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Gentle And Lowly (The Heart Of Christ For Sinners And Sufferers) Gentle And Lowly (The Heart Of Christ For Sinners And Sufferers)

Gentle And Lowly (The Heart Of Christ For Sinners And Sufferers) Order Printed Copy

  • Author: Dane C. Ortlund
  • Size: 6.35MB | 226 pages
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About the Book


"Gentle and Lowly" by Dane C. Ortlund explores the heart of Jesus Christ for sinners and sufferers. Focusing on themes of mercy, compassion, and grace, the book highlights how Christ's love and understanding are available to all who seek Him. The author encourages readers to rest in the comforting presence of a Savior who is gentle and lowly in heart.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

A Father’s Good Pleasure

A recent experience stirred in me a desire to share a word for fathers. I have fathers of younger children particularly in mind, those on the front end of their fathering days, when a man is seeking to establish godly habits so that, by his example, his children might see the shadow of their heavenly Father. This word, however, is also relevant to fathers of teens and young adults, like me, as well as for elderly fathers whose children are well into adulthood. I hope even those in situations where a father is absent will be able to draw out applications for themselves. But before I unpack this threefold word of biblical counsel, allow me to share my recent experience with you, since it both inspired and illustrates what I have to say. Because I Love You One Friday morning a few months back, I sent a text to my sixteen-year-old daughter, Moriah. Before sharing the text, let me share a bit of context. I began giving each of my five children a weekly allowance when they were around the age of seven. Then, at different points as they grew older, I sought to help them put age-appropriate budget structures in place to equip them to handle money well. When each approached age sixteen, I let them know that their allowance would end when they were old enough to be employed. A few days before I sent my text, Moriah began her first job, which meant it was her last allowance week. So, early that Friday morning, I transferred the funds into her account. I wasn’t at all prepared for the tears. Why was I crying? I tried to capture why in this (slightly edited) text I sent to her shortly after: I just transferred your allowance into your account. In the little memo window, I typed “Mo’s final allowance payment,” and suddenly a wave of emotion hit me, catching me by surprise. I’m standing here at my desk, alone in the office, my eyes full of tears, swallowing down sobs. Another chapter closed, another little step in letting you go. A decade of slipping you these small provisions each week to, yes, try and teach you how to handle money (not sure how well I’ve done in that department), but also, and far more so (when it comes to this father’s heart), out of the joy of just making you happy in some small way. At bottom, that’s what it’s been for me: a weekly joy of having this small way of saying, “I love you.” I’ll miss it. Because I love you. I still can’t read that without tearing up. I so enjoy every chance I get to give my children joy. As I stood there, trying to pull myself together, a Scripture text quickly came to mind: Which one of you, if his son asks him for bread, will give him a stone? Or if he asks for a fish, will give him a serpent? If you then, who are evil, know how to give good gifts to your children, how much more will your Father who is in heaven give good things to those who ask him! (Matthew 7:9–11) And as I pondered this passage, I thought of some friends who are fathers of young children and jotted down three lessons I wanted to share with them. Pursue Your Pleasure for God’s Sake God means for you to taste the great pleasure it gives him to make his children happy through how much pleasure it gives you to make your children happy. “Fathers, become a student of what gives your children joy.” So, pursue your pleasure in making your children happy! Give them good things — things they value as good and really want. And really, authentically enjoy doing it. It has God’s endorsement, since he too takes great pleasure in giving good gifts to his children. What’s wonderful about this pleasurable experience is that, for a Christian father, it is multidimensional: we get the joy of blessing our children and the joy of tasting our heavenly Father’s joy in blessing us. This becomes an opportunity to exercise what C.S. Lewis called “transposition” (in his essay by that name in The Weight of Glory) — we see and savor the higher, richer pleasure of God in the natural pleasure of giving pleasure to our children. Pursue Your Children’s Pleasure God means for your children to taste how much pleasure it gives him to make his children happy through how much pleasure it gives you to make them happy. So, pursue your children’s pleasure in making your children happy! Become, through your joyful, affectionate generosity, an opportunity for your children to experience transposition too — to see and savor the higher, richer pleasure of God in the natural pleasure of their father giving good gifts to them. Become a student of what gives them joy. Watch for those few opportunities during their childhood to bless them with a lifetime memory (think Ralphie’s Red Ryder BB rifle in A Christmas Story). But know that often it’s the simple, smaller good gifts in regular doses that make the biggest, longest impact. Because the most lasting impression of any of the good things you give your children will be how much you enjoyed giving it to them. This is important, because when, out of love for them, you must discipline them or make a decision that displeases them, or some significant disagreement arises between you, and they’re tempted to doubt that you care about their happiness, your history of consistent, simple, memorable good gifts, given because you love to do them good, can remind them that even now you are pursuing their joy. It can become an echo of Jesus’s words: “Fear not, little flock, for it is your Father’s good pleasure to give you the kingdom” (Luke 12:32). And it will model for them that God too really does take joy in their joy, even when his discipline is “painful rather than pleasant,” since later it will yield “the peaceful fruit of righteousness to those who have been trained by it” (Hebrews 12:11). “Often it’s the simple, smaller good gifts in regular doses that make the biggest, longest impact.” If your children experience their father’s good pleasure in giving them joy, what is likely to stay with them, long after the good gifts are gone, is this: the gift you were to them. The real treasure wasn’t their father’s good things; it was their father. And in this is an invaluable parable, if our children have eyes to see. Let Your Pleasure Speak for Itself God means for your pleasure in giving your children pleasure to first speak for itself. One last brief word of practical counsel. For the most part, avoid immediately turning the moments you give gifts to your kids into a teaching moment. Don’t explain right then that what you’re doing is an illustration of Matthew 7:9–11. Let your pleasure in giving them pleasure speak for itself, and allow them the magic moment when the Holy Spirit helps them make the connection. In fact, don’t talk too much to them about your experience as such. Wait for meaningful moments, and then take them when they come. Like an early Friday morning text message to your sentimental sixteen-year-old while she’s sitting in a crowded high school classroom, forcing her to text back, “Stop! ur gonna make me cry!” Article by Jon Bloom

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