About the Book
"When God Walked The Earth" by Rick Joyner is a thought-provoking exploration of Jesus Christ's life on earth and the impact He had on humanity. Joyner delves into various aspects of Jesus' ministry, teachings, and miracles, offering fresh perspectives and insights on the profound significance of His time on earth. The book highlights the enduring relevance of Jesus' message of love, redemption, and hope for individuals facing the challenges of today's world.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
A Strange and Holy Calm
My wife and I are investing in calmness therapy for our twin 11-year-old boys. Itâs called youth baseball. The financial expenses pale in comparison to the deposits of time. Baseball not only facilitates brain and body development, and teaches teamwork, but also produces contexts for learning to handle pressure and deal with failure. In other words, it provides avenues to cultivate self-control  â the one virtue the apostle Paul saw fit to set before young men in Titus 2. After multiple charges each for older men, older women, and younger women (Titus 2:2â5), he gives a single focus for the young men: âurge the younger men to be self-controlledâ (Titus 2:6). Do not misunderstand. We do not  want our boys to be unemotional; and they are not. Theyâre competitive, and theyâre kids, prone to react without proper emotional restraint. Which is why youth baseball can be one valuable tool, among others, in seeking to build men. We want them to learn how to be composed under pressure, when the moment requires it, and give release to their emotions in the proper time and place. We want them to learn to keep their head when others are losing theirs, to not lose control in outrage or self-pity but keep a sober mind, aware that how they carry themselves and treat teammates, umpires, and the opposing team is far more important than winning a game. At times, we cheer, and celebrate a win after the final out has been made. At other moments, we process the disappointment of errors, strikeouts, and losses. But in the ups and downs of the game â and in life off the field â our passions can push us to celebrate prematurely, or wallow extensively. We want our boys to learn how to stay calm in the storm, not by repressing emotions but learning to master them. In the heat of the moment, we want them to keep their wits, tell themselves truth, and stay calm enough to faithfully take the next step for their own good, and the good of others. More than baseball players, we want our boys to become Christian men. He held his peace In a day when outbursts of emotion are not only accepted, but respected, and encouraged, it can be more difficult to raise men who learn to righteously âhold their peace.â Itâs a curious phrase at key junctures in the history of Godâs people. Some outburst of rage, or rash expression of anger or retaliation, is expected, yet a man of God, weâre told, âheld his peace.â First, we see it in the patriarch Jacob, when he hears that Shechem, prince of the land, âhad defiled his daughter Dinah.â We expect an explosion. But âJacob held his peaceâ until his sons could come in from the field (Genesis 34:5). Itâs not that Jacob ignores or minimizes this outrageous act against his daughter, and family, but he maintains self-control until his counselors can gather and decide how to respond. Two of his sons, Simeon and Levi, do not exercise the same restraint and become Jacobâs foil. They come against Shechem with swords, and in doing so, bring âtrouble on [Jacob] by making [him] stink to the inhabitants of the landâ (Genesis 34:30). So also Aaron, Mosesâs brother and the first high priest. When his sons âoffered unauthorized fireâ before God and were consumed (Leviticus 10:1â2), we might expect Aaron to erupt with rage against heaven at the loss of his sons. Instead, Moses reports, âAaron held his peaceâ (Leviticus 10:3) â not because he didnât care, or wasnât severely grieved, but because he revered God with a righteous fear and trusted Godâs goodness, that he had done no wrong, painful as Aaronâs loss was. King Saul, at the outset of his reign, before his falls from grace, demonstrated admirable restraint when dishonored. As the rest of the nation acknowledges and embraces him as its first king, the critics emerge, âsome worthless fellows,â with their cynicism: âHow can this man save us?â As king, Saul now has the power to dispose of such men, quickly and quietly. âBut he held his peace,â reports Samuel, in an admirable demonstration of his early magnanimity (1 Samuel 10:27). Slow to Anger Most noteworthy, though, is God himself. He says, through Isaiah, to his rebellious people, âFor a long time I have held my peace; I have kept still and restrained myselfâ (Isaiah 42:14). God has not ignored or discounted their sin; nor has he raged in an outburst of unrestrained fury against them. Later he pleads, âHave I not held my peace, even for a long time, and you do not fear me?â (Isaiah 57:11). Now he will act in justice, giving vent to his righteous anger, but none may reasonably charge him with rushing to judgment or the slightest impatience. âIn times that socialize us for outrage and outbursts, we need men who know how to hold their peace.â In times that socialize us for outrage and outbursts, we need men not just like Jacob, Aaron, and a young Saul â who know how to hold their peace when the moment requires it â but also like God himself, who the Scriptures describe repeatedly as âslow to anger.â Significantly, when God reveals himself to Moses in response to the request âShow me your glory,â the first words the prophet hears are âa God merciful and gracious, slow to angerâ (Exodus 34:6). Such divine composure , as we might call it, would become a legacy for the Israelites, that their God was slow to anger.  Not without anger . He clearly stood ready to punish the guilty in time. And never before it was time, and never with an intensity that was unjust or in any way that wronged those he punished or disciplined. Yet, given the rebellion of his people, often outrageous, he was enduringly patient and markedly âslow to anger,â as prophets and psalmists alike would cherish (Nehemiah 9:17; Joel 2:13; Psalms 86:15; 103:8; 145:8). So Too His People The collected Proverbs of the nation made this striking application: As your God, so too his people . If God himself, by all accounts and remembrances, is indeed slow to anger, how can his people not seek to be like him? Whoever is slow to anger has great understanding, but he who has a hasty temper exalts folly. (Proverbs 14:29) A hot-tempered man stirs up strife, but he who is slow to anger quiets contention. (Proverbs 15:18) Whoever is slow to anger is better than the mighty, and he who rules his spirit than he who takes a city. (Proverbs 16:32) Good sense makes one slow to anger, and it is his glory to overlook an offense. (Proverbs 19:11) Here we see how God is forming and shaping his people: to have âgreat understandingâ; to âquiet contentionâ; to be âbetter than the mightyâ; to manifest âgood senseâ and the rare glory, in a world like ours, to overlook an offense. This God would save his people from hasty tempers, from exalting folly, from stirring up strife. So too in the New Testament, James extends this legacy to his Christian readers: âLet every person be quick to hear, slow to speak, slow to angerâ (James 1:19). Jesus whipped and wept But what of Christ himself, God incarnate? In Jesus, we find full and holy humanity, along with expressions we might not label âcalm,â yet are manifestly righteous. We do not picture Christ as calm when he made a whip of cords, cleared the temple, and overturned tables (John 2:15) â actions that prompted his disciples to remember Psalm 69:9: âZeal for your house will consume me.â Nor would we call him âcalmâ when he came to Bethany in the wake of Lazarusâs death. âDeeply moved in his spirit and greatly troubledâ (John 11:33), Jesus wept  â visibly enough that onlookers said, âSee how he loved him!â (John 11:35â36). Then he came to the tomb and was âdeeply moved againâ (John 11:38). Nor would we think of his anguish in the garden as serenity. âBeing in agony he prayed more earnestly; and his sweat became like great drops of blood falling down to the groundâ (Luke 22:44). We donât typically think of calmness as accompanied by âloud cries and tearsâ â but even here in Gethsemane, in his distress, he did not abandon reverence but was heard because of it (Hebrews 5:7). We would go too far to pretend that Christ was always calm. There were moments he was righteously and manifestly moved by holy emotions. Though neither in the temple, nor in Bethany, nor in the garden, did he lose control. Apart from a few exceptions, the Christ we encounter in the Gospels is stunningly calm. What composure, what self-control, what holy calmness he shows again and again when failed by his disciples, interrupted by the sick, imposed upon by the well-meaning, challenged by the sophisticated, and disrespected by the authorities. The one to whom our Christian growth conforms is one who was decidedly, manifestly calm, with only the rarest of, and most fitting, exceptions. Not stressed to rule the stars But just as helpful today, as we seek to live with the pattern of holy calm that echoes our Lordâs, is his unshakable composure right now, seated on heavenâs throne. Indeed, we are not yet fully glorified. We are not yet beyond the reach of earthly storms, injuries, strange behavior, and surprising acts of evil in this unreasonable world. But our captain is. As his soldiers, we draw on his calmness as absolute sovereign and utterly invincible. His holy composure and admirable serenity are not only our model to follow but also, and most significantly, our hope to lean on. Unlike the priests in the first covenant, standing  daily in Godâs service, ever in motion, âoffering repeatedly the same sacrifices, which can never take away sins . . . when Christ had offered for all time a single sacrifice for sins, he sat down  at the right hand of Godâ (Hebrews 10:11â12). The priests stood, but as John Piper comments, Christ is not standing. He is not in perpetual motion. . . . He does happen to rule the world. And care for his church. But he doesnât need to stand up to do it. According to Psalm 8:3, he made the stars with his fingers. It is no stress for him to rule one, infinitesimal planet without jumping out of his seat like a basketball coach, or pacing back and forth like a general waiting for news from the front lines. The accession of Christ to the throne of the universe â and his sitting on his throne with complete equanimity â is a signal to all his enemies, and to us, that this war has been won. âThe enemies of Christ hate calm and fearless responses in Christâs people.â The enemies of Christ hate calm and fearless responses in Christâs people. They signal to Christâs foes that their destruction is coming (Philippians 1:28). But more than that, holy calm, in the midst of our storms, makes us available to love others in the thick of crises, rather than being absorbed in our reaction. Oh, for Christians like this in our day of outrage and outburst. And for men like this especially â for husbands and fathers and pastors â to be a non-anxious presence in our homes and churches. For men who lean on the stressless, complete equanimity of Christ, showing holy calmness through the emotionally trying and explosive moments in life and leadership, ready to be responsive without being reactive, engaged and even industrious without being frantic, able to hold their peace when needed, and bring genuine concord in our skirmishes, knowing the war has been won.