About the Book
"His Word is Now" by E.W. Kenyon is a Christian devotional book that emphasizes the power of God's word in the present moment. The author explores how believers can experience the reality of God's promises and miracles in their daily lives through faith and obedience to God's word. The book encourages readers to trust in God's faithfulness and promises for their lives today.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
What Does Ongoing Sin Say About Me
One of the most common questions a Christian can ask is also one of the most troubling: What does my ongoing sin say about me? The question is common because all Christians deal with ongoing sin, and many with patterns of repetitive sin. And the question is troubling because it ushers us into one of the great tensions of Scripture. We know, on the one hand, that “if we say we have no sin, we deceive ourselves, and the truth is not in us” (1 John 1:8). And we know, on the other hand, that “no one born of God makes a practice of sinning” (1 John 3:9). Every Christian sins — even every day (Matthew 6:11–12) — yet some practices of sin throw doubt on a person’s claim to be born of God. So, what distinguishes Christians from the world when it comes to sin? Puritan pastor Richard Baxter, writing to “melancholy” (or depressed) Christians, offers one fruitful answer: Remember what a comfortable evidence you carry about with you that your sin is not damning while you feel that you love it not but hate it and are weary of it. Scarce any sort of sinners have so little pleasure in their sin as the melancholy, or so little desire to keep them, and only beloved sins undo men. ( The Genius of Puritanism , 88–89) Christians commit sins. At times, they may even commit grievous sins, as David and Peter did. But Christians do not love their sins. And only beloved sins undo us. Our Complex Hearts Of course, Baxter’s answer forces us to ask another question: How can we know whether we hate or love sin? Answering that question requires great care. We find many people in Scripture, for example, who only seemed  to hate their sin. Israel’s wilderness generation “repented and sought God earnestly” at times, but in the end “their heart was not steadfast toward him” (Psalm 78:34, 37). The Pharisees likewise appeared to hate sin — yet beneath their religious exterior they were “lovers of money” (Luke 16:14). The love of sin, though smothered for a time, was never quenched. Alternatively, we can find cases where genuine Christians, often immature ones, seemed for a time to love sin. Some surprising sins appear in Paul’s letters to the Corinthians, for example, yet godly grief could also follow, and with it a restored indignation against sin (2 Corinthians 7:10–11). How then can we tell whether, under all our conflicting feelings and internal wrestlings and contradictory actions, our fundamental attitude toward sin is an increasing hatred  or love ? We might begin by prayerfully asking ourselves four smaller questions. How do you commit your sin? Although we all sin, we do not all sin in the same way. The Old Testament distinguishes between types of transgressions, ranging from less severe unintentional sins to sins committed “with a high hand” (Numbers 15:22, 30). Our own sins likewise fall on a spectrum between defiant and reflexive — between those we pursue  and those that pursue us . If sin is a snare (Proverbs 5:22), then sometimes we walk into it with eyes wide open, and other times we find our foot caught before we know what happened. A mother may speak a harsh word, for example, after slowly brewing the cauldron of her self-pity — or she may do so in a rush of unlooked-for impatience. Similarly, a husband may indulge an illicit sexual image because he went looking for a website — or because a billboard went looking for him. The mother and the husband sin in both cases, but how  they do so — especially as a characteristic practice — reveals much about their heart’s orientation. Ongoing patterns of planned, premeditated sin expose a heart whose affections are dangerously entangled. “Christians commit sins. But Christians do not love their sins. And only beloved sins undo us.” In one sense, of course, we play the role of both pursuer  and pursued  whenever we sin. Even the most defiant sins have spiritual forces of evil behind them (Ephesians 2:2); even the most reflexive sins reveal a twisted inner willingness (James 1:14). More than that, genuine Christians still can fall into patterns of pursuing  sin for a season. At times, we contradict the life of Christ within us and step into snares that we see. But in general, those who hate sin move — gradually but genuinely — farther from planned, pursued sins the longer they are in Christ. How far have you come? Now for a complication. Although everyone who hates sin gradually moves away from planned, pursued sins, we start moving from different spots. Some begin walking toward Mount Zion from Moab; others from as far as Babylon. And as with any journey, distance  (though important) matters less than direction . Some people, by virtue of God’s common grace, enter Christ with great degrees of decency and discipline. And others enter Christ with self-control threadbare, a conscience almost seared, and a soul still bearing the claw marks of addiction. Both receive in Christ the same Spirit, one “of power and love and self-control” (2 Timothy 1:7). But if we expect their progress toward Christlikeness to look the same, we deny their radically different starting places. Imagine, for example, the sin of drunkenness, which falls nearer the defiant  side of the spectrum. A night of drunkenness for the first Christian may raise a serious concern: here is a planned, pursued sin unknown even in his pre-Christian days. But for the second Christian, a night of drunkenness may be only one brief backward step on an otherwise forward journey. (Which is no reason, of course, for resting satisfied with even one backward step: repentance means opposing all known sin now , not on a gradually reduced schedule.) The Christian life goes “from one degree of glory to another” (2 Corinthians 3:18); the sky above us “shines brighter and brighter until full day” (Proverbs 4:18); we travel “from strength to strength” (Psalm 84:7). But as important as asking, “How far along are you?” is “How far have you come?” How do you confess your sin? Just as we can commit sin in more ways than one, so we can confess sin in more ways than one. While some confess with sincere resolve not to commit that sin again, others confess with silent resignation to sin’s power in their lives. The second kind of confession, as John Piper puts it, expresses guilt and sorrow for sinning, but underneath there is the quiet assumption that this sin is going to happen again, probably before the week is out. . . . It’s a cloak for fatalism about your besetting sins. You feel bad about them, but you have surrendered to their inevitability. Those who confess in this way often treat forgiveness as only a balm for a wounded conscience, and not also as a sword for the fight against sin. They hate the guilt  that sin brings, but they may not hate the sin itself , or at least not enough to rage against the lie that sin is ever inevitable. To be sure, those who hate sin often need to confess the same sins repeatedly (especially sins of the more reflexive kind), even over years and decades. But apart from some regrettable seasons, their confessions hold no hints of fatalism or inevitability. Rather, their confessions match the pattern of Proverbs 28:13: Whoever conceals his transgressions will not prosper,      but he who confesses and forsakes them  will obtain mercy. Those who confess sin sincerely also strive to forsake sin completely. So, when they rise from their knees and return to the battle, they do not hold their weapon loosely, as one who expects defeat. They enter with head held high, shielded with new mercy, clothed with fresh power. How do you fight your sin? Some of the clearest displays of our loves and hates appear on the battlefield. While some fight their sin half expecting and (if truth be told) half hoping to lose, others learn to fight like their souls are at stake — like Jesus spoke seriously, even if not literally, when he talked about cutting off hands and tearing out eyes (Matthew 5:29–30). Sin haters walk through this world armed with spiritual weapons (Romans 8:13; Ephesians 6:17) — not to harm others, but to harm every enemy within themselves. They watch and pray against temptation, needy enough to ask for daily deliverance (Matthew 6:13). They resolve to make no provision for the flesh, even if doing so requires abstaining from otherwise neutral substances, situations, and forms of entertainment (Romans 13:14). Their battle plans are not vague (“Read the Bible and pray more”) but specific (“Wake up at 6:00 to read and pray for an hour”). And though they know that no wall of accountability can rise higher than their sin, they also live like they are dead without help (Hebrews 3:13). “Sin seems beloved to us only when Christ does not.” And what’s more, they do not fight for a day or a season or a year, but for a life. They know this warfare ends only when their breath does (2 Timothy 4:7). So, though they sometimes feel weary in the war, they refuse to lie down on the battlefield. In time, fresh strength comes from above, fresh resolves fire from within, and despite many discouragements and defeats, they make progress. Those who, at bottom, still love their sin will not fight their sin like this . They may raise a resistance of sorts, but not a whole-souled war. We cannot kill what we still love. Better Beloved So then, how do you commit your sin? How far have you come? How do you confess your sin? How do you fight your sin? Questions like these call for our attention — but only some of our attention. Self-examination can help us discern the state of our souls, but it cannot change the state of our souls. Wherever we find ourselves in these questions, if we would hate sin increasingly, then only one path lies before us: love Christ increasingly. Richard Baxter’s contemporary John Owen once wrote, Be frequent in thoughts of faith, comparing [Christ] with other beloveds, sin, world, legal righteousness; and preferring him before them, counting them all loss and dung in comparison of him. ( A Quest for Godliness , 206) Sin seems beloved to us only when Christ does not. So go ahead and compare your sins to him: their blackness with his light, their shame with his glory, their cruelty with his mercy, their hell with his heaven. For now, we see only the rays of Christ’s beauty. But even the faintest of them outshines the most attractive sin. Only beloved sins undo us. And the only Savior from beloved sins is a beloved Christ.