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About the Book
"Humility" by Andrew Murray is a Christian spiritual book that explores the importance of humility in the Christian life. Murray emphasizes that true humility is essential for a close relationship with God and growth in faith. He discusses how pride leads to sin and separation from God, while humility allows for a deeper connection and reliance on God's grace. The book provides practical advice and guidance on how to cultivate humility in one's daily life, leading to a more fulfilling and impactful Christian journey.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
finding joy in the dark - the bold prayer of psalm 70
I recently spent three days with a group of pastors, almost all our time devoted to deep sharing of our life stories. We laughed at the silly things weâve done. We marveled at the lineaments of Godâs grace. We wept over sins, wounds, and struggles, both past and present. I drove home pondering the fact that when ten tenderhearted, Jesus-loving, spiritually alive pastors get into a room and are honest with each other, we share stories of theft, pornography, broken families, paralyzing anxiety, suicidal thoughts, marital struggles, and unfulfilled longings. If thereâs such brokenness in the histories and hearts of godly shepherds, what must be the inner reality of the sheep in our churches? Surrounded by such brokenness within and without, how can the people of God possibly hope to sustain their joy in God? The odds seem long and the situation bleak. But Psalm 70 gives me strong hope. May All Be Glad Iâve been drawn to Psalm 70:4 for many years, because it brings together two awesome truths that thrill the heart of every Christian Hedonist: May all who seek you rejoice and be glad in you! May those who love your salvation say evermore, âGod is great!â Only a capacious heart could breathe such an expansive prayer. Notice that David isnât content for just a few (or even most) seekers of God to rejoice. No, he longs for all  to experience God-centered gladness. And Davidâs requesting more than just a flickering, intermittent passion for the glory of God among the people of God; rather, he prays for their lips and lives to communicate Godâs worth continually , at all times, without interruption. This is a plus-sized prayer. Itâs so big that many millions of people can (and have) fit inside it. David was surely praying it for himself. He was also praying it for those of his generation and all future generations. In fact, if weâre seeking God and loving Godâs salvation, Davidâs prayer is for us. David is asking God to sweeten our  joy and strengthen our  passion for his glory. He doesnât specify how these two prayers might fit together, but John Piper has helped many of us treasure the biblical teaching that they are in fact one. As we find our deepest joy in God (âin youâ), we display his worth to the world. Bold Prayer in Dark Days Though Iâve loved Psalm 70:4 for years, it wasnât until recently that I noticed the context. And itâs the context that has filled me with hope. Hereâs what Iâve noticed: Psalm 70 is not a sunny psalm. Itâs not a walk in the park or a day at the beach. Life is not good in this psalm. Instead, itâs hard â very hard. In fact, the psalm is an almost-unremittingly desperate plea for Godâs help. Verse 1 (the first verse) and verse 5 (the last verse) are bookends: Make haste, O God, to deliver me! O Lord, make haste to help me! Hasten to me, O God! You are my help and my deliverer; O Lord, do not delay! Thereâs a focused urgency here. David sounds like a soldier pinned down by enemy fire, radioing desperately to central command. His enemies want David dead, and they gloat over Davidâs misfortunes (âAha, Aha!â verse 3). Weâve already seen Davidâs response to this dark situation. He feels two overwhelming desires, one expected and the other exceptional. First, David wants out of the situation. In four out of five verses, he pleads with God for speedy deliverance. This reaction is perfectly natural and completely understandable. Who wouldnât want this? Of course, weâd all be asking for the same rescue. Second, however, the intense pressure of Davidâs circumstances also squeezes from his heart another cry, this one much more unusual. Stunningly, the request in verse 4 is not just for himself, but for others. Itâs nothing short of miraculous that David, in his foxhole, under heavy fire, prays not simply for personal escape, but for gladness among all Godâs people, and for the continual glorifying of God. What is going on here? Praying in a Sea of Suffering Some of us hear the Bibleâs repeated calls to pursue our joy and believe that itâs simply beyond us in our present state. For the moment, our attention is occupied by other matters: sin, sickness, loneliness, financial difficulty, opposition, relational pain. We feel weâre in the 101 class of âSurviving Our Problemsâ and not quite ready for the 201 class of âPursuing Our Joy.â Verse 4, we think, is for people who have it all together (or at least more together). âChristian Hedonism is as much for bleak days as it is for bright ones.â And this is why the context of verse 4 is so challenging and so encouraging, because verse 4 exists in a sea of suffering. David doesnât say, âOnce I get free from my enemies, then Iâll start to care about the gladness of Godâs people and the glory of God.â His foxhole prayer, in worrying and uncomfortable circumstances, is for gladness and glory. This is a real-world prayer. Christian Hedonism is as much for bleak days as it is for bright ones. If God can work this extraordinary impulse in Davidâs heart, why canât he do the same in us? Why canât he implant a renewed passion for our joy and his glory even in the midst of intense suffering? Could it be that God might even use the desperation of our brokenness to drive us to him? In his poem âThe Storm,â George Herbert ponders how, like the violent force of a terrible rainstorm, A throbbing conscience spurred by remorse Hath a strange force: It quits the earth, and mounting more and more, Dares to assault thee, and besiege thy doore. (lines 10â12) Our inner and outer conflicts may produce something good. âThey purge the aire without, within the breastâ (line 18). This was certainly the case for David in Psalm 70. His desperation yielded a passionate cry to God that continues to encourage followers of God to this day. Seek and Rest You can pray a David-like prayer in your own bleak situation by taking two cues from David himself. âJoy and gladness are the unassailable possession of those who fix their eyes on Jesus in the storms of life.â First, seek God. âMay all who seek you  rejoice and be glad in you!â Joy and gladness are the unassailable possession of those who fix their eyes on Jesus in the storms of life. Look more deeply and more often at Jesus than you look at your enemies or your troubles. Second, love Godâs salvation. âMay those who love your salvation  say evermore, âGod is great!ââ Consider frequently how God has saved you (and how heâs saving many others). Delight in this salvation. Rest in it. Love it. The more you love your salvation, the more readily your lips will spill over with natural praise of the God who saved you. Please donât wait to pursue your joy in God until God has healed your brokenness and resolved your problems. Verse 4 isnât a postscript to Psalm 70; it doesnât come after Davidâs crisis. It emerges from the midst of it. This is an example and invitation for us. Donât wait to pursue your joy. Start right now.