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About the Book
"God's High Calling for Women" by John MacArthur explores the biblical perspective on women and their role within the family, church, and society. MacArthur argues that women are called to submit to male leadership in these areas, while also emphasizing the unique strengths and abilities that women possess. The book challenges cultural norms and encourages women to embrace their God-given calling with humility and grace.
Isaac Watts
"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing."
In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion."
He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun.
Head of a genius
At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps.
Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor.
His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large foldsâan apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it."
Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead.
Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross."
Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719.
Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90?
Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian."
Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims."
But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson.
More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations.
But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a geniusâthough Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.
hero in an unmarked grave - the unusual modesty of john calvin
On May 27, 1564, just after eight oâclock in the evening, a nurse urgently summoned Theodore Beza (1519â1605) to Calvinâs bedside. âWe found he had already died,â Calvinâs friend and fellow pastor later wrote. âOn that day, then, at the same time with the setting sun, this splendid luminary was withdrawn from us.â 1  Calvin was 54 years old. Calvinâs death sent a shock wave throughout Geneva and beyond. Beza writes, âThat night and the following day there was a general lamentation throughout the city . . . all lamenting the loss of one who was, under God, a common parent and comfort.â He records that two days later âthe entire cityâ gathered at the St. Pierre Cathedral to honor their beloved pastor. Despite Calvinâs prominence, the funeral was unusually simple, âwith no extraordinary pomp.â 2  But Calvinâs burial was particularly unusual. Unmarked Grave Eighteen years earlier, on February 18, 1546, fellow Reformer Martin Luther died at the age of 63. As was common practice for ministers, Lutherâs remains were interred inside the church where he had faithfully served. His casket lies in Wittenbergâs Castle Church, near the pulpit, seven feet below the floor of the nave. Lutherâs successor and fellow Reformer, Philip Melanchthon (1490â1560), is buried beside him. So also William Farel (1489â1565), who first called Calvin to Geneva in 1536, is buried in the cathedral of NeuchĂątel, where he spent the final years of his ministry. When Calvinâs friend and successor Theodore Beza died in 1605, he was buried next to the pulpit of St. Pierre, the Genevan church in which he and Calvin ministered together. But Calvinâs remains lie elsewhere. Rather than being interred in St. Pierre, Calvinâs body was carried outside the city wall to a marshy burial ground for commoners called Plainpalais. With close friends in attendance, Calvinâs body was wrapped in a simple shroud, enclosed in a rough casket, and lowered into the earth. Beza writes that Calvinâs plot was unlisted and, âas he [had] commanded, without any gravestone.â 3 Why did Calvin command that he be buried, contrary to common practice, in an unmarked grave? Some speculate that he wanted to discourage religious pilgrims from visiting his resting place or to prevent accusations from the Roman church that he desired veneration as a saint. 4  But the answer lies somewhere deeper â in Calvinâs understanding of Christian modesty. Forgotten Meaning of Modesty When we speak of modesty today, we most often mean dressing or behaving in such a way as to avoid impropriety or indecency. But modesty more generally refers to the quality of being unassuming or moderate in the estimation of oneself. For centuries, the church understood the connection. Immodest dress was not simply ostentatious or sexually suggestive; it reflected an overemphasis on appearance. As Jesus warned, outward appearance can mask impiety (Matthew 6:16) or pride (Luke 18:12). This is why both Gentile women converts in Ephesus and the Jewish Christians addressed in Hebrews are urged to consider how their outward appearance relates to the disposition of the heart. Excessive adornment could be evidence of self-importance (1 Timothy 2:9). Acceptable worship requires a posture of reverence, not pretension (Hebrews 12:28). Thus, a modest person represents himself neither too highly nor too meanly because he understands both the dignity and the humility of being transformed by the grace of God. âModesty is simply the outward reflection of true Christian humility.â Modesty, then, is simply the outward reflection of true Christian humility. It obliterates pride by embracing the reality that a Christian is both creaturely and beloved. In this light, self-importance becomes absurd. Grandiosity becomes laughable. Celebrity becomes monstrous. We Are Not Our Own For Calvin, the gospel radically reshapes our view of self. As those created in Godâs image, provisioned by his goodness, redeemed by his mercy, transformed by his grace, and called to his mission, those who belong to Christ no longer live for themselves. âNow the great thing is this,â Calvin writes, âwe are consecrated and dedicated to God in order that we may thereafter think, speak, meditate, and do, nothing except to his glory.â Calvin continues, If we, then, are not our own but the Lordâs, it is clear what error we must flee and whither we must direct all the acts of our life. We are not our own : let not our reason nor our will, therefore, sway our plans and deeds. We are not our own : let us not therefore see it as our goal to seek what is expedient for us according to the flesh. We are not our own : in so far as we can, let us therefore forget ourselves and all that is ours. Conversely, we are Godâs : let us therefore live for him and die for him. We are Godâs : let his wisdom and will therefore rule all our actions. We are Godâs : let all the parts of our life accordingly strive toward him as our only lawful goal. Oh how much has that man profited who, having been taught that he is not his own, has taken away dominion and rule from his own reason that he may yield it to God! For, as consulting our self-interest is the pestilence that most effectively leads to our destruction, so the sole haven of salvation is to be wise in nothing through ourselves but to follow the leading of the Lord alone . 5 âModesty blossoms when we experience the freedom from having to prove ourselves to God or one another.â Modesty and humility flow from a heart transformed by the Spirit of Christ. âAs soon as we are convinced that God cares for us,â Calvin writes, âour minds are easily led to patience and humility.â 6  The Spirit shapes us with a kind of moderation that âgives the preference to othersâ and that guards us from being âeasily thrown into agitation.â 7  Modesty blossoms when we experience the freedom from having to prove ourselves to God or one another. âModesty, His Constant Friendâ Calvinâs life reflected this reality. Despite the doors that were opened to him through his writing and network of connections, he was committed to âstudiously avoiding celebrity.â 8  When the Institutes  was published in 1536, he was so successful in his object to ânot acquire fameâ that no one in Basel knew that he was its author. For the rest of his life, wherever he went, he took care to âconceal that I was the author of that performance.â 9  Calvin even sought to avoid a wider ministry in Geneva, having âresolved to continue in the same privacy and obscurity.â He was drawn into the limelight only when William Farel warned him âwith a dreadful imprecationâ that turning down the post would be refusing Godâs call to service. 10  In brief autobiographical comments he wrote the year that he died, we see a glimmer of his own surprise over Godâs sovereign hand through his life. God so led me about through different turnings and changes that he never permitted me to rest in any place, until, in spite of my natural disposition, he brought me forth to public notice. . . . I was carried, I know not how, as it were by force to the Imperial assemblies, where, willing or unwilling, I was under the necessity of appearing before the eyes of many. 11 It is no surprise, then, that a few days before his death, Calvin exhorted his friends to not be those who âostentatiously display themselves and, from overweening confidence, insist that all their opinions should be approved by others.â Instead, he pleaded with them to âconduct themselves with modesty, keeping far aloof from all haughtiness of mind.â 12  For Beza, Calvinâs modesty â forged by his vision of Godâs glory, Christâs redeeming love, and the Spiritâs animating power â was his defining characteristic. After Calvinâs burial, Beza captured it in verse: Why in this humble and unnoticed tomb Is Calvin laid â the dread of falling Rome; Mournâd by the good, and by the wicked fearâd By all who knew his excellence revered? From whom evân virtueâs self might virtue learn, And young and old its value may discern? âTwas modesty, his constant friend on earth, That laid this stone, unsculptured with a name; Oh! happy ground, enrichâd with Calvinâs worth, More lasting far than marble is thy fame! 13 Free to Be Forgotten In old Geneva, on the grounds of the college Calvin founded, stands an immense stone memorial to four leaders of the Protestant Reformation. At its center are towering reliefs of Calvin, Beza, Farel, and John Knox (1513â1572). Calvin would surely detest it. But the monument is a metaphor. We live in a culture that fears obscurity and irrelevance. We measure ourselves against others and build our own platforms in the hope that we will not be forgotten. We attempt to distinguish ourselves at the expense of the humility and modesty that honors Christ. Calvin would have us be free from such striving. For however anyone may be distinguished by illustrious endowments, he ought to consider with himself that they have not been conferred upon him that he might be self-complacent, that he might exalt himself, or even that he might hold himself in esteem. Let him, instead of this, employ himself in correcting and detecting his faults, and he will have abundant occasion for humility. In others, on the other hand, he will regard with honor whatever there is of excellences and will, by means of love, bury their faults. The man who will observe this rule, will feel no difficulty in preferring others before himself. And this, too, Paul meant when he added, that they ought not to have everyone a regard to themselves, but to their neighbors, or that they ought not to be devoted to themselves. Hence it is quite possible that a pious man, even though he should be aware that he is superior, may nevertheless hold others in greater esteem. 14 We may rightly regard Calvin as a hero of the faith, but he didnât ultimately see himself that way. Humility had taught him to walk modestly before God and others â and, in the end, the freedom to lie down in a forgotten grave. Theodore Beza, âThe Life of John Calvinâ in Tracts Related to the Reformation  (Edinburgh: Calvin Translation Society, 1844), 1:xcv. ⩠Beza, Tracts , 1:xcvi. ⩠Beza, Tracts , 1:xcvi. ⩠Eighteenth-century guidebooks indeed list the disused Plainpalais cemetery as an important stop for tourists, though they warn that pilgrims will search for Calvinâs resting place in vain. By the nineteenth century, keepers of the burial ground staked out a âlikely-enoughâ site for Calvinâs grave (complete with a rudimentary marker) simply to avoid the irritation of being so frequently asked. ⩠John Calvin, Institutes of the Christian Religion , ed. John T. McNeill, trans. Ford Lewis Battles (Louisville, KY: Westminster John Knox Press, 2011), 3.7.1 (emphasis mine). ⩠John Calvin, Commentaries on the Catholic Epistles , trans. John Owen (Edinburgh: T. Constable,1855), 149. ⩠John Calvin, Commentaries on the Epistles of Paul the Apostle to the Philippians, Colossians, and Thessalonians , trans. John Pringle (Edinburgh: T. Constable, 1851) 52â53. ⩠John Calvin, Commentary on the Psalms , trans. James Anderson (Edinburgh: Edinburg Printing Company, 1845), 1:xli, xlii. ⩠Calvin, Psalms , 1:xlii. ⩠Calvin, Psalms , 1:xlii. ⩠Calvin, Psalms , 1:xli, xliii. ⩠Beza, Tracts , 1:xci. ⩠Beza was widely known for his literary works. As a humanist, he became famous for his collection of Latin poems in Juvenilia , published just before his conversion in 1548. He continued to write poetry, satires, and dramas until the end of his life. Francis Sisbonâs nineteenth-century translation attempts to capture the sense of the Latin in a more familiar poetic form (Theodore Beza, The Life of John Calvin , trans. Francis Sibson, [Philadelphia: J. Whetham, 1836], 94). For the original text, see Calvin and Beza, Tracts , 1:xcvi. ⩠Calvin, Commentaries on the Epistles of Paul , 53. â©