Making Good Habits, Breaking Bad Habits Order Printed Copy
- Author: Joyce Meyer
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About the Book
"Making Good Habits, Breaking Bad Habits" by Joyce Meyer explores the power of habits in shaping our lives and offers practical advice on how to develop positive habits and break negative ones. Meyer encourages readers to take responsibility for their choices and provides guidance on how to cultivate lasting change in their behavior. The book serves as a motivational guide for individuals seeking to improve their habits and create a more fulfilling life.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Our God Listens
You have been invited to speak to the God of the universe, the Almighty. Not just the mightiest, but the all-mighty. All power is his, and under his control. And he is the one who made you, and keeps you in existence. This God, the one God — almighty, creator, rescuer — speaks to us to reveal himself, that we might genuinely know him, but he doesn’t only speak. In one of the great wonders in all the world and history, this God listens. First he speaks, and bids us respond. Then he pauses. He stoops. He bends his ear toward his people. And he hears us in this marvel we so often take for granted, and so flippantly call prayer. What Comes Before Prayer The wonder of prayer might lead us to rush past a critical reality before we start “dialing up” the God of heaven. There is an order to his speaking and listening, and to ours. He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak. “He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak.” Prayer is not a conversation we start. Rather, God takes the initiative. First, he has spoken. He has revealed himself to us in his world, and in his word, and in the Word. And through his word, illumined by his Spirit, he continues to speak. “See that you do not refuse him who is speaking” (Hebrews 12:25). His word is not dead and gone but “living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). And in his word, and by his Word, he extends to us this stunning offer: to have his ear. Golden Scepter When Esther learned of Haman’s plot to destroy the Jews, a great barrier stood before her. Mordecai directed her “to go to the king to beg his favor and plead with him on behalf of her people” (Esther 4:8). Easier said than done. Esther knew these were life-and-death stakes, not just for the Jews but for her: “If any man or woman goes to the king inside the inner court without being called, there is but one law — to be put to death, except the one to whom the king holds out the golden scepter so that he may live.” And she knew the threat that lay before her: “But as for me, I have not been called to come in to the king these thirty days” (Esther 4:11). Yet in the end, in faith and courage, she resolved, “I will go to the king, though it is against the law, and if I perish, I perish” (Esther 4:16). One does not simply saunter into the presence of a great king “without being called.” And all the more with God Almighty. Not simply because it’s a great risk, as with an earthly king, but with God it’s not even physically possible. He is no man on earth, that one might slip past the palace guards and approach him. He is utterly unapproachable — “without being called.” Yet in Christ, the throne of heaven has taken the initiative, and now holds out the golden scepter. Why We Can Come Near The two great bookends (4:14–16; 10:19–25) of the heart of the epistle to the Hebrews (chapters 5–10) make clear why we can draw near and how. Hebrews is set against the backdrop of God’s first covenant with his people, through Moses. What Exodus, Leviticus, and Numbers say about “drawing near” or “coming near” to God is sobering. For one, the tabernacle, and the whole system of worship given at Mount Sinai, taught the people of their distance from God, with barriers between them, because of their sin. The people must stay back, lest God’s righteous anger break out against their sin (Exodus 19:22, 24). First, Moses alone is permitted to come near (Exodus 24:2), and then Moses’s brother, Aaron, and his sons, serving as priests, may “come near” (Exodus 28:43; 30:20). No outsider may come near (Numbers 1:51; 3:10), nor any priest with a blemish (Leviticus 21:18, 21). Only the ordained priests may “draw near to the altar” to make atonement for themselves and for the people (Leviticus 9:7) — and only in the way God has instructed, as memorably taught in the horrors of Nadab and Abihu (Leviticus 10) and Korah’s rebellion (Numbers 16; also 17:13; 18:3–4, 7, 22). “It is almost too good to be true — almost — that we have access to God.” But now, in Christ, “we have a great high priest who has passed through the heavens, Jesus, the Son of God” (Hebrews 4:14). In him, “we have a great priest over the house of God,” a priest who is ours by faith, and so we “enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh” (Hebrews 10:19–21). Not only does Christ enter God’s presence on our behalf, but he welcomes us in his wake. He is our pioneer, who blazes our trail. We now may “draw near” to God, “come near” to heaven’s throne of grace, because of Christ’s achievements for us, in his life and death and resurrection. How We Can Come Near Then, to add wonder to wonder, we not only draw near to God himself in Christ, but we are invited, indeed expected, to do so with confidence — with boldness and full assurance. Since we have such a high priest as Christ, “let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need” (Hebrews 4:16). In him, “we have confidence to enter the holy places by the blood of Jesus” (Hebrews 10:19). Not by our own value, status, or achievements, but his. We “draw near with a true heart in full assurance of faith” (Hebrews 10:22), a faith looking outside ourselves to ask not “Am I worthy?” to approach God’s throne, but “Is Jesus worthy?” Wait No Longer It is almost too good to be true — almost — that we have access to God (Ephesians 2:18) and “access with confidence” at that (Ephesians 3:12). In Christ, the King of the universe holds out the golden scepter. The question is no longer whether we can come, but will we, and how often? We have access. God expects us to take hold on his Son by faith, and approach his throne with confidence. Our God listens. He hears our prayers. What are you waiting for? Article by David Mathis