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About the Book


"Shaping Your Child's Spiritual Future" by Tony Evans is a guide for parents on how to raise their children with a strong foundation in faith. Evans provides practical advice and strategies for instilling biblical values, teaching children to pray, navigating challenges, and fostering a lifelong relationship with God. The book emphasizes the importance of parents taking an active role in their children's spiritual development and offers a roadmap for guiding them on their spiritual journey.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

The Holiness from Below - A Warning Against Self-Righteousness

As he who called you is holy, you also be holy in all your conduct. (1 Peter 1:15) My hunch is that you are not a glib and shallow person. You are not the kind of person who would “pervert the grace of God into sensuality” (Jude 4). You are in earnest with the Lord, and you long to be holy. So do I. Indeed, what we deeply desire is nothing less than — may I come right out and say it? — sainthood. But Christians like us — who care so sincerely about holiness and are reaching so diligently for its high standards — we face our own temptation. Let’s come right out and say that too. If others pervert the grace of God, we can “nullify the grace of God” (Galatians 2:21). We can have “a zeal for God, but not according to knowledge” (Romans 10:2). We can “go beyond what is written . . . being puffed up in favor of one against another” (1 Corinthians 4:6). How could it be otherwise? There is always, in this life, more than one way to lose our way! Our very earnestness can become an opening to corruption, rot, and death. The great pastor and saint Robert Murray McCheyne warned his congregation, “Study sanctification to the utmost, but do not make a Christ of it. God hates this idol more than all others.” We should be serious about that too. So, let’s think about one way we can go so wrong, even while feeling we are so right. Two Kinds of Holiness Here is what we must understand. There are two kinds of holiness. One kind is Jesus’s holiness, and the other is our own self-invented holiness. Or to put it in other ways: There is the holiness of the Spirit, and there is the holiness of the flesh. There is the holiness from above, and the holiness from below. There is real holiness, and false holiness. “Real holiness from Jesus is, of course, like Jesus.” The difference is profound, even stark. But for us, it isn’t always easy to see the difference. Both kinds of holiness quote the Bible. Both talk about Jesus. Both go to church. Both are strict and firm and resolute. How then do these two holinesses differ? Real holiness from Jesus is, of course, like Jesus. Look carefully at what our key verse actually says: “As he who called you is holy, you also be holy in all your conduct” (1 Peter 1:15). His kind of holiness does not simply insist on a high moral standard. Any sinner can turn over a new leaf, and with enough willpower align externally with biblical norms. But real holiness reflects Jesus, it thinks like Jesus, its instincts resonate with Jesus. Real holiness embodies Jesus. Beauty of True Holiness When our Lord said, “Follow me” (Mark 1:17), he wasn’t recruiting our moral strengths to advance his cause. His call was and is, “I will teach you a new way of perceiving everything, including morality. I myself am how you avoid sin and become holy.” Jesus is why the Bible speaks of “the beauty of holiness” (Psalm 96:9, KJV). His holiness is humane, life-giving, and desirable in every worthy way. His holiness is both serious enough to warn and light enough to laugh (1 Peter 5:8; Zechariah 8:5); it’s firm and yet also freeing (Deuteronomy 5:32; Malachi 4:2). When we encounter our Lord’s real holiness in someone today, it’s both dignifying and delightful. But false holiness from us is, well, just us. It’s us at our worst, because it’s us exalting our smug superiority, us reinforcing our divisive preferences, us absolutizing our narrow rigidity, and so forth. It’s us asserting ourselves, in the name of the Lord, so that we become more demanding, more grim, more shaming of others. Great Divide I’ll make it still worse. Because false holiness comes so naturally to us, it feels good. Our moral fervor feels moral. But it isn’t. Our moral fervor is immoral. In those moments when we have enough self-awareness to see our carnal holiness for what it is, we are peering into a pit of hell. In Mere Christianity, C. S. Lewis teaches us, The sins of the flesh are bad, but they are the least bad of all sins. All the worst pleasures are purely spiritual: the pleasure of putting other people in the wrong, of bossing and patronizing and spoiling sport and back-biting; the pleasures of power, of hatred. For there are two things inside me, competing with the human self which I must try to become. They are the Animal self, and the Diabolical self. The Diabolical self is the worse of the two. That is why a cold, self-righteous prig who goes regularly to church may be far nearer to hell than a prostitute. But, of course, it is better to be neither. (102–103) If this is so, and it is, then our pursuit of holiness is complicated. We might have expected a choice between two simple categories: sin versus holiness. But in reality, we are facing three categories: (1) sin, (2) our kind of holiness, and, (3) Jesus’s kind of holiness. And the great divide is not between (1) and (2). The great divide is between (2) and (3). Heart of His Holiness If our holiness is no more than that — our wretched rightness — then our holiness is a polished form of evil. The Pharisees proved that. They were morally earnest people and the archvillains of the Gospels. “If our holiness is no more than our wretched rightness, then our holiness is a polished form of evil.” The Pharisees hated Jesus, even while many sinners gravitated to him. Why? Because his kind of holiness has no pride at all. He isn’t pushy and strident and harsh. He really is “gentle and lowly” (Matthew 11:29). And that part of him isn’t a concession, moderating his holiness. It’s at the very heart of his holiness, because it is the very heart of Jesus himself. His kind of holiness melts in the mouths of all who humble themselves before him. This distinction explains something that perplexed me for years. The most repulsive people I’ve encountered along the way are not the worldly party boys on their weekend binges; they are harsh “church people” with their high standards — and no forgiveness. But the loveliest people I’ve ever known have been sinners of many kinds who are turning from both their coarsened evil and their refined evil, and they are humbly opening up to Jesus and his grace for the undeserving. When I hang out with them, Jesus is present. Sometimes I am moved to tears. But among genuinely holy people, I do not feel cornered, pressured, or shamed by their negative scrutiny. The real saints are too holy for that arrogant foolishness. And I hope you have a ton of friends like that! Not Righteousness of My Own It isn’t just our blatant sins that need correction. Our counterfeit holiness needs correction too. It doesn’t need intensification. A. W. Tozer wrote of his generation, “A widespread revival of the kind of Christianity we know today in America might prove to be a moral tragedy from which we would not recover in a hundred years” (Keys to the Deeper Life, 18). I believe that applies even more today. What self-righteous holiness needs is not success, power, and prominence, but failure, collapse, and devastation. Then we can humbly receive Jesus, with the empty hands of faith, and enter into the profound experience Philippians 3:8–9 describes: For his sake I have suffered the loss of all things and count them as rubbish, in order that I may gain Christ and be found in him, not having a righteousness of my own that comes from the law, but that which comes through faith in Christ, the righteousness from God that depends on faith.

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