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The Christian's Secret Of A Happy Life The Christian's Secret Of A Happy Life

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  • Author: Hannah Whitall Smith
  • Size: 913KB | 291 pages
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About the Book


"The Christian's Secret of a Happy Life" by Hannah Whitall Smith explores the importance of fully surrendering oneself to God in order to experience true joy and contentment. Smith discusses the significance of faith, trust, and obedience in maintaining a close relationship with God and finding peace amidst life's challenges. Ultimately, the book emphasizes the transformative power of living a life centered on God and His love.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

We Wish to See Jesus

“Sir, we wish to see Jesus.” Little did they know how well they spoke — not only for themselves, but for the whole human race. John 12:20 reports that “some Greeks” had come to worship in Jerusalem for that fateful Passover leading up to Jesus’s crucifixion. They approached his disciple Philip, who told another disciple, Andrew. Together, the two came to their Master with the request of the Greeks “to see Jesus” — to which Jesus gave this spectacularly unexpected response: The hour has come for the Son of Man to be glorified. Truly, truly, I say to you, unless a grain of wheat falls into the earth and dies, it remains alone; but if it dies, it bears much fruit. That was not the answer they were expecting — the disciples or the Greeks. But their wish to see Jesus was not rejected but redirected. It was an admirable wish, profoundly so — and if they remain in Jerusalem for the week, they will soon see the most important sight of him, crushing as it at first will be. His time has come to be “glorified” — which will not mean leading a charge to overthrow Rome and seize the crown, but laying down his life. Like a grain of wheat, he will not bear much fruit unless he first dies. These Greeks will indeed see him, and glimpse a sight far greater than they could have anticipated or imagined — far more horrible, and far more wonderful. They will witness the depths of his humiliation that will prove to be the very height of the glory of the one who truly is David’s long-promised heir to the throne, as shocking and unexpected as it will be. And as they see him — in his divine and human excellencies, united in one person, and culminating in the cross and its aftermath — they will have all they wished and more in the request they made expressing the deepest longing of every human heart. Infinite Abyss Famously, Blaise Pascal wrote in his Pensees of “the infinite abyss” in the human soul that we try to fill with all the wonders and the worst this world has to offer. There was once in man a true happiness of which there now remain to him only the mark and empty trace, which he in vain tries to fill from all his surroundings, seeking from things absent the help he does not obtain in things present. But these are all inadequate, because the infinite abyss can only be filled by an infinite and immutable object, that is to say, only by God Himself. So also the great Augustine, more than twelve centuries before Pascal, had spoken of the great, undeniable restlessness of the human heart, until finding its rest in God: “You have made us for yourself, O Lord, and our heart is restless until it rests in you.” Moses, seeking to leverage God’s remarkable favor on him, was so bold as to ask to see God’s glory. God permitted him a glimpse of the afterglow of divine beauty, not his face, and Moses made no complaints. Yet redemptive history was not done at Sinai. Centuries would follow. The kingdom would be established in the land, and decline. Human kings would rise and fall, and the nation with them. And the same Gospel in which the Greeks expressed their wish to see Jesus opens with one of the most stunning claims possible: The Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth. The desire to see Jesus was far more profound than these Greeks could have guessed. They wished for amazement in the presence of someone great. And what they got instead anticipated the heavenly vision the apostle John would receive while in exile on the isle of Patmos. Behold the Lion In John’s vision, none in heaven, or on earth, or under the earth, is at first found worthy to open the scroll of God’s divine decrees of judgment (for his enemies) and salvation (for his people). Sensing the weight and importance of the moment, John begins to weep — perhaps even wondering if his Lord, the one who discipled him, the one to whom he’s dedicated his life as a witness, is not worthy. One of heaven’s elders then turns to him, and declares, in Revelation 5:5, Weep no more; behold, the Lion of the tribe of Judah, the Root of David, has conquered, so that he can open the scroll and its seven seals. Having heard the good news, John turns to look — and what does he see? Not a lion. He says in verse 6: I saw a Lamb standing, as though it had been slain, with seven horns and with seven eyes . . . . We might mistakenly assume this was a disappointment, that John, hearing “Lion,” experienced some letdown to see a Lamb. But that is not how John reports it. This Lamb is no loss. The Lamb is gain. The one who was just declared to be the only one worthy is no less the Lion of Judah. He is also the Lamb who was slain. The Lion became Lamb without ceasing to be Lion. He did not jettison his lionlike glories, but added to his greatness the excellences of the Lamb. He is a Lamb standing — not dead, not slumped over, not kneeling, but alive and ready — with fullness of power (“seven horns”), seeing and reigning over all (“and seven eyes”). So too for the Greeks in John 12 who wished to take counsel with the purported Messiah and Lion of Judah. Whatever disappointment they experienced in the moment in not having their immediate request fulfilled, and whatever devastations they endured on Good Friday as they watched in horror, it all changed on the third day. Then their wish, and perceptive inquiry, was answered beyond their greatest dreams — not just Messiah, but God himself, the very Lion of heaven. And not just divine, but the added lamblike glory of our own human flesh and blood, and that same blood spilled to not only show us glory but invite us into it — Jew and Gentile, Greek and Barbarian. Looking to Jesus Plain as it may seem, the author of Hebrews provides profound direction for the human soul when he says, simply, “Consider Jesus”. This is not a one-time exhortation, but continuous counsel, for every day and at any moment. And again, at the height of his letter, drawing attention to the great cloud of witnesses, Hebrews charges us to “lay aside every weight and sin” and “run with endurance the race set before us, looking to Jesus, the founder and perfecter of our faith” (Hebrews 12:2). There is unmatched power in the Christward gaze. As Jesus himself would soon say, in John 14:9, to the same Philip who relayed the Greeks’ request: “Whoever has seen me has seen the Father.” Paul too, in one blessed flourish in 2 Corinthians 4, would celebrate, and commend, the unsurpassed glory of the Christward gaze: “beholding the glory of the Lord [we] are being transformed into the same image from one degree of glory to another.” Unbelieving eyes have been blinded to “the light of the gospel of the glory of Christ, who is the image of God,” but we, by the mercy of God, have eyes of the heart opened to “the light of the knowledge of the glory of God in the face of Jesus Christ.” We might here speak of the manifest Christocentrism of the New Testament, and a kind of healthy asymmetrical trinitarianism in the Christian faith — “contemplating the Trinity through a christological lens,” as Dane Ortlund writes, “and Christ through a trinitarian lens.” We wish to see Jesus. He is the interpretative key to the Bible, the pinnacle of history, and central in Christian preaching, evangelism, and sanctification, and so we fix our eyes on him. Biblical trinitarianism doesn’t constrain us to symmetrically parcel out our attention and focus to each of the three divine Persons, according to modern notions of fairness, balance, and equality. The New Testament is far from “fair” in this way. Rather, as humans ourselves, we receive a peculiar centrality of the God-man, as the one Person of the Godhead who has drawn near in our own flesh, taking our own nature, to no diminishing of the Father or Spirit, but precisely according to their plan and work to direct attention to Jesus. “Sir, we wish to see Jesus” would be a happy refrain to echo at key junctures in the Christian life. Before morning Bible meditation: “I wish to see Jesus.” Before conversations with the unbelieving: “I wish them to see Jesus.” For pastors, preparing to preach, to imagine these words on the lips of our people: “Sir, we wish to see Jesus.” Made for Him We were indeed made for God — with an infinite abyss only he can fill, with a restlessness of soul satisfied in nothing less than him. And even more particularly, we were made for the God-man — for the greatness of God himself who draws near, in our own flesh and circumstances, in the person of Christ. The lionlike greatness of God in his divine glory is sweetened, deepened, and accented by his lamblike nearness and human excellencies. And his glories as the humble, meek, self-giving Lamb are enriched and magnified in the register of lionlike poise and majesty. We wish to see Jesus — to know him as both great and near, and enjoy him forever. Article by David Mathis Executive Editor, desiringGod.org

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