Lives Of Angels Order Printed Copy

Author: Emanuel Swedenborg
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About the Book

"Lives of Angels" by Emanuel Swedenborg is a theological exploration of the nature and characteristics of angels as depicted in various religious traditions. Swedenborg describes angels as spiritual beings who exist in a higher realm and act as messengers of God, guiding and protecting individuals on Earth. The book delves into the origins, duties, and attributes of angels, offering insight into their role in the divine plan and their interactions with humanity.

Charles Wesley

"O for a thousand tongues to sing / My dear Redeemer's praise / The glories of my God and King, / The triumphs of his grace!" He was said to have averaged 10 poetic lines a day for 50 years. He wrote 8,989 hymns, 10 times the volume composed by the only other candidate (Isaac Watts) who could conceivably claim to be the world's greatest hymn writer. He composed some of the most memorable and lasting hymns of the church: "Hark! The Herald Angels Sing," "And Can It Be," "O for a Thousand Tongues to Sing," "Love Divine, All Loves Excelling," "Jesus, Lover of My Soul," "Christ the Lord Is Risen Today," "Soldiers of Christ, Arise," and "Rejoice! the Lord Is King!" And yet he is often referred to as the "forgotten Wesley." His brother John is considered the organizational genius behind the founding of Methodism. But without the hymns of Charles, the Methodist movement may have gone nowhere. As one historian put it, "The early Methodists were taught and led as much through [Charles's] hymns as through sermons and [John] Wesley's pamphlets." Language scholar Charles Wesley was the eighteenth of Samuel and Susannah Wesley's nineteen children (only 10 lived to maturity). He was born prematurely in December 1707 and appeared dead. He lay silent, wrapped in wool, for weeks. When older, Charles joined his siblings as each day his mother, Susannah, who knew Greek, Latin, and French, methodically taught them for six hours. Charles then spent 13 years at Westminster School, where the only language allowed in public was Latin. He added nine years at Oxford, where he received his master's degree. It was said that he could reel off the Latin poet Virgil by the half hour. It was off to Oxford University next, and to counteract the spiritual tepidity of the school, Charles formed the Holy Club, and with two or three others celebrated Communion weekly and observed a strict regimen of spiritual study. Because of the group's religious regimen, which later included early rising, Bible study, and prison ministry, members were called "methodists." In 1735 Charles joined his brother John (they were now both ordained), to become a missionary in the colony of Georgia—John as chaplain of the rough outpost and Charles as secretary to Governor Oglethorpe. Shot at, slandered, suffering sickness, shunned even by Oglethorpe, Charles could have echoed brother John's sentiments as they dejectedly returned to England the following year: "I went to America to convert the Indians, but, oh, who will convert me?" It turned out to be the Moravians. After returning to England, Charles taught English to Moravian Peter Böhler, who prompted Charles to look at the state of his soul more deeply. During May 1738, Charles began reading Martin Luther's volume on Galatians while ill. He wrote in his diary, "I labored, waited, and prayed to feel 'who loved me, and gave himself for me.'" He shortly found himself convinced, and journaled, "I now found myself at peace with God, and rejoice in hope of loving Christ." Two days later he began writing a hymn celebrating his conversion. Evangelistic preacher At evangelist George Whitefield's instigation, John and Charles eventually submitted to "be more vile" and do the unthinkable: preach outside of church buildings. In his journal entries from 1739 to 1743, Charles computed the number of those to whom he had preached. Of only those crowds for whom he stated a figure, the total during these five years comes to 149,400. From June 24 through July 8, 1738, Charles reported preaching twice to crowds of ten thousand at Moorfields, once called "that Coney Island of the eighteenth century." He preached to 20,000 at Kennington Common plus gave a sermon on justification before the University of Oxford. On a trip to Wales in 1747, the adventurous evangelist, now 40 years old, met 20-year-old Sally Gwynne, whom he soon married. By all accounts, their marriage was a happy one. Charles continued to travel and preach, sometimes creating tension with John, who complained that "I do not even know when and where you intend to go." His last nationwide trip was in 1756. After that, his health led him gradually to withdraw from itinerant ministry. He spent the remainder of his life in Bristol and London, preaching at Methodist chapels. Magnificent obsession Throughout his adult life, Charles wrote verse, predominantly hymns for use in Methodist meetings. He produced 56 volumes of hymns in 53 years, producing in his lyrics what brother John called a "distinct and full account of scriptural Christianity." The Methodists became known (and sometimes mocked) for their exuberant singing of Charles's hymns. A contemporary observer recorded, "The song of the Methodists is the most beautiful I ever heard … They sing in a proper way, with devotion, serene mind and charm." Charles Wesley quickly earned admiration for his ability to capture universal Christian experience in memorable verse. In the following century, Henry Ward Beecher declared, "I would rather have written that hymn of Wesley's, 'Jesus, Lover of My Soul,' than to have the fame of all the kings that ever sat on the earth." The compiler of the massive Dictionary of Hymnology, John Julian, concluded that "perhaps, taking quantity and quality into consideration, [Charles Wesley was] the greatest hymn-writer of all ages."

The Soundtrack of Heaven

The book of Revelation confuses many Christians. Filled with beasts, angels, living creatures, wars, lightning, thunder, prophecies, and visions, its story can be a bit overwhelming for any of us. Something like a Marvel movie on steroids. Not surprisingly, scholars differ widely on what it all means. Some try to tie it to actual people and events in history. Others assign most of Revelation to the future. Still others believe God is giving us repeated descriptions of what is taking place now in the church age. Wherever we land on the bigger picture, Revelation gives us a series of windows into reality that are both hard to miss and easier to understand: its songs. Woven into the fabric of the book are around a dozen choruses, both spoken and sung. That shouldn’t surprise us given how often in Scripture drawing near to God is expressed and encouraged through singing. But these songs of heaven are unique. They’re written by God himself, and they show us what singing in God’s presence will really be like. And we may be singing some form of these particular choruses forever. Even now, though, they have much to teach us. Songs of Exuberance Let’s admit it. The descriptions of the singing of heaven put the sound of any rock concert or sports stadium to shame, not to mention most churches. Myriads of myriads and thousands of thousands, saying with a loud voice . . . (Revelation 5:11–12) And I heard every creature in heaven and on earth and under the earth and in the sea . . . (Revelation 5:13) And all the angels . . . fell on their faces before the throne. (Revelation 7:11) Then I heard what seemed to be the voice of a great multitude, like the roar of many waters and like the sound of mighty peals of thunder . . . (Revelation 19:6) “The example of heaven challenges the assumption that congregational worship should be reserved and subdued.” Both audibly and visually, we’re confronted with the fact that those who truly grasp God’s nature and what he’s accomplished will be moved to sing. As Dennis Johnson writes, Revelation shows us that “those who dwell with God in heaven constantly break forth in song, overwhelmed with joy and adoration by his perfections in himself and by his awesome achievements in creation and redemption” (Triumph of the Lamb, 330). The example of heaven challenges the assumption that congregational worship should be reserved and subdued. While we cite proof texts, claim to honor tradition, and avoid looking too fanatical, might it be that we’re actually just failing to see how great God’s glory in Christ really is? Songs of Explanation Heaven’s songs give us insight into the character of God, the works of his hands, and why he does what he does. We don’t hear any of the simple, repetitious 7-11 songs (7 words repeated 11 times — or more!) that are so popular today. Rather, the lyrics shed real light on what’s happening in the world and in the heavenly throne room. ILLUMINATING HOLINESS For instance, at the beginning of Revelation 4, John is shown an open door in heaven. He paints a moving picture of what he sees and hears. A throne. An emerald-like rainbow. Flashes of lightning. Peals of thunder. But what does it all mean? Revelation 4:8 tells us: Holy, holy, holy, is the Lord God Almighty, who was and is and is to come! God is thrice holy — righteous, omnipotent, eternal, set apart. The song of verse 11 further explains that God created all things and sustains all things for his pleasure: Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created. (Revelation 4:11) UNFOLDING REDEMPTION At the beginning of chapter 5, John hears a new song, sung to the Lamb: Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth. (Revelation 5:9–10) The Lamb could open the scroll because he was slain, a reference to his substitutionary death on the cross. His death ransomed people for God from every tribe, language, people, and nation, a reference to the international scope of the gospel invitation. The ransomed will be a kingdom and priests to God who will reign forever on earth, a statement showing that God’s promise to make Israel “a kingdom of priests and a holy nation” (Exodus 19:6) was fulfilled in the church, made up of both Jews and Gentiles. In short, despite the turmoil and tests of the present age, God will surely have a diverse people for his glory with whom he will live forever. After an outpouring of praise for the Lamb’s attributes (Revelation 5:12), we hear another song, declaring Jesus’s divinity as clearly as any passage in Scripture: “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” (Revelation 5:13). In a similar way, our songs should be filled with the character, nature, purposes, actions, and heart of God. Words don’t get in the way of worship. They give substance and meaning to it. Songs of Encouragement When God gave John the prophecy of Revelation, Christians were already facing varying degrees of persecution, and it was expected to increase. Pressures to conform to a pagan culture, and even to participate in the idolatry of emperor worship, came at Christians from every direction. What would give John’s readers faith to endure and courage to stand against opposition? What would strengthen their resolve as they saw friends and family members taken from their homes and martyred for their allegiance to King Jesus? The knowledge that God’s throne is immovable, sovereign, and eternal. The saints needed to be reminded that, in the heavenly realms, God’s authority and rule are not only affirmed, but celebrated: The kingdom of the world has become the kingdom of our Lord and of his Christ. (Revelation 11:15) We give thanks to you, Lord God Almighty, who is and who was, for you have taken your great power and begun to reign. (Revelation 11:17) Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants. (Revelation 19:1–2) How often do our songs both detail the forces of evil arrayed against us and point us clearly to the God who has triumphed over them in Christ? David Peterson asks, Do our hymns and acclamations . . . challenge us to take a firm stand against every manifestation of Satan’s power and to bear faithful witness to the truth of the gospel in our society? It is not good enough to sing certain items merely because they make the congregation feel good! (Engaging with God, 278) “Words don’t get in the way of worship. They give substance and meaning to it.” When we sing together, our strength comes not from aiming to feel and emote, but to see and hear. We want to see God reigning on his throne with absolute justice, wisdom, and power over every terrorist, virus, dictator, and manifestation of evil in our day. And we want to hear and join in the cries of jubilation that are already ascending to the God who can do all things and whose purposes cannot be thwarted (Job 42:2). Songs of Expectation Endurance is one thing. Expectation is another. It’s possible to sing through dark seasons, discouraging outcomes, heart-wrenching losses, relentless opposition, and dwindling resources with grit, resolve, and stoicism. But that doesn’t describe the songs of heaven. Not even close. They’re marked by joy. And that joy stems from a confident expectation that God will accomplish everything he has promised. The final songs of Revelation describe God overcoming all evil, the nations bowing down in worship, and the bride of Christ finally beholding her groom, King Jesus, at a never-ending royal celebration of grace. All nations will come and worship you, for your righteous acts have been revealed. (Revelation 15:4) Hallelujah! For the Lord our God the Almighty reigns. Let us rejoice and exult and give him the glory, for the marriage of the Lamb has come, and his Bride has made herself ready; it was granted her to clothe herself with fine linen, bright and pure. (Revelation 19:6–8) Do our songs help people clearly understand that what’s yet to come is not only certain but worth celebrating now? Do we fill them with anticipation for our glorious future in Christ, when “all the waiting will be over, every sorrow will be healed, all the dreams it seemed could never be will all be real”? Our songs help bring into sharper focus the things hoped for and unseen that God has promised to us. Transformed Through Singing Will our earthly songs look and sound exactly like the songs of heaven? No. But can the songs of heaven motivate us to sing with greater passion, understanding, confidence, and anticipation now? Absolutely. G.K. Beale writes, Is it possible . . . that, as we declared the same truths about God as the heavenly beings do, the same Holy Spirit who is pictured as being before the throne would deepen and transform our understanding of God and his glory in a way that touches our whole being, in its spiritual, intellectual, emotional, and even physical components? (Revelation: A Shorter Commentary, 108) It’s not only possible. It’s God’s intention. So, may we joyfully model our singing after the songs of heaven until, by the grace of God, they are no longer just a worthy goal, but the sound of present reality. Article by Bob Kauflin