves to be in print.”
Far more than a thousand copies sold. Actually, over three hundred times that amount sold in its first decade. It became “the most successful evangelical publication in this genre.” The Singer was followed in two years by The Song (paralleling the story of the early church in Acts) and two years after that by The Finale (inspired by the book of Revelation). Publication of The Singer changed Miller’s life. Even though he stayed in the pastorate for many years, it set him on a course of writing and speaking that he could not have imagined.
He Called Death Sweet Names
To me Erwin Rudolph will always be Dr. Rudolph. He was my professor and, when I was in college, I revered professors. But with all the reverence, he was a gentle rock of stability for this nervous, insecure sophomore, who that year — 1965 — declared an English major at Wheaton College. One of the reasons I was nervous and insecure was that I read so slowly. I knew I could not read a lot of long books in one semester, so I never took a lit class on “The Novel.” Instead I took poetry classes. That meant three classes with Dr. Rudolph: Pre-Renaissance, English Renaissance, and Eighteenth Century. In these classes, I did not have to read huge books. Instead I had to read poems really carefully — even memorize some. Dr. Rudolph required that we memorize and recite 42 lines of Chaucer in the original Middle English. This was terrifying to me. I was too nervous to speak in front of a whole class. Mercifully and patiently, Dr. Rudolph took the time to let me recite the lines to him alone in his office. He became my faculty adviser in the fall of 1965 and shepherded me through to graduation in the spring of 1968. I loved his classes. One reason is that he cared about substance, not just form. He cared about meaning and truth, great truth. To this day, the poets I love most (George Herbert, John Donne, Alexander Pope) are the ones who care about beauty and truth. Form and substance. Craft and content. I met these masters first in Dr. Rudolph’s classes. He awakened me to a world of truth and beauty in poetry which I did not know existed. I sought his counsel even after I left Wheaton. Although I sensed a vocational call to Scripture and went on to seminary after college, I was not sure if I could be a preacher, and I pondered for a year or two the serious possibility of following in Dr. Rudolph’s steps by getting a Ph.D. in English, and becoming a theologically serious English teacher. That didn’t happen. I think Dr. Rudolph was okay with that choice. His counsel was always balanced. He probably saw that my slow reading ability did not suit me well for an academic career in literature! My dominant memory of Dr. Rudolph is the one most relevant to his own death. Zeke, Dr. Rudolph’s son, was in my wife’s class at Wheaton, a year behind me. Zeke died of Multiple Sclerosis in August of 1969, three months after his graduation. I remember the very room I was in at my parents’ house when I read Dr. Rudolph’s tribute to Zeke. There was one immortal line that I have returned to again and again — as I return to it again now at Dr. Rudolph’s own death: “Near the end Zeke called death sweet names.” It has been almost 50 years, and I have not forgotten these words, nor the man who spoke them. I didn’t know Zeke. But I knew his father. And what an impact his farewell to his son had on me. It was full of sober sorrow in the face of the horrors of death, but also full of confidence that Zeke had not lived in vain, or died without hope. The same is true now for my professor, Dr. Rudolph. He did not live in vain. And he did not die without hope. Perhaps I should let him have the last word of triumph. In his book, Good-by, My Son , he wrote, We do not pretend to understand why God’s time-table differs so markedly from our own. But it was ours which was out of adjustment, not his. . . . I strongly affirm that belief in Divine Providence affords the Christian an undergirding he can ill afford to lose. I also discover that God may personally allow suffering to come upon us for reasons which please him. When he does, we ought not to demur, for God knows what is best for us. With deep love and appreciation, I say, Amen.