Smarts Girls Guide To God, Guys, And The Galaxy Order Printed Copy
- Author: Susie Shellenberger
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About the Book
"Smart Girls Guide To God, Guys, And The Galaxy" by Susie Shellenberger is a Christian guidebook for teenage girls that addresses important topics such as faith, relationships with boys, and navigating the challenges of growing up in today's world. The book offers practical advice and biblical wisdom to help young women develop a strong foundation in their beliefs and make wise choices in their lives.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Talking Back to God - How His Promises Provoke Our Prayers
It is one of the most audacious, and awe-inspiring, moments in all of Scripture. In the wake of Israel’s shocking rebellion against God — blatantly violating the covenant God just made with them — Moses humbly dares to mediate between God and his people. At the climax of his intercession, and his careful yet determined dialogue with the living God, Moses makes what is perhaps the greatest, and most perceptive, petition a creature can of his Creator. And it is, after all, a prayer — a modest yet bold request, made by man, to God Almighty: “Please show me your glory.” That this is, in some sense, a special moment is plain. We do not stand in Moses’s sandals. We are not prophets called to mediate a covenant, nor do we live under that Sinai pact. Yet Moses’s prayer still functions as a model for the godly after him. It will not be the last prayer in Scripture for a sight of God’s glory, and rightly do the faithful echo it today. What might we who are in Christ learn about our own prayers from the amazing sequence of Moses’s pressing into God in Exodus 32–33? Can and Will God Forgive? Before wrestling with the prayer itself, we need to first acknowledge Moses’s haunting question: Could and would God forgive the people such a horrific breach of the covenant? Moses was not yet sure. He heard stories of his forefathers, encountered God at the bush, and witnessed the plagues in Egypt and the rescue in the Red Sea. Moses knew a powerful God who had delivered his people, but would he also forgive them? At first, it looked like he wouldn’t. When God first informed Moses, on the mountain, that the people had “corrupted themselves,” by making and worshiping a golden calf (32:7–8), God had said, “Let me alone, that my wrath may burn hot against them and I may consume them. . .” (32:10). As Moses began to plead that God withhold destruction, it was far from clear that any relationship of peace could be fully restored. God did relent of immediately consuming the people (32:14), yet the covenant remained broken. Although Moses went down the mountain, confronted the people in their rebellion, burnt the calf, disciplined the people (32:15–20), and oversaw the purging of the three thousand who led in the rebellion (32:21–29), Moses knew this did not restore what lay shattered. The next day, he returned to meet God on the mountain. What drives Moses’s sequence of prayer in Exodus 33 is the question he begins to ask in 32:32: Can and will Yahweh forgive? Will God restore the relationship, and dwell among them, after they had worshiped the golden calf? And as we will see, God draws prayer out of Moses, and then moves to answer Moses’s question, in a way far more powerful, and memorable, than if there had not been an unfolding, developing, deepening relationship with God. Moses, Teach Us to Pray Exodus 33 begins with God declaring to the people that even though he will give them the land promised to their forefathers, God himself will not go up among them (33:3). They mourn this “disastrous word.” They want him, not just the promised land. They humble themselves before God, taking off their ornaments “from Mount Horeb onward” (33:6). Even though the people heard this disastrous word, however, Moses continues to enjoy remarkable favor with God. In a tent pitched far off from the camp, God speaks with Moses (33:9), and verse 11 comments: “Thus the Lord used to speak to Moses face to face, as a man speaks to his friend.” This sets the scene for Moses’s remarkable intercessory prayer in 33:12–18. “In prayer, we respond to God. . . . First, we hear his voice in Scripture; then we access his ear in prayer.” Observe, then, at least three lessons Christians today might take from Moses’s otherwise inimitable prayer. 1. Prayer responds to God. The living God takes the initiative. He first announced to Moses the people’s breach of the covenant (32:7–10). And he revealed his enduring favor on Moses, prompting the prophet to reply. So too for us. We don’t just “dial up” God in prayer when we so wish. First, he speaks, as he has revealed himself in his world, and in his word, and in his Son, the Word. In prayer, we respond to him in light of his revelation to us. First, we hear his voice in Scripture; then we access his ear in prayer. We pray in light of what he has promised. 2. Prayer pleads God’s reputation and glory. When God announces to Moses the peoples’ sin, and the intention to destroy them and start over with him, Moses’s reflex is to lean into God’s own reputation. This is a good reflex. “Why should the Egyptians say, ‘With evil intent did he bring them out, to kill them in the mountains and to consume them from the face of the earth’?” (Exodus 21:12). Moses prays for God to turn from righteous anger and relent “from this disaster against your people,” for God’s own name’s sake. Moses does not plea the people’s worth — or their humanity, made in God’s image — but God’s choice and word. He chose them as his people. “At the bottom of prayer to a God like ours is our longing for his face, not merely the provisions of his hand.” Today we are in good company to pray for God’s own reputation in the world, and to take notice of, and pray, God’s own promises back to him. God loves for his people to pray in light of what he’s said to us, to make our pleas in response to his promises. And praying for his glory not only concerns God’s reputation in the world, but also, and most significantly, our own knowing and enjoying him. At the bottom of prayer to such a God is our longing for his face, not merely the provisions of his hand. 3. Prayer can be incremental and sequential. We might even call Moses’s prayer “dialogical.” It is striking how relational his process and sequence of prayer is in these chapters. At the heart of the “dialogue,” reverent as it is, is whose people the Israelites are, a topic God introduces and draws Moses into. First, to Moses, God calls them, after their sin, “your people, whom you brought up out of the land of Egypt” (32:7). Then God introduces the surprising tension of his ongoing favor on Moses. God will consume the people and “make a great nation” of Moses (32:9–10). This favor, combined with calling the nation “your people,” presents Moses an invitation to reply in prayer. Moses asks to know more about this God — “please show me now your ways” (33:13) — to discern whether God will forgive his stiff-necked nation. And Moses meekly, but importantly, appends this to this first plea: “Consider too that this nation is your people.” God answers positively, though briefly: “My presence will go with you, and I will give you rest” (33:14). The short reply invites Moses to press in further, for the sake of the people. His “me” moves to “us.” He pleads for “I and your people”; then again “we . . . I and your people.” Moses identifies himself with the people, asking that God’s favor on him extend to them. Prayer, by human persons to the living and personal God, is far more than transactional. It is relational, and often incremental, with measured, humble boldness. God leads us, like Moses, into prayer. We make our requests. He answers in time. We learn more of him, which leads us to ask to see more of him. ‘Show Me Your Glory’ Moses’s prayerful dialogue with God has become more and more daring — slowly, one incremental plea at a time: Don’t consume your people (32:11–13). Please forgive your people (32:31–32). Show me your ways (33:13). Count the people with me in my favor with you (33:15–16). And now, most boldly, “Please show me your glory” (33:18). This short but daring plea will be Moses’s last. He will not speak again until 34:9, when he finally completes the plea for forgiveness he left unfinished in 32:32. In Exodus 33:19, God begins to respond: I will make all my goodness pass before you and will proclaim before you my name ‘The Lord.’ And I will be gracious to whom I will be gracious, and will show mercy on whom I will show mercy. (Exodus 33:19) Moses receives his full answer, however, a chapter later in Exodus 34:7 with another revelation: The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin. (Exodus 34:6–7). The driving question has been answered, and so Moses bows in worship and prays with confidence, “O Lord, please let the Lord go in the midst of us . . . and pardon our iniquity and our sin . . .” (34:9). Having prayed, and seen the glory in God’s declarations about his character, his goodness, his mercy, his grace, Moses is confident that God will grant forgiveness and renew the covenant. Christ, Our Moses For Christians today, any Moses-like leveraging of God’s favor we know to be firmly grounded in his favor on Christ. More significant than our echoes and imitations of Moses is the fulfillment of his intercession, and final mediation for God’s people, in Jesus. We may indeed glean some categories and concepts from Moses’s prayers. Yet, as we come in Christ to Exodus 32–33, we identify not only with the prophet, but with the people. They are “stiff-necked.” Rebellious. Deserving of divine justice. Desperate for mercy and grace. But in Christ, we have one far greater than Moses who intercedes for us, leveraging his own perfect favor with God on our behalf. Jesus, our great high priest, “has passed through the heavens,” and calls us to “draw near with confidence to the throne of grace, [to] receive mercy and find grace to help in time of need” (Hebrews 4:14, 16). And he does so not only as new-covenant mediator and intercessor, but also as the very one in whose face we see the glory of God. What was unique in ancient Israel — speaking to God “as a man speaks to his friend” — is offered to all who are in Christ. God now invites us to come to him as Father, and to come to Christ as husband — the deepest and nearest of human relationships — not to make requests, get what we want, pivot, and go back to life apart from him, but to come closer, and nearer, through prayer, and discover again and again that he himself, in Christ, is the great reward.