Grit (The Power Of Passion And Perseverance) Order Printed Copy
- Author: Angela Duckworth
- Size: 5.27MB | 318 pages
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About the Book
In "Grit: The Power of Passion and Perseverance," Angela Duckworth explores the concept of grit and its role in achieving success. She argues that talent is not the only determinant of success, and that individuals who possess a combination of passion and perseverance are more likely to achieve their goals. Through research and personal stories, Duckworth demonstrates how cultivating grit can lead to greater success in various aspects of life.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
the bride satan loves to insult
My Dear Globdrop, I’ve had the misfortune of receiving the protestation you called a letter. My favorite line was when you asked how we  (your superiors) could expect you  (a mere afterthought) to damn souls with all those bombs exploding night and day outside your barracks? You assume Glubgore and our Cannon Battalion are engaged in endless target practice. This, your great error, is somewhat understandable. Headquarters may have, I admit, exaggerated our current position in the war. They did not want to unsettle morale, you see, and thus their reports these past centuries make it perhaps unthinkable that the unpleasant tremor at our gates could be, in reality, the Enemy’s troops firing upon us. But so it is. The humans, though mostly harmless, can make a great deal of noise. They press at the door; their cannons knock. Now, you mustn’t lose your nerve, nephew. I remember my initial discomfort when Screwtape allowed me my first gaze over the wall, writing, “we see her spread out through all time and space and rooted in eternity, terrible as an army with banners .” “That,” Screwtape confessed, “is a spectacle which makes our boldest tempters uneasy .” Although you might assume that we stand in a defensive  position, two thousand years have passed, nephew, and our flag still flies firmly overhead. And firm overhead it shall always fly. The Enemy shall not advance; noise is all we need fear. Why? Screwtape alluded to one of the main reasons in his very next sentence: “But fortunately it is quite invisible  to these humans.” They cannot see themselves as we do. Where might we be if they did? The Church (Invisible) When the humans look about them in the pews, what do they see? Do they see what we see: handfuls of saints dressed in their Enemy’s blinding armor — golden helmets, shields, and swords — a horror which makes even our boldest tempters tense? When they gather, what do they hear? You complain of all the blasts and screams of warfare — but do they? Do they hear that cloud of witnesses behind them, the living saints beside them, their dreadful Commander before them urging them onwards? May it never be! They mean to take up that barren banner, The Church Triumphant , but we must show them other, more accurate, slogans. The Church Insignificant Even their best soldiers can be deceived into looking at his clumsy comrades with unimpressed glances. As he looks about the congregation at our bitterest foes, show him the Arnett family sneaking into church late (once again); let him catch a whiff of silly Mr. Jones who always smells of his cats; amplify the joyful noise  of always-out-of-tune Mrs. Johnson upon him; extinguish any belief that he could possibly be in the presence of anything grand. Wonder loud enough for him to overhear: How could this  group possibly be a threat to all that is wrong with the world? The Enemy, in his matchless arrogance, helps us on this point by choosing mostly the weak, lowly, despised of the world. He wages his warfare with the ducks and squirrels, leaving us the lions and bears. By fighting with these blunt spoons, of course, he means to make fools of us. The Church Impotent Periodically, place upon your man’s mind doubt as to how these people’s bumbling prayers, their simple faith, their small acts of love, and ordinary obedience — spurred on somehow by something like that  man’s preaching — could really make any difference at all in the world. Ask him how could this ragtag assembly of misfit toys really be the grand temple of the Spirit of the living God? Is this really God’s great response to evil? Old widow Ortiz cannot even see the words in her Bible anymore — should she  have anything to do with our  undoing? Highlight all the real  (worldly) movements for change happening outside the narrow confines of the so-called “buttress of truth.” Enflame the itch to bring about real  change, and allow him to recognize the impotence of the church to engage in anything of real  importance. Make him clamor to combat the earthly darkness with more of the same, never the cosmic powers behind it. The Church Dying Next, you must show the church severely wounded. Show her dying out. Of course, to our shame, she has been “dying” now for centuries, and yet never “dead.” The humans, unversed in history, do not consider how vexing this has been to us. The more we have mauled her in the Roman Coliseum, or burned her to light the streets, or cut off heads on foreign beaches, the larger she grew. When we persecute her most violently, our gates begin to shake most forcefully. She is never fiercer, we almost discovered too late, than when covered in her own blood. We contend with a warrior, nephew, who gains more arms, ears, and eyes with each swipe at her. Even when the age of our persecution is bloodiest, she seems the healthier for it in the end. Who is this that grows stronger when wounded? The humans must never know. The Church Hideous Make it sport — especially among the most spiritual — to insult the church. Call her a whore in as many ways as you can devise. The Enemy, as pointless as it was, claims to have given himself up for her to dress her in the finest clothes and beautify her completely. He claims her as his family , his own body, his bride, and boasts to have “filled her with his Spirit,” “reformed her ways of life,” and “made her precious to him” (all Enemy propaganda, of course). We cannot allow these lies to take hold. Don’t let them think well of her. The church, with all her reported crusades, abuses, divorces, racism, pornography, adultery, and deformity (this among the “professed” church, of course) is to be apologized for profusely. Suggest, and this constantly, that there is not an actual  difference from those who belong to the Enemy and those who belong to us. Don’t let them see that sickening splendor, that horrid stateliness, that perverse potency, that actual transformation in them that has stood despite all our missiles throughout the ages. Play the Devil Globdrop, though this army has proven an inconvenience for us, though it may appear we fight with our backs temporarily against the wall, to guarantee our campaign, we must keep their blood from stirring at a sight of themselves as eternity sees them. Veil who they are and the effect of what they accomplish while continuing to unveil the oddities, the annoyances, the awful mundaneness of the day-to-day and the week-to-week. Assure your man that this mission is small, the stakes smaller, and those with him the smallest of all — hardly anything to take too seriously. Nothing of value transpires during their prayers, their sermons, their evangelism, their gatherings — at least, nothing to outweigh the afternoon sports game. Your Concerned Uncle, Grimgod