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About the Book


"Not I, but Christ" by Watchman Nee reflects on the Christian journey of dying to self and allowing Christ to live through us. Nee emphasizes the importance of surrendering our own desires and ambitions to God, and allowing His will to be done in our lives. Through personal anecdotes and biblical teachings, Nee encourages readers to seek a deeper intimacy with Christ and to let go of their own self-centeredness. Overall, the book serves as a guide for believers to grow closer to God and live a life that reflects the character of Christ.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

the only certain hope on earth

“It is the hope that kills you,” as many English football (soccer) fans say. Is it not better to have low expectations instead of hoping your team will do well, only to see those hopes dashed in sometimes cruel ways? The world has an idea of hope that sees it as an optimistic expectation that something good may happen in this life or, for the religious, the life to come. People cannot help but hope; it is part of our DNA as humans. We hope for good health, a good marriage, good weather, or an enjoyable holiday. Many even hope for a better life after the life they have lived on earth, which explains why so many claim that loved ones (including animals) are “smiling down” upon them after their death. Much of the hope that is found in the world lacks promise and certainty, which is like building a house on sand. Christian hope is very different from worldly hope. Christian hope is a Spirit-given virtue enabling us to joyfully expect what God has promised through Jesus Christ. It is, therefore, thoroughly Trinitarian. Height of Our Hope Christian hope looks to God because he is “the God of hope” (Romans 15:13). Because of the resurrection of Christ, Peter says that our “faith and hope are in God” (1 Peter 1:21). The degree to which we find God desirable and excellent will be the same to which hope plays a role in our lives. Our view of God will affect the hope we possess. A small god begets a small hope; but knowing God and Christ (John 17:3), which is eternal life, is ground for possessing a hope that bursts forth in our souls on a daily basis. The psalmist describes the blessed person as the one “whose help is the God of Jacob, whose hope is in the Lord his God” (Psalm 146:5). Consider the words of Thomas Aquinas on this: Wherefore the good which we ought to hope for from God properly and chiefly is the infinite good, which is proportionate to the power of our divine helper, since it belongs to an infinite power to lead anyone to an infinite good. Such a good is eternal life, which consists in the enjoyment of God Himself.  For we should hope from Him for nothing less than Himself, since His goodness, whereby He imparts good things to His creature, is no less than His essence . Therefore the proper and principal object of hope is eternal happiness. ( Summa Theologica , II-II.17.2) In short, Aquinas is saying that our joy is connected to our hope, which is connected to our Savior, which is connected to our God. Christian hope exists only when we hope in the God and Father of our Lord Jesus Christ (1 Peter 1:13). The height of our hope is God himself. Certain as God’s Promises Certain conditions characterize biblical hope: it must be good, it must be in the future, it involves some degree of difficulty (for example, patient suffering), and it must be founded on God’s promises. Those who persevere, by faith, shall attain what we hope for: the sight of our Savior (Titus 2:13). “Christian hope is a Spirit-given virtue enabling us to joyfully expect what God has promised through Jesus Christ.” This hope of the blessed vision of Christ is based not only upon the fact that we know he will return, but also on the knowledge that God dwells in us. This explains Paul’s language in Romans 15:13, “May the God of hope fill you with all joy and peace in believing, so that by the power of the Holy Spirit you may abound in hope.” Hope arises from not only objective promises, but also an internal “pull” toward God and Christ by his Spirit. Thus, Christian hope is not about probable hope or about mere conjecture concerning things future, but about great certainty. Faith, Hope, and Love Faith in God through Christ by the Spirit gives rise to Christian hope. Faith and hope bear an intimate relation to one another (Romans 4:18–21; 5:2; 15:13; Galatians 5:5; Ephesians 1:18–19; Colossians 1:23; 1 Timothy 4:10; Hebrews 11:1; 1 Peter 1:21). Faith is the foundation of hope, so that hope without faith is no hope at all. We believe God in order to hope in what we believe. But faith also returns to hope to give it courage to persevere. If faith apprehends God’s promises, hope expects what he promises. In times of trouble, despair, and suffering, faith and hope feed on God and his promises. The difference between faith and hope is not easy to discern. Simply put, faith believes, but hope waits patiently. (Yet there is an aspect whereby faith also requires patience.) God is the object of hope, as it specifically focuses on his goodness to us in Christ. Faith not only looks to God but also trembles at his threatenings (when appropriate). Hope remains free of such fear. Faith and love can relate to a present or future object, but hope looks to the future alone. And of course, faith and hope also bear an intimate relation to love. If hope relates to faith in terms of our expectations, hope relates to love in terms of our desire. Love requires desire, so the more we desire the good, the more we will love it. Equally, hope requires desire. The more we desire what is promised, the more we hope for it. Since faith focuses on Christ, hope will always be present where there is true faith. And since faith focuses on Christ, love will always accompany faith and hope because God and Christ are the object of faith and hope — how can we not love the one we believe has saved us and promised so much for the future? Thus, faith, hope, and love give expression to our Christian life (1 Corinthians 13:13; Colossians 1:4). Hope That Purifies The life of hope yields many benefits to the Christian, such as the expectation of eternal life (Titus 1:2; 3:7), salvation (1 Thessalonians 5:8), heaven (Colossians 1:5), the resurrection (Acts 23:6), the gospel (Colossians 1:23), God’s calling (Ephesians 1:18; 4:4), and our inheritance (Ephesians 1:18). But there is also a “duty” bound up with hope, namely, purification of our souls: “Everyone who thus hopes in him purifies himself as he is pure” (1 John 3:3). This command follows one of the greatest promises of Christian hope: “Beloved, we are God’s children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is” (1 John 3:2). Those who have the hope of being made like Christ in body and soul must also have the present desire to be  pure . While in sanctification the accent is often on what God does, here in 1 John 3:3 the accent is on what we do. Christians, if they embrace a hope of seeing Christ face to face, are to purify themselves. In other words, hope has a moral effect. The pursuit of purity arises out of our possession of hope. Hope gives birth to sanctification; and as we are sanctified, we hope even more because we get closer to God. Besides John, Peter also makes this point. He speaks of the future promise of the new heavens and new earth to his readers (2 Peter 3:13), and then reasons, “Therefore, beloved, since you are waiting for these, be diligent to be found by [God] without spot or blemish, and at peace” (2 Peter 3:14). “Our joy is connected to our hope, which is connected to our Savior, which is connected to our God.” Likewise, Paul writes, “Since we have these promises, beloved, let us cleanse ourselves from every defilement of body and spirit, bringing holiness to completion in the fear of God” (2 Corinthians 7:1). The promises Paul speaks of include our adoption as sons and daughters, wherein God makes his dwelling and walks among us (2 Corinthians 6:16, 18). These promises are, of course, realized in this life, but they also await a type of consummation that we can all look forward to (see Romans 8:23). Christian hope has present realities, one of which includes our sanctification. In this matter, our faith clings ever so tightly to our hope, as we seek to be holy as God is holy. Hope Unlike the World’s In the church today, we have underemphasized the future motivation (our Christian hope) for how to live the sanctified life. As with the Lord’s Supper, we do not only look back to Christ’s death but also look now to the risen Christ and forward to the future blessings that await us. This is the purification of the truly hopeful. Our hope is unlike the world’s. The world’s hope is often vague, uncertain, a wish thrust up at the stars. But Christian hope is solid, certain, future, and cleansing. It lasts as long as the eternal God lives, and stands as tall as he stands. He is our hope, for apart from him, no such thing exists (Ephesians 2:13).

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