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Glorious Ruin - How Suffering Sets You Free Glorious Ruin - How Suffering Sets You Free

Glorious Ruin - How Suffering Sets You Free Order Printed Copy

  • Author: Tullian Tchividjian
  • Size: 965KB | 242 pages
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About the Book


"Glorious Ruin" by Tullian Tchividjian explores the reality of suffering and how it can ultimately lead to freedom and a deeper understanding of God's love and grace. Tchividjian examines biblical passages on suffering and shares personal anecdotes to help readers find hope and comfort in the midst of pain and hardships. Ultimately, the book argues that suffering can bring us closer to God and help us grow spiritually.

John Newton

John Newton “Amazing Grace” is one of the most beloved hymns of the last two centuries. The soaring spiritual describing profound religious elation is estimated to be performed 10 million times annually and has appeared on over 11,000 albums. It was referenced in Harriet Beecher Stowe’s anti-slavery novel Uncle Tom’s Cabin and had a surge of popularity during two of nation’s greatest crises: the Civil War and the Vietnam War. Between 1970 and 1972, Judy Collins’ recording spent 67 weeks on the chart and peaked at number 5. Aretha Franklin, Ray Charles, Johnny Cash, Willie Nelson and Elvis are among the many artists to record the song. Recently, President Obama burst into the familiar tune during the memorial service for Reverend Clementa Pinckney, a victim of a heinous church shooting in Charleston, South Carolina. The song was written by a former enslaver Ironically, this stirring song, closely associated with the African American community, was written by a former enslaver, John Newton. This unlikely authorship forms the basis of Amazing Grace, a Broadway musical (written by Broadway first-timer Christopher Smith, a former Philadelphia policeman, and playwright Arthur Giron) which tells Newton’s life story from his early days as a licentious libertine in the British navy to his religious conversion and taking up the abolitionist cause. But the real story behind the somewhat sentimental musical told in Newton’s autobiography reveals a more complex and ambiguous history. Newton was born in 1725 in London to a Puritan mother who died two weeks before his seventh birthday, and a stern sea-captain father who took him to sea at age 11. After many voyages and a reckless youth of drinking, Newton was impressed into the British navy. After attempting to desert, he received eight dozen lashes and was reduced to the rank of common seaman. While later serving on the Pegasus, an enslaved person ship, Newton did not get along with the crew who left him in West Africa with Amos Clowe, an enslaver. Clowe gave Newton to his wife Princess Peye, an African royal who treated him vilely as she did her other enslaved people. On stage, Newton’s African adventures and enslavement are a bit more flashy with the ship going down, a thrilling underwater rescue of Newton by his loyal retainer Thomas, and an implied love affair between Newton and the Princess. Newton converted to Christianity after a miracle at sea The stage version has John’s father leading a rescue party to save his son from the calculating Princess, but in actuality, the enterprise was undertaken by a sea captain asked by the senior Newton to look for the missing John. (In the show, the elder Newton is wounded during the battle for his son’s freedom and later has a tearful deathbed scene with John on board ship.) During the voyage home, the ship was caught in a horrendous storm off the coast of Ireland and almost sank. Newton prayed to God and the cargo miraculously shifted to fill a hole in the ship’s hull and the vessel drifted to safety. Newton took this as a sign from the Almighty and marked it as his conversion to Christianity. He did not radically change his ways at once, his total reformation was more gradual. "I cannot consider myself to have been a believer in the full sense of the word, until a considerable time afterward,” he later wrote. He did begin reading the Bible at this point and began to view his captives with a more sympathetic view. In the musical, John abjures slavery immediately after his shipboard epiphany and sails to Barbados to search for and buy the freedom of Thomas. After returning to England, Newton and his sweetheart Mary Catlett dramatically confront the Prince of Wales and urge him to abolish the cruel practice. In real life, Newton continued to sell his fellow human beings, making three voyages as the captain of two different vessels, The Duke of Argyle and the African. He suffered a stroke in 1754 and retired, but continued to invest in the business. In 1764, he was ordained as an Anglican priest and wrote 280 hymns to accompany his services. He wrote the words for “Amazing Grace” in 1772 (In 1835, William Walker put the words to the popular tune “New Britain”) It was not until 1788, 34 years after leaving it that he renounced his former slaving profession by publishing a blazing pamphlet called “Thoughts Upon the Slave Trade.” The tract described the horrific conditions on the ships and Newton apologized for making a public statement so many years after participating in the trade: “It will always be a subject of humiliating reflection to me, that I was once an active instrument in a business at which my heart now shudders.” The pamphlet was so popular it was reprinted several times and sent to every member of Parliament. Under the leadership of MP William Wilberforce, the English civil government outlawed slavery in Great Britain in 1807 and Newton lived to see it, dying in December of that year. The passage of the Slave Trade Act is depicted in the 2006 film, also called Amazing Grace, starring Albert Finney as Newton and Ioan Gruffud as Wilberforce.

The Cross and the St. Louis Cardinals

What does Jonathan Edwards have to do with baseball? It relates to how he saw the world. The technical term is typology — the mechanism of his God-entranced vision of all things. He explains, God does purposely make and order one thing to be in agreeableness and harmony with another. And if so, why should not we suppose that he makes the inferior in imitation of the superior, the material of the spiritual, on purpose to have a resemblance and shadow of them? We see that even in the material world God makes one part of it strangely to agree with another; and why it is not reasonable to suppose he makes the whole as a shadow of the spiritual world? . . . ("Images of Diving Things," A Jonathan Edwards Reader, [New Haven: Yale University Press, 1995], 16). Edwards saw it in the experience of walking down a hill, in the diet of ravens, and in the life of silkworms. And sports fans just saw it in the 2011 World Series. The World Series, Really? What made this Series so great wasn’t the mere fact that I love the St. Louis Cardinals and they won. It was the whole manner of how it happened. It's the fact that the Cardinals were trailing 10.5 games on August 25. They had no chance of making the playoffs, it seemed. It was the time to start looking at next year—the time when the "maybe-next-season" wishes are reluctantly announced. But then they started winning. Their late-season success allowed them to slip into the playoffs on the final game of the season. That was amazing enough. Then they beat the league-best Phillies. Then the potent Brewers. And then there they were—like out of no where—in the World Series. Learning from Edwards, let’s keep tracking the "agreeableness and harmony" that goes much deeper than America’s pastime. The Cardinals were the underdog, if there ever were one. They shouldn't even be in the playoffs, not to mention in the World Series competing against the repeat American League champion Texas Rangers. Every commentator wrote them off — "it was nice they made it this far, but they just aren’t championship caliber." Weakness Exposed When Texas won two in a row to take a 3-2 series lead, we expected that the Cards would finally fold. And during Game 6, when they came down to one out and one strike away from losing — twice! — hopes were dashed for Cardinal Nation. The consoling began, remembering the season really should have ended in September, that they really didn't have a World Series-quality team, that it's time again to start the "maybe next season" concessions. The team’s weakness at last was seen as weakness, and the dream of winning the World Series was confronted with the reality that things really don't happen this way. It was like a Friday afternoon wake-up call from Golgotha. But wait a minute. Isn’t this the way all the best stories go? Cue Edwards. Jesus rode into Jerusalem on the foal of a donkey, but it could have been a stallion leading an unbeatable legion of Jewish revolutionaries. He could have been taller, a handsome king that looked more like a Disney prince instead of a Galilean peasant. There could have been no agony, no cross, no tomb. There could have been, but there wasn’t. When Hope Seems Lost And this was God’s design — in his universe, there is more beauty when victory rises out of weakness. The morning shines brighter after a tumultuousness night. The glory is greater at the end of three silent days, when the Lamb has been slain, when all hope seems lost. That’s where this World Series was pointing. Game 6 made this clear. The Cardinals were finished. It was over. Over. Well, over until David Freese's two-run triple in the bottom of the 9th, then Berkman's RBI single in the 10th, then Freese's walk-off homer in the 11th. Almost too good to be true. Like an out-of-breath Mary flinging open the disciples’ door to announce an empty tomb. Then Game 7 came, and the Cards won that one, too. It was an unforgettable Series, one that reaches deep into the human soul, resonating with the imprint of our Creator and reminding us why the good stories are, well, so good. Article by Jonathan Parnell

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