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Inspiring, I was much impacted.

- mathew oluwaseun (a year ago)

About the Book


"God's Generals: The Healing Evangelists" by Roberts Liardon provides a comprehensive look at the lives and ministries of some of the most influential healing evangelists in Christian history. Through detailed biographies and personal accounts, Liardon explores the miraculous healing campaigns and impactful teachings of figures such as Oral Roberts, A.A. Allen, Kathryn Kuhlman, and more. The book showcases the power of faith, prayer, and divine healing in the lives of these dedicated servants of God.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

how to find joy in your work

“In the beginning, God created the heavens and the earth” (Genesis 1:1). One of the sadder experiences in our fallen states is so easily losing our sense of wonder in the most familiar things — like the first verse in the Bible, as laden with glory as it is. We easily stop pondering it because we think we understand it, even though we may have only scratched the surface of its meaning. Has it ever hit you that the first verse in the Bible is about  work  — what God calls his creative activity (Genesis 2:2)? Or that the very first work undertaken is described as  creative  — not drudgery to avoid? Or that God really  enjoyed  his work? The more we think about the whole first chapter of Genesis, the more glorious things we see regarding how God views  his  work, and the wonderful, liberating implications it has on how we are to view  our  work. God Works for Joy So where do we get the idea that God enjoys his work? From the last verse of the first chapter in the Bible: And God saw everything that he had made, and behold, it was very good. (Genesis 1:31) No, the word “joy” isn’t explicitly there, but it’s there. God doesn’t have sin-disordered affections and emotions like we do. God always experiences the appropriate joy from good work (Philippians 2:13) — even his brutal work on the cross (Hebrews 12:2). And being made in his image, we also receive joy from his work (Psalm 92:4). It’s amazing to think about: the very first thing the Bible teaches us about God is that he engaged in incredibly vigorous, prolonged, creative work, and he  enjoyed  it— both the work itself and the fruit of his work. God never works just to get a paycheck. God never works to prove himself out of some kind of internal insecurity. He never works to get something he needs, for he provides everything for his creation out of his abundance (Acts 17:25). God’s work is always the overflow of his joy in being the triune God. And as Jonathan Edwards said, “It is no argument of the emptiness or deficiency of a fountain that it is inclined to overflow” (God’s Passion for His Glory, 165). God works for the immediate and ultimate joy of it! We’re Designed to Work for Joy And here’s where the wonderful, liberating implications for us come in. God made us in his image and gives us work to do — work that’s like his: So God created man in his own image, in the image of God he created him; male and female he created them. And God blessed them. And God said to them, “Be fruitful and multiply and fill the earth and subdue it, and have dominion over the fish of the sea and over the birds of the heavens and over every living thing that moves on the earth.” (Genesis 1:27–28) God created us to do work similar to his work and to experience from work similar benefits, appropriate to our capacities. Our work is to be  creative  (“be fruitful and multiply”),  vigorous  (“have dominion . . . subdue”), and give us  joy  (God “blessed” us with his mandate). God always meant for our work to be sharing with him in his work, and sharing his joy. We aren’t meant to work just to get a paycheck, or to prove our worth, or to gain our identity because we’re insecure or prideful. God didn’t design work to be a drudgery, or a necessary evil. That disease infected our work when we fell from grace. What Destroys Our Joy in Work A curse infected our work the day our original forebears trusted the viper’s promise over God’s: “Because you have . . . eaten of the tree of which I commanded you, ‘You shall not eat of it,’ cursed is the ground because of you; in pain you shall eat of it all the days of your life; thorns and thistles it shall bring forth for you; and you shall eat the plants of the field. By the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken; for you are dust, and to dust you shall return.” (Genesis 3:17–19) This is work as we experience it in this age: lots of sweat-producing effort yielding lots of thorns and thistles. The ground (or its equivalent for us) fights us, our tools fail us, our indwelling, prideful or slothful sin inhibits us, our frail bodies weaken us, other sinners impede us, demons assail us. Like all of creation, our work is subjected to futility by God (Romans 8:20). This is why we often resent or even hate work: our sin and the curse make it so hard. So we avoid work, or we turn it into a pragmatic, mercenary enterprise to buy something or to give us an identity we believe will bring us joy. But that’s not what work is for. We are not meant to prostitute our work to get money or status. God meant our work to creatively and vigorously steward some part of his creation, to be a means of providing for our needs and serve others, and to bring us joy. And God has made that possible, even in this futile age, no matter our circumstances. What Restores Our Joy in Work Here is stunning good news, which brings unconquerable hope, for every worker who will believe it: Therefore, my beloved brothers, be steadfast, immovable, always abounding in the work of the Lord, knowing that in the Lord your labor is not in vain. (1 Corinthians 15:58) Wait, our labor is  not  in vain? Isn’t that what futility is? Yes! And part of the gospel is that labor done “in the Lord” is not in vain because it cannot ultimately be derailed by the curse of sin. What is labor done “in the Lord”? Does that only apply to “kingdom work”? Yes. But “kingdom work” encompasses  everything  Christians do: Whatever you do , work heartily, as for the Lord and not for men, knowing that from the Lord you will receive the inheritance as your reward. You are serving the Lord Christ. (Colossians 3:23–24) This means God wants  every  work we undertake, no matter who we are or what we do, to be a “work of faith” (2 Thessalonians 1:11), done in the strength he supplies (1 Peter 4:11). We give ourselves wholly to God, knowing he bought us with a price (1 Corinthians 6:20), and we do the work he gives our hands to do for his sake. For we serve the Lord Christ, not men and not money. Wherever You Work Even though we still suffer the effects of the curse, the death and resurrection of Jesus, which redeems all things for Christians, liberates our faith-fueled labors from being in vain, and causes them to work for our eternal good and joy (Romans 8:28).  He  restores our joy in our work. Therefore, my beloved brothers and sisters,  whatever  God gives your hands to do today, be steadfast, immovable, always abounding in the creative, vigorous, joy-producing work of the Lord.

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