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About the Book
"Sex Is Not the Problem (Lust Is)" by Joshua Harris discusses the destructive nature of lust and how it can negatively impact relationships and individuals. The book offers practical advice and biblical wisdom on how to overcome lust and focus on healthy, loving relationships. Harris emphasizes the importance of purity and self-control in sexual matters.
Lilias Trotter
Long before the concept of the 10-40 window was invented or became a popular term in missions circles, a thirty-four-year-old promising artist named Isabella Lilias Trotter (1853–1928) landed in North Africa in 1888 along with two of her friends. They had neither mission agency support nor training but immediately began studying the Arabic language with the intention of sharing the gospel as widely as they could for as long as they could.
For the next forty years, this creative, dynamic woman poured out her life, her artistic abilities, and her linguistic skills to make the gospel known amid many difficulties. Her journals tell of her daily experience of desperately depending on the divine resources of the Holy Spirit.[1]
“The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment.”
The life of Lilias Trotter challenges the world’s meaning of success, potential, and fulfillment. Through Trotter’s art, writings, and life story come glimpses of Christ’s power in the prayers of his child and faithful witness. Her day-by-day, decade-by-decade journals reveal a life characterized by trust in her Savior and inward rest in his power for victory over sin and darkness.
Her success should not be measured numerically, but rather in the fact that Lilias succeeded in learning about prayer and love for Muslims. Her life attests to the exceeding value of knowing and preferring Christ above all else. Her personal devotion to Jesus Christ is exemplary and instructive not only for aspiring missionaries but for all who desire to live wholeheartedly for the glory of God.
Laying down Her Life
Lilias was born into a wealthy Victorian family, and they considered the value of walking humbly before God to be of first importance. A talented artist, she attracted the attention of John Ruskin, the noted Victorian art critic and Oxford lecturer. Some of her paintings and leaves from her sketchbook can be found in the Ashmolean Museum in Oxford, England.
In 1874, Lilias attended a six-day convention that emphasized the importance of the daily application of Scripture in her quest for deeper intimacy with God. She experienced a renewed vitality in personal and corporate worship. Her call to wholeheartedly follow Christ in obedience came during a call to prayer. She wrote of this in her journal: “To bear His name with all that is wrapped up in it of fragrance and healing and power, to enter into His eternal purpose, is the calling for which it is well worth counting all things as loss.” [2]
From then on, rather than invest her extraordinary life in the things of this world, Lilias was compelled by a strong yearning for her Savior and the world he loves. In radical obedience, she left the promising artistic career that Ruskin offered her and the comforts of England for a life of missionary service in Algeria.
“In radical obedience, she left a promising artistic career and the comforts of England for a life of missionary service in Algeria.”
Praying with Passion
Trotter’s intercession for Algerians provides inspiration to those who desire to see all peoples worship God. She spent lengthy, frequent sessions of retreat in the hills overlooking the city of Algiers. She prayed and turned her eyes on Jesus, his Word, and his revelation in creation. As she watched the broken waves pushed by the heart of the ocean crashing on the shore of the bay, she waited with faith to see “God’s high tide” sweep across the Muslim world.
Lilias was a contemporary of the great missionary to Muslims, Samuel Zwemer. She learned much from him about the power of prayer to pierce the veil of darkness shrouding the Muslim hearts and to engage in the spiritual battle for souls of those held captive by the adversary. Her example of perseverance in prayer is an encouragement for those today who are interceding for God’s high tide to fill the earth and sweep away the veil of darkness.
The writings of Lilias Trotter recognize the work of the adversary to hold nonbelievers captive through their unbelief and his power to keep the life-giving truth from reaching them. She pled for Christians to ask God to do a new work among “hard-bound peoples and to generate a fire of the Holy Spirit to melt away though icy barriers and set a host free!” [3]
Proclaiming God’s Word in Power
Courageous and innovative in her witness to the Algerians, Lilias observed and learned to witness effectively to her neighbors. In 1919, Trotter began writing tracts for Nile Mission Press. She assisted a Swedish missionary in translation and editing the gospels of Luke and John in colloquial Arabic, “into a language that the Arab mother could read to her child.”[4] She also wrote stories in parable form that appealed to her audience, and she creatively illustrated them in Eastern style, the results of which gained wide circulation.
The story of Lilias Trotter continues to inspire and mobilize those who long to worship around the throne of Christ with all peoples. She laid down her life and talents and allowed Christ to use her in creative and innovative ways. Her life was one of passionate prayer, dependence on God’s overcoming power, and confidence in proclaiming the life-giving Word of God. Her story encourages others to follow in her footsteps and consecrate their life to the “hardest work and the darkest sinners.” [5]
Paula Hemphill and her husband, Ken, have shared fifty years of ministry together. The stories of missionary pioneers in North Africa captured Paula’s heart as a young pastor’s wife, calling her to a lifetime of prayer for Muslim peoples. The Hemphills have three married daughters and twelve grandchildren.
Endnotes: For more on Lilias Trotter, see Many Beautiful Things: the Life and Vision of Lilias Trotter (Oxvision Films, 2016) or read the excellent biography by Miriam Huffman Rockness, A Passion for the Impossible (Discovery House, 2003).
[1] One journal entry later became the inspiration for “Turn Your Eyes upon Jesus,” a popular hymn written by Helen H. Lemmel: “Turn your soul’s full vision on Jesus and look and look at Him, and a strange dimness will come over all that is apart from Him and the divine attributes by which God’s saints are made, even in the twentieth century, will lay hold of you.” (I.R. Stewart, The Love that Was Stronger: Lilias Trotter of Algiers (London: Lutterworth Press, 1958), 54.)
Telling the Gospel Through Story
Steve was a house painter from England vacationing at a beach in the Philippines with his family. I happened to be staying at the same resort. One day during a conversation that began to turn toward spiritual things, Steve said, "I've talked to numerous religious leaders but they've never been able to answer my questions satisfactorily. So I've given up on religion and am trying to live a good life." "What were your questions?" I asked. "The main one is, why is the world so unfair? Why is there pain and suffering and why doesn't God, if there is a God, do something about it?" "Could I have a go at sharing something I've learned about these things using a story from the Bible?" I asked. "I don't believe the Bible." "That's no problem. I hope you'll find the story helpful anyway." We started with Genesis 1 and God's intentions for his world. The story concluded, "Then God said, 'Let us make people in our image. He made a man out of the dust of the earth and God breathed his spirit into the man. So Adam became a living being. Later God put Adam to sleep and took one of his ribs and made a wife, Eve, for him. God said, 'Rule over the animals … multiply and fill the earth.' Finally God looked at everything he had made and blessed it. He said, 'It is very good.' On the seventh day God rested from his work because he had completed the work of creation." Soon Steve's two children and his son's girlfriend casually drifted over to listen. I filled them in on the story so far and continued by explaining the beginning of pain and trouble in the world from Genesis 3. I mentioned the story's strange hint of hope when God says to Adam and Eve, "The snake and the descendants of the woman will be at war. The snake will strike her descendant's heel, but one day a descendent will crush the head of the snake." During the discussion one of my listeners said, "I know you're going to say that Jesus is the one coming to crush the snake's head, but how will he do it?" "Can I tell you a few more stories before Jesus?" I replied. "That will make everything clearer." So we continued on through the stories of Abraham, the exodus and the rest of the Old Testament. Each story set up the one that followed it so my audience would understand the nature of the human problem and how desperately we needed a Savior. My listeners peppered me with questions, and we discussed them one by one. Most often I asked them a question in return, and they found themselves answering their own questions based on what they'd already learned. Sometimes I said, "That will be answered in an upcoming story." Finally, after about an hour, we reached the end of the Old Testament. "Come on," they begged. "Don't leave us in suspense. Tell us how Jesus saves!" Outside our open-air dining room, the beach beckoned. It was a perfect day for snorkeling, and this family had come from winter-bound England to play in the sun. Their holiday was almost finished—but today the beach might as well not have existed. We continued through Jesus' birth and ministry. Finally we reached his death and resurrection. "Do you remember what the temple curtain in the Old Testament symbolized?" I asked. "The separation between God and people," said one. "What was the only way people could be forgiven and continue to be friends with God?" "A representative had to prepare himself carefully and then kill a perfect sacrifice and take its blood through the curtain," another responded. "So what did it mean when the temple curtain split from top to bottom just when Jesus died?" They started hesitantly, saying, "I guess it means … that because Jesus died … the barrier between us and God has been dealt with." Then they concluded in a rush, "So we can once again be friends with God." "So Jesus was like that perfect sacrifice," one said. "Yes, but he was also the representative," chimed in another. At last I called an end to the storying before we'd exhausted ourselves and lost the joy of discovery. Two days later as the family was departing, Steve said, "I'm going home to find my Bible. If those religious experts had told me such relevant stories, I would have happily gone to their church and wouldn't have given up searching." How did I get involved with Bible storying? I was a reluctant starter. As a teenager, the child of missionaries, I had heard about chronological Bible storying. My impression was that it was best suited for illiterate tribal peoples. When I became a missionary myself, my context was different. I did church planting with OMF International among working-class people in modern, industrialized southern Taiwan. Nearly everyone could read, although a large portion of the population chose to learn in ways other than via the printed word. I taught the Bible in a wide range of situations, from one-to-one evangelism and discipling to Bible study groups, training seminars and public teaching. I used many stories to illustrate my teaching. Constant feedback and self-evaluation helped improve my teaching, but I never thought to change my basic communication building blocks. God obviously had a different plan! In 2004 I observed a six-hour OMF training seminar in which the leader told stories from Genesis to the ascension. I enjoyed the stories personally, but I still didn't think they suited my style. I was already a reasonable communicator and believed it would be a huge challenge to adapt my teaching style. Simply put, change of this magnitude seemed like too much work. So I learned to tell the creation story with reluctance. The next step was to find someone who would listen to it. I chose a busy photo-developing shop for my first attempt—a decision that, looking back, may not have been wise. I didn't do a particularly good job with the story. And a constant flow of customers meant numerous interruptions. What astounded me was the response of the hearer. She loved the story and wanted to hear more. Suddenly I was no longer having to initiate gospel conversations. Instead people were asking me to tell them about the Bible. The adventure of a lifetime had started. The wonderful thing about storying is that it's far more than a quick telling of the good news. We Christians often want our evangelistic methods to be time-efficient and produce guaranteed results. But evangelism should not be hurried. People who have heard and discussed many stories come to Christ more prepared than those who are evangelized in other ways. In one sense, you could say that storying is "discipling people to conversion." If you're reading this, then you're probably already committed to communicating the gospel in the best way possible. You long to see Jesus glorified, with your family, friends and neighbors part of that crowd rejoicing around the throne (Rev 7:10, 12). Learning to story is worth the investment in time and energy. I often see hope dawning on people's faces as they're trained in this method. They're delighted to discover that they've found a simple, biblical tool almost anyone can learn. If you've been frustrated that people don't seem interested in hearing the gospel, you may be amazed at how well storying works. I've found it to be more fruitful and effective than many other approaches to evangelism. It's a natural, appealing way to communicate the gospel, and once you get started, people actually want to hear more. Storying has great potential to help many people come to know God. Christine Dillon