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Slave - The Hidden Truth About Your Identity In Christ Slave - The Hidden Truth About Your Identity In Christ

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  • Author: John Macarthur
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About the Book


"Slave" by John Macarthur explores the biblical concept of Christians being slaves to Christ, emphasizing the obedience, devotion, and complete surrender required in following Him. Macarthur challenges believers to let go of their own desires and instead serve Christ wholeheartedly. Ultimately, the book reveals the profound transformation that occurs when individuals embrace their identity as slaves to Christ.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Narnia Meets Middle-Earth

On December 3, 1929, C.S. Lewis began a letter to Arthur Greeves, his boyhood friend from Belfast. Having just turned 31 and in his fourth year as an Oxford don, Lewis described how he had gotten “into a whirl” as he always did near the end of the term. “I was up till 2:30 on Monday,” Lewis wrote, “talking to the Anglo Saxon professor Tolkien who came with me to College from a society and sat discoursing of the gods and giants and Asgard for three hours, then departing in the wind and rain. . . . The fire was bright and the talk good.”1 This was Lewis pre-conversion and Tolkien before The Hobbit, two men virtually unknown outside their small circle at Oxford. Years later in The Four Loves, Lewis would note how great friendships can often be traced to the moment two people discover they have a common interest few others share — when each thinks, “You too? I thought I was the only one.”2 For Lewis and Tolkien, it was a shared interest in old stories. Beginning of a Friendship The two had met for the first time three and a half years earlier at an English faculty meeting. Not long afterward, Tolkien invited Lewis to join the Kolbitar, a group that met to read Icelandic sagas together. But Lewis’s suggestion that Tolkien come back to his rooms at Magdalen on that blustery December night marked a pivotal step in their friendship. During their late-night discussion, Tolkien came to see that Lewis was one of those rare people who just might like the strange tales he had been working on since coming home from the war, stories he previously considered just a private hobby. And so, summoning up his courage, he lent Lewis a long, unfinished piece called “The Gest of Beren and Luthien.” Several days later, Tolkien received a note with his friend’s reaction. “It is ages since I have had an evening of such delight,” Lewis reported.3 Besides its mythic value, Lewis praised the sense of reality he found in the work, a quality that would be typical of Tolkien’s writing. At the end of Lewis’s note, he promised that detailed criticisms would follow, and they did — fourteen pages where Lewis praised a number of specific elements and pointed out what he saw as problems with others. Tolkien took heed of Lewis’s criticisms, but in a unique way. While accepting few specific suggestions, Tolkien rewrote almost every passage Lewis had problems with. Lewis would later say about Tolkien, “He has only two reactions to criticism: either he begins the whole work over again from the beginning or else takes no notice at all.”4 And so began one of the world’s great literary friendships. ‘Has Nobody Got Anything to Read Us?’ While millions worldwide have come to love and value Tolkien’s stories of Middle-earth, Lewis was the first. His response, exuberant praise as well as hammer-and-tongs criticism, would also be the pattern for their writing group, the Inklings. And this blend of encouragement and critique provided the perfect soil in which some of the most beloved works of the twentieth century would sprout. The informal circle of friends would gather in Lewis’s rooms on Thursday nights. Lewis’s brother, Warnie, provides this description of what would happen next: When half a dozen or so had arrived, tea would be produced, and then when pipes were alight Jack would say, “Well, has nobody got anything to read us?” Out would come a manuscript, and we would settle down to sit in judgement upon it — real, unbiased judgement, too, since we were no mutual admiration society: praise for good work was unstinted, but censure for bad work — or even not-so-good work — was often brutally frank.5 “While millions worldwide have come to love and value Tolkien’s stories of Middle-earth, Lewis was the first.” Tolkien read sections of The Hobbit and The Lord of the Rings. Lewis read from The Problem of Pain, which he dedicated to the Inklings, as well as from The Screwtape Letters, which he dedicated to Tolkien. Other Lewis works debuted at Inklings meetings included Perelandra, That Hideous Strength, and The Great Divorce. Warnie read from The Splendid Century, his work about life under Louis XIV. Charles Williams read drafts of All Hallows’ Eve. The Inklings were not without flaws. Rather than trying to help improve The Lord of the Rings, several simply disparaged it. Hugo Dyson was so negative that Tolkien finally chose not to read if he were present, saving his chapters for Lewis alone. A letter to Tolkien’s son Christopher in 1944 provides a window into what those private meetings were like, as Tolkien reports, “Read the last 2 chapters (“Shelob’s Lair” and “The Choices of Master Samwise”) to C.S.L. on Monday morning. He approved with unusual fervor, and was actually affected to tears by the last chapter.”6 Unpayable Debt Years later, Tolkien would describe the “unpayable debt” he owed Lewis, explaining, “Only from him did I ever get the idea that my ‘stuff’ could be more than a private hobby. But for his interest and unceasing eagerness for more I should never have brought The Lord of the Rings to a conclusion.”7 Without Lewis, there would be no Lord of the Rings. We might also say that without Tolkien there would be no Chronicles of Narnia, not because of Tolkien’s literary interest in them but for a different reason. Today we know Lewis as one of the greatest Christian writers of the twentieth century, but while it was clear from the start that Lewis would be a writer, it was not clear at all that he would become a Christian. Before his midlife conversion, he would need Tolkien to provide a missing piece. Addison’s Walk In another letter to Arthur, this one dated September 22, 1931, Lewis tells about an evening conversation that would change his life. He explains that he had a weekend guest, Dyson, from Reading University. Tolkien joined them for supper, and afterward the three went for a walk. “We began (in Addison’s walk just after dinner) on metaphor and myth,” Lewis writes. He then describes how they were interrupted by a rush of wind so unexpected they all held their breath. “We continued (in my room) on Christianity,” Lewis adds, “a good long satisfying talk in which I learned a lot.”8 What Lewis learned was critical. He had previously ended his disbelief and became a theist. As he states in Surprised by Joy, “In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.”9 After this first step — with help from Christian friends and Christian authors like G.K. Chesterton, George Herbert, and George MacDonald — Lewis began the step that would lead to belief in Christ. Lewis explained to Arthur that what had been holding him back was his inability to comprehend in what sense Christ’s life and death provided salvation to the world, except insofar as his example might help. What Dyson and Tolkien showed him was that understanding exactly how Christ’s death puts us right with God was not most important but believing that it did. They urged him to allow the story of Christ’s death and resurrection to work on him, as the other myths he loved did — with one tremendous difference: this one really happened. Nine days after that special night on Addison’s Walk — during a ride to the zoo in the sidecar of Warnie’s motorbike — Lewis came to believe that Jesus is the Son of God. Years later he stated, “Dyson and Tolkien were immediate human causes of my own conversion.”10 ‘It Really Won’t Do’ Given Lewis’s encouragement of Tolkien and Tolkien’s role in Lewis’s acceptance of Christianity, we can say, in one sense, that without the other’s contribution, we would not have Narnia or Middle-earth. But only in one sense. For while Lewis appreciated Tolkien’s stories about Middle-earth, Tolkien did not like Lewis’s books about Narnia. “We can say, in one sense, that without the other’s contribution, we would not have Narnia or Middle-earth.” Perhaps too much is made of Tolkien’s dislike for Narnia, particularly since Tolkien seems never to have made that much of it. While there is a good deal of speculation on the reasons for Tolkien’s disapproval, this speculation is based on secondhand reports. In Green and Hooper’s biography, we have several vague, disapproving, private comments Tolkien made about The Lion, the Witch and the Wardrobe, such as, “It really won’t do, you know!”11 George Sayer, who knew both men personally, includes two paragraphs in his Lewis biography summarizing Tolkien’s objections but offering little in terms of direct quotes. In addition to their jumble of unrelated mythological elements, Sayer claims that Tolkien thought the Narnia stories showed signs of being “carelessly and superficially written.”12 In a letter to David Kolb, we have a brief instance where Tolkien directly expresses his opinion of Narnia as he states, “It is sad that ‘Narnia’ and all that part of C.S.L.’s work should remain outside the range of my sympathy.”13 Here we find the suggestion that Tolkien’s narrow tastes may have been part of the problem. We do know that when the Tolkiens’ granddaughter Joanna was staying with them and went looking for something to read, her grandfather directed her to the Narnia books on his bookshelf. ‘I Miss You Very Much’ As the two men grew older, they were less close — another aspect scholars sometimes make too much of. Evidence that they remained friends, though in a less intense and intimate way, is found in a number of places. In the autumn of 1949, twelve years after first starting it, Tolkien finished typing a final copy of The Lord of the Rings. Lewis, now 50, was the first person to whom he lent the completed typescript. “I have drained the rich cup and satisfied a long thirst,” Lewis wrote on October 27, 1949, declaring it to be “almost unequalled in the whole range of narrative art known to me.” Recalling the many obstacles Tolkien had overcome, Lewis declared, “All the long years you have spent on it are justified.” Lewis closed the world’s first review of Tolkien’s masterpiece with the words “I miss you very much.”14 It took more years for Tolkien to secure a publisher. In November 1952, when he learned Allen & Unwin was willing to publish the long-awaited sequel to The Hobbit, Tolkien immediately wrote Lewis with the good news. Lewis wrote back with warm congratulations, noting the “sheer pleasure of looking forward to having the book to read and re-read.”15 In 1954, after Lewis had been passed over more than once for a chair at Oxford, Tolkien played a key role in Lewis being offered and then accepting Cambridge’s newly created Chair of Medieval and Renaissance Studies. And in 1961, less than three years before his death, Lewis was invited to nominate someone for the Nobel Prize in Literature and put forth Tolkien’s name. In November of the following year, Tolkien wrote to Lewis inviting him to a dinner celebrating the publication of English and Medieval Studies Presented to J.R.R. Tolkien on the Occasion of His Seventieth Birthday — a collection to which Lewis had contributed an essay. Citing his deteriorating health, Lewis thanked him but graciously declined. A few days before Christmas, Tolkien wrote again. We do not know the topic but do know that on Christmas Eve, 1962, Lewis wrote back thanking him for his “most kind letter.” Lewis closed by saying, “Is it still possible amid the ghastly racket of ‘Xmas’ to exchange greetings for the Feast of the Nativity? If so, mine, very warm, to both of you.”16 By the next Christmas, Lewis was gone. Lewis died at home on November 22, 1963, a week shy of his 65th birthday. Shortly afterward, Tolkien wrote his son Michael about the loss. Although they had become less close, Tolkien stated, “We owed each a great debt to the other, and that tie with the deep affection that it begot, remains.”17 Here Tolkien, always careful with words, does not say that his tie and deep affection with Lewis remained all the way up until Lewis’s death, but that it remains. Presumably, it still does. ‘Much Good’ At the close of his biography, Alister McGrath seeks to explain Lewis’s enduring appeal, especially in America. McGrath proposes that by “engaging the mind, the feelings, and the imagination” of his readers, Lewis is able to extend and enrich their faith. Reading Lewis not only gives added power and depth to their commitment but also opens up a deeper vision of what Christianity is.18 I know this was true for me. Lewis was able to help extend and enrich my faith at a time when help was desperately needed. For those like me, Lewis’s books become lifelong companions, reminding us again and again of who we are and why we are here, seeing us through difficult times, and helping to shape and add meaning to our experience. Tolkien wrote in his diary, “Friendship with Lewis compensates for much, and besides giving constant pleasure and comfort has done me much good.”19 Today, on the anniversary of Lewis’s birth, people all over the world, from all walks of life and stages in faith, would agree. Yes, it does. And yes, it has. The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 1, Family Letters 1905–1931 (New York: HarperCollins, 2004), 838. ↩ C.S. Lewis, The Four Loves (New York: Harvest, 1988), 65. ↩ Humphrey Carpenter, J.R.R. Tolkien: A Biography (New York: Houghton Mifflin, 1977), 148–49. ↩ The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 3, Narnia, Cambridge, and Joy 1950–1963 (New York: HarperCollins, 2007), 1049. ↩ Warren Lewis, “Memoir of C.S. Lewis,” in Letters of C.S. Lewis, ed. W.H. Lewis and Walter Hooper (New York: Harvest, 1993), 21–46. ↩ Letters of C.S. Lewis, 83. ↩ Letters of C.S. Lewis, 362. ↩ Collected Letters, 1:970. ↩ C.S. Lewis, Surprised by Joy: The Shape of My Early Life (New York: Harvest, 1955), 228–29. ↩ Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 2, Books, Broadcasts, and the War 1931–1949 (New York: HarperCollins, 2004), 501. ↩ Roger Lancelyn Green and Walter Hooper. C.S. Lewis: A Biography (London: HarperCollins, 2002), 307. ↩ George Sayer, Jack: A Life of C.S. Lewis (Wheaton: Crossway, 1994), 313. ↩ Letters of C.S. Lewis, 352. ↩ Collected Letters, 2:990–91. ↩ Collected Letters, 3:249–50. ↩ Collected Letters, 3:1396. ↩ Letters of C.S. Lewis, 341. ↩ Alister McGrath, C.S. Lewis — A Life: Eccentric Genius, Reluctant Prophet (Carol Stream, IL: Tyndale, 2013), 375. ↩ Carpenter, J.R.R. Tolkien, 152. ↩ Article by Devin Brown Professor, Asbury University

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