It's Not How You Look, It's What You See Order Printed Copy
- Author: Lisa Bevere
- Size: 1.08MB | 129 pages
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About the Book
"It's Not How You Look, It's What You See" by Lisa Bevere is a compelling book that challenges readers to look beyond outward appearances and to see themselves and others through the lens of God's truth and love. Bevere offers powerful insights and practical guidance for cultivating a healthy self-image and developing deeper, more meaningful relationships with others. Overall, the book inspires readers to embrace their true identity and purpose, leading to greater fulfillment and spiritual growth.
Augustine of Hippo
Born in 354 CE in the North African city of Tagaste to a Christian mother and pagan father, Augustine began his career as a pagan teacher of rhetoric in, among other places, Carthage. In search of better students, Augustine traveled to Rome in 383, assuming considerable personal risk in doing so, but was disappointed to discover his newfound students lacking the virtue he thought the necessary prerequisite for a proper education. Failing to acquire satisfactory students, Augustine moved once again, this time to Milan where he accepted a position as a professor of rhetoric.
It was in Milan that Augustine adopted the study of Neoplatonism in earnest, though he had shown a fondness for classical philosophy, particularly the works of Virgil and Cicero, from an early age. In Neoplatonism the still-young Augustine thought, with great confidence and enthusiasm, that he had found an academic school capable of uniting the teachings of Christianity with those of Greek and Roman philosophy. Shortly thereafter Augustine converted to Christianity and, returning to North Africa, accepted the position of bishop in Hippo in 396, one that he would retain for the remainder of his life. It was arguably his encounter with Neoplatonism that caused Augustine to recognize the teachings of the Church as a source of intellectual insight not unlike that of classical philosophy. An autobiographical account of his religious conversion is the subject of Augustine’s Confessions, which numbers among the most famous and influential of his works.
Upon rising to the position of bishop, Augustine increasingly immersed himself in the daily routine of monastic life and became entangled with internal Scholastic controversies facing the Church, particularly those involving the Donatists and Pelagians. Because of his considerable intellect and rhetorical skill, Augustine grew to be a particularly skillful and persuasive defender of Christianity against critics from multiple directions. At the same time, Augustine appears to have grown increasingly skeptical of his youthful opinion that Christianity and classical philosophy might be readily reconciled by way of Neoplatonism. Though Augustine’s work De Civitate Dei (The City of God) contains considerable praise for Platonic philosophy and its intellectual inheritors, more apparent within the work are the major differences between the Platonic tradition and many of the teachings of the Church, with Augustine, not surprisingly, lending his own support to the latter. In his personal life, Augustine is described as living a life of tireless work and rigorous denial of earthly pleasures.
Augustine devoted his final days to prayer and repentance as he battled illness and watched his home, Hippo, besieged by Germanic invaders. Shortly after his death in 430 the city was burnt to the ground by its attackers, who, nonetheless, left Augustine’s library unharmed. He was subsequently canonized and was named a Doctor of the Church in 1298. He continues to serve as the patron saint of printers, brewers, and theologians.
Meeting Christ in Aslan
Over the next five years, the seven installments of C.S. Lewis’s The Chronicles of Narniaseries will turn seventy. Generations of children have found delight in stepping through the wardrobe door to this mythical world, filled with magic, meaning, and a whole cast of fantastic characters. Still, in the end, the appeal of The Chronicles comes back to a single character. Aslan, the Great Lion, who calls the children into Narnia, plays the central role in each adventure. It’s not exactly correct to call Aslan an “allegory” of Jesus. Lewis might prefer that we instead think of Aslan as Christ transposed into a Narnian key, a Creator and Lord fit for a world primarily inhabited by talking animals. Throughout The Chronicles, Aslan often emphasizes that he really is a lion and not an illusion or symbol. “Touch me,” he tells one character in “The Horse and His Boy”. “Smell me. Here are my paws, here is my tail, these are my whiskers. I am a true Beast.” True to Lewis’s genius and his love of myth, Aslan’s purpose in calling children from our world into Narnia is the same as Lewis’s purpose in writing The Chronicles. Through the Great Lion, Lewis gives us a glimpse of the character of the Savior and King he called “myth become fact,” and whom Scripture calls “the Lion of Judah.” Two moments in the Narnia series are particular favorites of my colleague Shane Morris, and illustrate Aslan’s mission with particular clarity. One takes place during the third Chronicle (the fifth in publication order), “The Horse and His Boy.” Shasta, the main character, has ridden through the night and is lost in the mountains. Having grown up in a foreign country and just returned to Narnia, he doesn’t realize he is royalty. After running and riding for his life for so long, he’s tired and discouraged, and concludes that he must be the unluckiest boy alive. Suddenly, a great Voice confronts him out of the darkness, and asks to know his sorrows. A very frightened Shasta, not knowing what else to do, relays how he and his companions fled from their captors across the desert, how fear and danger have stalked them at every turn, and how he’s been threatened by at least four lions. “There was only one lion,” replies the Voice. “But he was swift of foot.” Aslan reveals that he was the lion, and that his intervention at these crucial moments saved the boy’s life, as well as the lives of his fellow travelers and his native kingdom. What Shasta saw as bad luck was Aslan’s providential paw guiding him through danger toward his rightful throne, and even introducing him to his future wife. The second scene takes place at the end of “The Voyage of the Dawn Treader.” Lucy, Edmund, and Eustace have just come to the edge of the world after months at sea. The rest of the characters have gone home or paddled into Aslan’s Country, and the three children are left alone. They encounter Aslan on a grassy shore, who’s taken the form of a lamb and invites them to breakfast. There, he tells the children that it’s time for them to go home and, for Edmund and Lucy, there will be no returning to Narnia. They don’t take the news well. “It isn’t Narnia, you know,” cries Lucy. “It’s you. We shan’t meet you there. And how are we to live, never meeting you?” “But you shall meet me, dear one,” Aslan replies. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.” Like Jesus revealing Himself to His disciples at the breaking of bread, here Lewis has Aslan shed the disguise to allow readers to fully recognize him. When Aslan reveals his role in Shasta’s story, it brings to mind how Jesus, on the road to Emmaus, revealed to His disciples everything concerning Himself in the Law and Prophets. It’s no wonder that, like those disciples, many who have met Aslan in The Chronicles of Narnia have also felt their hearts burning within them. Seventy years on, C.S. Lewis’s stories deserve every bit of their status as classics, filled as they are with spiritual treasures for young and old alike. But the lion’s share of the credit goes to Aslan. In him we meet a character too good to be just a story. And, like Lucy, we long to know his true name—not in spite of the mane and tail, but because of them. Publication date: October 20, 2021 John Stonestreet