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About the Book


"It's Not How You Look, It's What You See" by Lisa Bevere is a compelling book that challenges readers to look beyond outward appearances and to see themselves and others through the lens of God's truth and love. Bevere offers powerful insights and practical guidance for cultivating a healthy self-image and developing deeper, more meaningful relationships with others. Overall, the book inspires readers to embrace their true identity and purpose, leading to greater fulfillment and spiritual growth.

Aimee Semple McPherson

Aimee Semple McPherson Aimee Semple McPherson was born on Oct. 9, 1890, on a farm in Salford Ontario, Canada. Her father, James Kennedy, was a farmer and came from a Methodist background. Her mother, Mildred, known as “Millie,” came from a Salvation Army background. Although she was raised in a Christian home, she began to question the Bible during her teen years. When she was 17, she attended a revival Pentecostal meeting presented by evangelist Robert Semple, where she heard the message of repentance. He also spoke of baptism in the Holy Spirit, an experience for which she hungered. After receiving the infilling of the Holy Spirit, she also was filled with a great love and compassion for souls and a fervent passion to serve the Lord throughout her whole life. The meeting Aimee attended changed her life not only spiritually but also romantically. The evangelist Robert Semple later become Aimee’s husband. They were married when she was 18. Their ministry desires were compatible. After their ministry trips in Chicago and the Ingersoll area, they headed to China as missionaries. In 1910 while in China, Robert and Aimee contracted Malaria within months of arriving in Hong Kong. Robert didn’t survive, leaving Aimee pregnant and a widow at 19. When her daughter, Roberta Star, was a month old, Aimee returned to United States to raise her. Aimee and Roberta lived in New York with Aimee’s mother. She assisted her mother raising money for the Salvation Army. It was there she met and married a Christian businessman named Harold McPherson. They had a son, Rolf Kennedy McPherson. After a decline in health, two major surgeries and a near-death experience, God asked her one last time, “Now, will you go?” She answered yes to God’s call and almost immediately was healed. She never again questioned the call to preach the gospel. Aimee is known for founding the Foursquare Gospel Church in 1918. She also was a woman ahead of her time, possessing boldness in her speaking ability and creative ways to communicate the gospel. The name Foursquare Gospel originated from the Book of Ezekiel. It represents the four phases of the gospel of Jesus Christ. In the face of the Man, she saw Jesus our Saviour. In the face of the lion, she saw Jesus the mighty Baptiser with the Holy Spirit and fire. In the face of the ox, she saw Jesus the Great Burden Bearer. In the face of an eagle, she saw Jesus the coming King, who will return in power and glory. It was, in Aimee’s opinion, “a perfect gospel. A complete gospel for body, for spirit and for eternity.” Her ministry was dynamic. She witnessed thousands saved and healed during her evangelistic meetings. Being creative and theatrical, Aimee used drama, music and opera to appeal to the audience. Bands, choirs and other crowd-pleasing touches enhanced her dynamic preaching. Though she was well-versed in the Bible, Aimee’s success wasn’t based on her knowledge, but rather the delivery of her messages. She also was known as a faith healer, with claims of physical healing occurring during her meetings. Her faith healing demonstrations were written about extensively in the media, as they were a large focus of her early ministry. Aimee was an evangelistic pioneer, determined to spread the message of the Pentecostal faith, and used her fervour and flamboyance to win a huge following. She had achieved what no one had yet done in ministry, which was to build a 5,000-seat auditorium in an influential area of Los Angeles. This paved the way for other female evangelists during a time when women were not accepted in the pulpit. She also launched the first Christian radio station and established a Bible college. By 1917, she had started her own magazine The Bridal Call, for which she wrote many articles about women’s roles in religion; she portrayed the link between Christians and Jesus as a marriage bond. Jan. 1, 1923, the new Angelus Temple was opened in a flamboyant style. Aimee was seated on a red velvet throne dressed in a nurse’s uniform and cape. Accompanying her were 200 singers, three bands, two orchestras and six quartets. The Angelus Temple was featured on a float in Pasadena’s Tournament of Roses parade, while the extravagant dedication service was given full coverage in The New York Times. What became the home of The Church of the Foursquare Gospel filled four times each Sunday and twice weekly. Aimee also ministered at highly sought-after healing services during the week. Reporters marveled at her oral skills, saying, “Never did I hear such language from a human being. Without one moment’s intermission, she would talk from an hour to an hour and a half, holding her audience spellbound.” Rather than using fire-and-brimstone preaching, Aimee resorted to a style of joyous celebration, representing the loving face of God. She also brought old-time religion into the modern age, using illustrated sermons to help people understand the gospel better. Also, stage productions were incorporated, drawing people who usual didn’t attend church. In an era prior to television, these services proved entertaining, and she used this method to present the message of salvation through faith in Jesus. Aimee welcomed all walks of life. She preached to the high class of society, as well as the poor and disadvantaged. She treated everyone equally regardless of race, gender or status. In the 1920s, Aimee became a well-known voice among civic leaders, politicians, actors and actresses, and pastors from various denominations. Her sermons were reprinted in hundreds of newspapers in Canada, the United States and Mexico and were read by millions. In 1927, she opened a commissary to feed the marginalized and supply them with clothing and other necessities. Aimee set up a 24/7 soup kitchen at her temple in 1936 to help families through the Great Depression .She also became involved with war bond rallies and linked religion to patriotism in her sermons when America joined the Second World War in 1941. Aimee’s legacy is threefold. Using the dramatic arts to reach the lost (an innovative tool) and the latest technology to spread the gospel. She reached out to the poor, helping thousands in the Los Angeles area who were starving. She taught a full-gospel message and regularly saw thousands of healings and miracles in her meetings. Aimee passed away due to an accidental overdose in 1944 and was buried in Forest Lawn Memorial Park Cemetery in California. Her son, Rolf, has kept her memory and ministry alive by carrying the ministry for 40 four years. The Foursquare church is still standing strong with 8 million members worldwide.

Meeting Christ in Aslan

Over the next five years, the seven installments of C.S. Lewis’s The Chronicles of Narniaseries will turn seventy. Generations of children have found delight in stepping through the wardrobe door to this mythical world, filled with magic, meaning, and a whole cast of fantastic characters. Still, in the end, the appeal of The Chronicles comes back to a single character. Aslan, the Great Lion, who calls the children into Narnia, plays the central role in each adventure. It’s not exactly correct to call Aslan an “allegory” of Jesus. Lewis might prefer that we instead think of Aslan as Christ transposed into a Narnian key, a Creator and Lord fit for a world primarily inhabited by talking animals. Throughout The Chronicles, Aslan often emphasizes that he really is a lion and not an illusion or symbol. “Touch me,” he tells one character in “The Horse and His Boy”. “Smell me. Here are my paws, here is my tail, these are my whiskers. I am a true Beast.” True to Lewis’s genius and his love of myth, Aslan’s purpose in calling children from our world into Narnia is the same as Lewis’s purpose in writing The Chronicles. Through the Great Lion, Lewis gives us a glimpse of the character of the Savior and King he called “myth become fact,” and whom Scripture calls “the Lion of Judah.” Two moments in the Narnia series are particular favorites of my colleague Shane Morris, and illustrate Aslan’s mission with particular clarity. One takes place during the third Chronicle (the fifth in publication order), “The Horse and His Boy.” Shasta, the main character, has ridden through the night and is lost in the mountains. Having grown up in a foreign country and just returned to Narnia, he doesn’t realize he is royalty. After running and riding for his life for so long, he’s tired and discouraged, and concludes that he must be the unluckiest boy alive. Suddenly, a great Voice confronts him out of the darkness, and asks to know his sorrows. A very frightened Shasta, not knowing what else to do, relays how he and his companions fled from their captors across the desert, how fear and danger have stalked them at every turn, and how he’s been threatened by at least four lions. “There was only one lion,” replies the Voice. “But he was swift of foot.” Aslan reveals that he was the lion, and that his intervention at these crucial moments saved the boy’s life, as well as the lives of his fellow travelers and his native kingdom. What Shasta saw as bad luck was Aslan’s providential paw guiding him through danger toward his rightful throne, and even introducing him to his future wife. The second scene takes place at the end of “The Voyage of the Dawn Treader.” Lucy, Edmund, and Eustace have just come to the edge of the world after months at sea. The rest of the characters have gone home or paddled into Aslan’s Country, and the three children are left alone. They encounter Aslan on a grassy shore, who’s taken the form of a lamb and invites them to breakfast. There, he tells the children that it’s time for them to go home and, for Edmund and Lucy, there will be no returning to Narnia. They don’t take the news well. “It isn’t Narnia, you know,” cries Lucy. “It’s you. We shan’t meet you there. And how are we to live, never meeting you?” “But you shall meet me, dear one,” Aslan replies. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.” Like Jesus revealing Himself to His disciples at the breaking of bread, here Lewis has Aslan shed the disguise to allow readers to fully recognize him. When Aslan reveals his role in Shasta’s story, it brings to mind how Jesus, on the road to Emmaus, revealed to His disciples everything concerning Himself in the Law and Prophets. It’s no wonder that, like those disciples, many who have met Aslan in The Chronicles of Narnia have also felt their hearts burning within them. Seventy years on, C.S. Lewis’s stories deserve every bit of their status as classics, filled as they are with spiritual treasures for young and old alike. But the lion’s share of the credit goes to Aslan. In him we meet a character too good to be just a story. And, like Lucy, we long to know his true name—not in spite of the mane and tail, but because of them. Publication date: October 20, 2021 John Stonestreet

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