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Labour To Be Blessed (...Labour Not To Be Rich) Labour To Be Blessed (...Labour Not To Be Rich)

Labour To Be Blessed (...Labour Not To Be Rich) Order Printed Copy

  • Author: Dag Heward-Mills
  • Size: 532KB | 106 pages
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About the Book


"Labour to be Blessed (Labour Not to be Rich)" by Dag Heward-Mills explores the idea that work is a blessing from God and should be valued for its own sake, rather than solely for the pursuit of wealth. The book encourages readers to find fulfillment and purpose in their work, and to see it as a means of serving God and others. It offers practical advice on how to approach work with a positive attitude and find joy in the process of laboring diligently.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

No Holiness, No Heaven

No one will be in heaven who did not walk in good works on earth. In other words, and in the words of Hebrews 12:14, there is a “holiness without which no one will see the Lord.” Abbreviated, “no holiness, no heaven.” In directness, “Faith without works is dead” (James 2:26 NASB). In confession, “Faith, thus receiving and resting on Christ and his righteousness, is the alone instrument of justification: yet is it not alone in the person justified, but is ever accompanied with all other saving graces, and is no dead faith, but works by love” (Westminster Confession). In commandment: “Work out [literally, produce] your own salvation with fear and trembling” (Philippians 2:12). “No one will be in heaven who did not walk in good works on earth.” In illustration: “Every branch in me that does not bear fruit he takes away . . . and the branches are gathered, thrown into the fire, and burned” (John 15:2, 6). In lyric, “He leads me in paths of righteousness for his name’s sake” (Psalm 23:3). In repetition: no one will be in heaven who did not walk in good works on earth. Two Familiar Heresies Now, to say this, I hasten to avoid a different heresy: no one will be in heaven based upon good works. “By grace you have been saved through faith. And this is not your own doing; it is the gift of God, not a result of works, so that no one may boast” (Ephesians 2:8–9). “A person is not justified by works of the law” (Galatians 2:16). Christ’s righteousness, not ours, justifies entirely. The man, woman, or child who believes in him who justifies the ungodly shall be counted righteous before God. His blood brings us near to God, his righteousness imputed to us is needed. In other words, him, him, him — not us — so that no man may boast. Although the Christian walks into the narrow path full of good works, God prepared them for him to walk in beforehand. So here we have it: no one will be in heaven who did not walk in faith-producing good works on earth — “the obedience of faith” (Romans 1:5; 16:26) or “faith working through love” (Galatians 5:6) — and no one in heaven will be there on the basis of his good works. One heresy says it doesn’t matter if you work, run, or fight at all; the other, that your working, running, and fighting earn your place before a holy God. James calls the first the faith of demons (James 2:19). Paul calls the second the faith of the bewitched (Galatians 3:1). One error sits comfortably among evangelicals; the other among Catholics. It is the dead faith closer to home that I wish to address. Once Saved, Always Saved Dead faith (which produces no works) is not necessarily a silent faith. It often rehearses (and abuses) golden mantras such as, “Once saved, always saved,” putting a jewel, as it were, up a pig’s snout. “Nothing shall separate his true children from the love of God; the Shepherd will lose none of his sheep.” Properly understood, “Once saved, always saved” would stand for the amazing truth that from the vantage point of the eternal mountain of God, his children, predestined to be saved before time began, will not fall away — he will bring them home. He carved their names in the book of life; his Son has atoned for their actual sins; he seals them with his very Spirit as a down payment — the Spirit that shall surely bring his work to completion at the day of Christ Jesus. Nothing shall separate his true children from the love of God; the Shepherd will lose none of his sheep. From this, however, some draw crooked lines. Instead of deducing with Paul, “God’s firm foundation stands, bearing this seal: ‘The Lord knows those who are his,’ and, ‘Let everyone who names the name of the Lord depart from iniquity’” (2 Timothy 2:19), some conclude that the perseverance of the saints is optional. They may imagine God putting souls on a conveyor belt to glory. “Once saved, always saved” — no matter how deeply compromised their lives may be. In so doing they pit the essential doctrine of justification against the blood, sweat, and toil of the essential doctrine of sanctification, judging the first to eclipse the second. We do not need holiness, it is thought, because once saved, always saved. And by “saved” we cannot help but conclude they include “saved from needing to obey.” Texts that speak conditionally of inheriting eternal life (conditions God empowers his true children to meet) bewilder dead faith. They cannot stomach texts about the need to continue stable and steadfast in the faith, to endure to the end, to stand firm through trials, to put the flesh to death by the Spirit, to work out one’s own salvation with fear and trembling, to make our calling and election sure through energetic striving (2 Peter 1:1–11). The shouts of their dead faith cry “Lord, Lord” while they disobey him with their lives. Theirs is a faith I knew too well. A faith soberly depicted by the character Talkative in Bunyan’s animated theology, The Pilgrim’s Progress. Along the Road with Talkative A man named Faithful, in Bunyan’s allegory, possessed a faith that worked, while Talkative possessed a faith that did not. They had a conversation along the way. Faithful: Are you going to the heavenly country? Talkative: I am going to that same place. Talkative believes himself headed to the Celestial City. And what’s more, he speaks very Christianly, possessing excellent Reformed doctrine: By this [profitable talk of the Scriptures] a man may learn the necessity of the new birth; the insufficiency of our works; the need of Christ’s righteousness, and so forth. Besides, by this a man may learn what it is to repent, to believe, to pray, to suffer, or the like; by this also a man may learn what are the great promises and consolations of the Gospel, to his own comfort. Further, by this a man may learn to refute false opinions; to vindicate the truth; and also to instruct the ignorant. Bunyan teaches that proper orthodoxy communicated well is not a sufficient sign in itself of living faith. Faithful, not knowing the report of Talkative, whispers to his companion, Christian, “What a brave companion have we got! Surely this man will make a very excellent pilgrim.” At this, Christian modestly smiles and answers plainly, This man with whom you are so taken will beguile with this tongue of his twenty of them that know him not. . . . He is best abroad; near home he is ugly enough. . . . Religion hath no place in his heart, or house, or conversation; all he hath lieth in his tongue, and his religion is to make a noise therewith. His Christianity lies only in his tongue. How does Christian know this? “I have been in his family and have observed him both at home and abroad.” The tree is known by its fruit. He is “a saint abroad, and a devil at home.” Like the Pharisees of Jesus’s day, he says much, but obeys little (Matthew 23:3). “The new covenant promises Christians with new hearts will hate their sin and feel it to be the shame it is.” It is easy for us to imagine that God has saved us because we know right doctrine. Talkative’s great religion of tongue proved untrue in his loves, his relationships, his life. He talks of truth he was never changed by. The grace he speaks of never trained him to say no to ungodliness and to live a godly life (Titus 2:11–14). Borrowing a phrase from C.S. Lewis, he speaks of new life like “a scholar’s parrot may talk Greek.” He repeats what he overhears without knowing the reality of it, as the parrot listening to a scholar may repeat words like charis and sōtēria. Christian observes what is true of many Talkatives today: “He talks of prayer, of repentance, of faith, and of the new birth; but he knows but only to talk of them.” What a fearful place to be. Questions for Self-Examination Are you like this Talkative? I was, and God woke me from my delusion. I pray he would for others like me. Talkative, in the end, does not venture from the City of Destruction. He labels Christian and Faithful judgmental and parts from them. His words traveled beyond his faith and obedience; in the end, he was lost. He never examined himself to make sure he was in the faith and truly born again. At times, we all ask plainly, Am I born again? Christian counsels Faithful concerning Talkative, “Ask him plainly (when he has approved of it, for that he will) whether this thing be set up in his heart, house, or conversation.” Some questions Faithful and Talkative discuss are still helpful to ask today. Do you hate your sin? Not merely talk about hating it, like a hypocritical pastor who denounces the secret sin he indulges. The new covenant promises Christians with new hearts will hate their sin and feel it to be shameful: “You shall remember your ways and all your deeds with which you have defiled yourselves, and you shall loathe yourselves for all the evils that you have committed” (Ezekiel 20:43). Blessed are those who mourn for their sin (Matthew 5:4); God will not despise the heart broken over its sin (Psalm 51:17). Do you love God? Paul said as plain as day, “If anyone has no love for the Lord, let him be accursed” (1 Corinthians 16:22). Do you love him? Do you desire to know him? Do you love him above father, mother, spouse, child? Can you confess that his steadfast love is better than life? Do you hate your remaining sin because it is against him, your soul’s Treasure? Do you obey what you know? Jesus says, “If you know these things, blessed are you if you do them” (John 13:17). “That servant who knew his master’s will but did not get ready or act according to his will, will receive a severe beating” (Luke 12:47). We can imagine we have advanced much in religion or the love of Christ because we know more and more texts on the subject. But these texts must be believed, obeyed, loved. They must take root in us. If we truly know and love him, we will keep his commandments (John 14:15; 1 John 2:3). What do others see? Bunyan writes, “A work of grace in the soul discovers itself either to him that hath it, or to standers by.” Other Christians’ judgments are not infallible, but they can help to reveal blind spots to us (and signs of grace) we do not see in ourselves. As the Faithfuls and Christians today keep along the narrow way with the Book in their hands and love in their hearts, they will do good in this world. They will because God is working in them to will and to work for his good pleasure, producing the fruit of the Spirit in them. They must do good, in fact, because they have a Book of promises commanding, warning, and wooing them onward to the Celestial City. No one in heaven will be there on the basis of his good works, and no one will be in heaven who did not walk in good works on earth. So, we press onward in holiness toward our heavenly home because Jesus has already made us his own. Article by Greg Morse

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