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About the Book


"All God's Promises" by Vikki Kestell is a Christian fiction novel that follows the story of a young woman facing unimaginable challenges and struggles. Through her journey, she learns to lean on her faith and trust in God's promises to guide and sustain her. The book highlights themes of hope, redemption, and the power of faith in overcoming adversity.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

There Is a Name

In a world of tolerance and pluralism, few truth claims taste as sour as this one: Jesus is the only way to God. Or as the apostle Peter so boldly says, There is salvation in no one else, for there is no other name given under heaven by which we must be saved. (Acts 4:12) Just one name for eight billion people? Just one Savior for almost seven thousand people groups? Just one heavenward path for men and women, young and old, urban and rural, Asian and American and African and European? Peter, apparently, felt unashamed of the claim. “Let it be known to all of you,” he began (Acts 4:10). But what Peter proclaimed, many of us whisper, especially among those who take offense. “No other name” may sound fine in small group, but our voices can crack at a neighbor’s kitchen table. Embarrassment, not boldness, might mark even the lovers of Jesus’s name. “Into this world of curse and sin, where half our house hangs over the cliff edge of judgment, God has given a name.” Perhaps, then, we need help feeling the wonder that there is any name at all. Into this world of curse and sin, where half our house hangs over the cliff edge of judgment, God has given a name. World with No Name By all just reckonings, we ought to live in a world with no name. We ought to walk east of Eden, with no promise of a coming son. We ought to toil under Pharaoh, with no outstretched arm to rescue. We ought to tremble before Goliath, with no David to sling his stones. We ought to hang our harps in Babylon, with no hope of a future song. On our own, of course, we struggle to consent to such dismal oughts. We feel, even if we do not speak, not that we ought to perish, but that God ought to save. We sense that heaven, not hell, is humanity’s default destination. We talk of a hundred paths up the mountain because we assume, deep down, that most (if not all) deserve to reach the top. Yet we feel, sense, and assume like this only when we feel, sense, and assume that our sin is smaller than God says. To those with slight views of sin, little could be more offensive than there being only one name. But for those who, like Job (Job 42:6), or Isaiah (Isaiah 6:5), or Peter (Luke 5:8), or John (Revelation 1:17), have found themselves thrust into the presence of the Holy One, little could be more wonderfully surprising. Why should God send a sunrise to pierce our chosen darkness? Why should the Father rise and race to meet his wayward son? Why should Christ become our Hosea to redeem us from the brothel? Why should heaven’s blood be shed to win back heaven’s haters? Why should Jesus give his name to rescue crucifiers? Only because the reckonings of heaven reach beyond mere justice. There Is a Name Now, hear again the words that so often offend or embarrass: There is salvation in no one else, for there is no other name under heaven given among men by which we must be saved. (Acts 4:12) The exclusivity of Jesus Christ does indeed sit at the center of Peter’s words, like a stone of stumbling or a rock of offense (Acts 4:11; Romans 9:33). Yet strewn around that stone are jewels so beautiful that Peter’s claim, so far from offending or embarrassing, ought to break the hearts of sinners and unloose the tongues of saints. NAME GIVEN There is . . . [a] name . . . given. When the Son of God was born in Bethlehem, he was born into a world without a saving name. No name among Greece’s wise philosophers could save. No name in Rome’s expansive pantheon could save. Israel, of course, had long taken refuge in the name of Yahweh (Exodus 34:6–7). Yet even Yahweh waited for the day when he would give his name in a new way — and through it, a salvation far beyond the Jews’ imagination (Jeremiah 23:5–6; Joel 2:32). Then on that lonely night, the God of heaven gave a name to lost and dying sinners. Unto us was born that day in the city of David a Savior, named Jesus Christ the Lord (Luke 2:11). Take heart, exiles of Eden. Have courage, slaves of Pharaoh. Lift up your heads, soldiers of Israel. Play your harps, prisoners of Babylon. Your God has come, and he has given you a name. UNDER HEAVEN There is . . . [a] name under heaven given among men. God could have given this name to the Caesars and Herods of the world. He could have handed it to the wise and powerful. Or most likely of all, he could have entrusted it to the Jews alone. Instead, he gave a name under (all) heaven, among (all) men. “Jesus’s name will meet the eastern sunrise. Jesus’s name will watch the western sunset.” Wherever men and women live under heaven, however far the image of God has wandered, there this name must go. It must run beyond Jerusalem; it must reach past Judea; it must fly outside Samaria to find the ends of the earth (Acts 1:8). As the psalmist sings, “From the rising of the sun to its setting, the name of the Lord is to be praised!” (Psalm 113:3). So it is and will be in Jesus. His name will meet the eastern sunrise. His name will watch the western sunset. And everywhere in between, all people “will be blessed in him, all nations call him blessed” (Psalm 72:17). FOR SALVATION There is . . . [a] name under heaven given among men by which we must be saved. God has given a name. This name is for everyone under heaven. And here is God’s purpose, God’s desire, in giving that universal name: my people must be saved (Acts 2:21). God saw fit to wrap salvation in the syllables of this name. “You shall call his name Jesus,” the angel told Mary, “for he will save his people from their sins” (Matthew 1:21). “God sees,” “God sympathizes,” “God strengthens” — any of these names would have been wonderful. But Jesus, “God saves” — or more literally, “Yahweh saves”? No wonder Mary marveled (Luke 1:46–55). God did not send this name into the world to condemn the world, but in order that the world might be saved through it (John 3:17). What a Glorious Name So then, in Jesus, we hear the only name that saves. We can, if we want, nurture offense or embarrassment about God’s giving only one name. Or we can thank God for that name, treasure that name, and join God himself in spreading that name wherever it is not sung. If we do, we join a mission that cannot fail. Hear God Almighty take up the longing of Psalm 113:3 and turn it into a prophetic promise, sealed twice over: From the rising of the sun to its setting my name will be great among the nations, and in every place incense will be offered to my name, and a pure offering. For my name will be great among the nations, says the Lord of hosts. (Malachi 1:11) His name will be great: in Zambia and New Zealand, in India and Iceland, in China and Colombia, and in the darkened streets of our own cities. And to that end, God has made us stewards of his sacred name. In Christ, we can shine the light that splits the darkness (Luke 1:78–79), lower the hand that lifts the fallen (Psalm 40:2), raise the snake that heals the bitten (John 3:14–15), and say the name that saves the sinner. There is no other name given among men by which we must be saved. And oh what a glorious name it is. Article by Scott Hubbard

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