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About the Book
"Well Worth the Wait" by Gloria Copeland is a Christian book that explores the idea of waiting on God's timing and trusting His plan. Copeland emphasizes the importance of patience and perseverance in the face of trials and challenges, believing that God's timing is always perfect and that blessings will come to those who wait faithfully. The book offers practical advice and spiritual guidance for those who are struggling with waiting for God's promises to be fulfilled in their lives.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
What Cravings Will Take from You
We spend our lives with hands out and mouths open, looking for what we might consume. This is our experience as humans, in part because of how God designed us: we eat because our bodies require energy, and we reach with gentle affection for those we love out of a shared hunger for relationships. We’re born in need, and our desires, implanted by God himself (Acts 17:24–27), send us on a search for fullness of joy. Our desires, however, so easily turn into obsessions, leading us into wild over-consumption (James 4:1–3). Our desires become cravings, the ultimate pursuit and point of life itself. Rather than signals meant to send us off in exploration for the original source of joy (Psalm 16:11), they instead become taskmasters, demanding our undivided loyalty and taking our peace and joy right along with them. In our unchecked drive to consume, we ourselves become the ones consumed. My Primary (False) Allegiance When we don’t allow our desires to send us seeking fullness of joy from the source of all joy — God himself — we develop an allegiance to false kings. My primary false allegiance is to the love and admiration that come from other people. I crave validation, and I find myself performing for it like a circus animal. This is how I’ve come to know just how much I’ve allowed this false king to rule over me: the past few years have been brutal, full of confusion and emotional pain. Somewhere along the way, my heart, bowing before this false king, started aching for belonging. I started wondering if my presence mattered as a person and not as a performance. I started wondering if I was truly known. I started wondering if anyone might notice my need. My deep self-focus drew me further and further inside, and at some point I simply disengaged my heart. If I couldn’t have what I craved, I would not give of myself any longer. I began to look back at who I once was and how passionately I’d loved others, and I wanted so badly to be that person again. But I couldn’t manufacture love, and I started to believe that joy would never come again. My heart instead felt hard and apathetic, looking to be served, noticing every slight, envying the belonging of others. False Kings Only Take The trouble for an idolatrous heart (and the gift for the repentant heart) is that God will stubbornly interrupt and intercept our pursuit of joy as we seek it in anything less than him. He will not give us lasting peace in our false allegiances, because he is jealous for us to have the actual peace we’re pursuing. In those years of struggle, a chorus of people could have sung my praises, and it never would have settled as peace in my heart. Anytime a friend offered a word of encouragement, my mind immediately turned to panic: “What must I do to keep that love?” Or I’d think, “What about the one who didn’t voice encouragement? How do I win her over?” I was so hungry and thirsty that I was withering away, consumed by what I was trying to consume. False kings never give; they only take. Kings Who Take When the prophet Samuel was growing old, the Israelites worried about their future. Samuel had mediated for them well as both priest and prophet before God, but they needed a new leader, and humanly speaking, there were no options available. Samuel’s sons, the next sure thing for the nation, didn’t walk in the ways of the Lord, so the elders sought answers by looking around at how other nations were structured. They approached Samuel with their solution: “Now appoint for us a king to judge us like all the nations” (1 Samuel 8:5). At first glance, this doesn’t seem like such a bad request, but Scripture says it displeased Samuel, and it also displeased God, because the elders hadn’t thought to bring God into their calculations (1 Samuel 8:6–9). Did they not already have a King? They had, in effect, spurned the perfect rule of the One who’d delivered, provided for, led, and protected them, and they’d turned in their desire toward another option. They weren’t ready to reject God entirely. They just wanted him plus a safe, tangible plan B king like everyone else around them. Samuel’s response is a fair warning to us as well about plan B kings: they will only take from you. Samuel warns that a king appointed by people takes sons and sends them to war, takes children and turns them into slave labor, takes daughters into his service, and takes crops in order to feed his servants (1 Samuel 8:10–17). Samuel knows what false kings do: they take our best and then make us their slaves. Kingdoms with Two Kings We tend to believe the same as the Israelite elders: What will it hurt to have God and also hedge our bets a little? We want to believe we can pledge allegiance to King Jesus and also throw our heart to human kings or human things. But the Bible is plain: No one can serve two masters (Matthew 6:24). A divided kingdom cannot stand (Matthew 12:25). Jesus is our king, not merely a wise consultant we turn to when we need to know what to do. And as the Israelite leaders show us, a divided heart is actually not divided at all: it has already chosen sides. A divided heart is one that’s spurned God. We turn toward false kings who we think will give us comfort, security, belonging, approval, validation, love, sexual gratification — but in the end they only take. They promise life but give death. Consumed to Satisfy But God. Through Jesus Christ, he made a way for us out of this death spiral, giving us a direction to point our desires, providing something we can consume that doesn’t consume us in return. Jesus came saying, Repent and believe (Mark 1:15). His words were an invitation, a stretched-out hand, an open door for us to enter with him into the kingdom of God. Jesus came saying, This is my body, broken for you. This is my blood, poured out for you (Luke 22:19–20). Feed on me (John 6:51–58). Jesus was consumed by death precisely so that we would feast on him. This king is called Bread of Life (John 6:35) and Living Water (John 4:13–14), so we might know we can, in our hunger, eat, and in our thirst, drink. When we consume him, we find ourselves consuming his good rule, loving provision, and peaceful reign. We cannot reach the end of him, but in him we can certainly satisfy the longing underlying all of our desires: the longing for joy. The King Who Gives The Israelites placed a mirror before my heart, helping me see my false allegiances clearly. My actions were their actions: turning toward kings who couldn’t fulfill their promises. Like them, my desires and needs weren’t all wrong; what had been wrong was where I turned with them. I turned in repentance to Jesus and found joy again in allegiance to him. Do you have a need? A desire? Submit it totally to King Jesus. He doesn’t just require our allegiance, as if obedience is a form of punishment or something through which we grit our teeth. His demand of wholeheartedness is an invitation to receive what is his: the very kingdom (Matthew 5:3). He opens his treasury to us, sharing his peace, love, joy, life, and fruitfulness. And perhaps best of all, we receive his allegiance in return (Romans 8:38–39; Matthew 28:20; Hebrews 13:5). He is a king who gives. Article by Christine Hoover