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About the Book
"GENETICS OF WORDS" by Uebert Angel explores the power of words and the impact they have on our lives. The book delves into how the words we speak can shape our destinies and influence our circumstances. Through biblical teachings and personal anecdotes, Angel emphasizes the importance of speaking positive words and the transformational effects they can have on our lives.
C.S. Lewis
C.S. Lewis was a prolific Irish writer and scholar best known for his 'Chronicles of Narnia' fantasy series and his pro-Christian texts.
Who Was C.S. Lewis?
Writer and scholar C.S. Lewis taught at Oxford University and became a renowned Christian apologist writer, using logic and philosophy to support the tenets of his faith. He is also known throughout the world as the author of The Chronicles of Narnia fantasy series, which have been adapted into various films for the big and small screens.
Early Life
Clive Staples Lewis was born in Belfast, Ireland, on November 29, 1898, to Flora August Hamilton Lewis and Albert J. Lewis. As a toddler, Clive declared that his name was Jack, which is what he was called by family and friends. He was close to his older brother Warren and the two spent much time together as children.
Lewis was enraptured by fantastic animals and tales of gallantry, and hence the brothers created the imaginary land of Boxen, complete with an intricate history that served them for years. Lewis' mother died when he was 10, and he went on to receive his pre-college education at boarding schools and from a tutor. During WWI, he served with the British army and was sent home after being wounded by shrapnel. He then chose to live as a surrogate son with Janie Moore, the mother of a friend of Lewis' who was killed in the war.
Teaching Career at Oxford and Wartime Broadcasts
Lewis graduated from Oxford University with a focus on literature and classic philosophy, and in 1925 he was awarded a fellowship teaching position at Magdalen College, which was part of the university. There, he also joined the group known as The Inklings, an informal collective of writers and intellectuals who counted among their members Lewis' brother Warren and J.R.R. Tolkien. It was through conversations with group members that Lewis found himself re-embracing Christianity after having become disillusioned with the faith as a youth. He would go on to become renowned for his rich apologist texts, in which he explained his spiritual beliefs via platforms of logic and philosophy.
Lewis began publishing work including Spirits in Bondage in 1919 and the satirical Dymer in 1926. After penning other titles â including The Allegory of Love (1936), for which he won the Hawthornden Prize â he released in 1938 his first sci-fi work, Out of the Silent Planet, the first of a space trilogy which dealt sub-textually with concepts of sin and desire. Later, during WWII, Lewis gave highly popular radio broadcasts on Christianity which won many converts; his speeches were collected in the work Mere Christianity.
Books and Film Legacy
Lewis was a prolific author of fiction and nonfiction who wrote dozens of books over the course of his career. His faith-based arguments as seen in texts like The Great Divorce (1946) and Miracles (1947) are held in high regard by many theologians, scholars and general readers. His satirical fiction novel The Screwtape Letters (1942) is also a beloved classic. Lewis also continued his love affair with classic mythology and narratives during his later years: His book Till We Have Faces: A Myth Retold (1956) featured the story of Psyche and Cupid. He also penned an autobiography, Surprised by Joy: The Shape of My Early Life (1955).
Lewis' landmark series, The Chronicles of Narnia, has seen a number of on-screen iterations, including a cartoon version of The Lion, The Witch and the Wardrobe that was released in 1979 and a 1989 film series. Additionally, in 2005, a big-screen adaptation of The Lion, The Witch and the Wardrobe hit movie theaters, starring Tilda Swinton as the witch Jadis and Liam Neeson as the voice of Aslan. Two more Narnia films were brought to theaters as well: Prince Caspian (2008) and The Voyage of the Dawn Treader (2010). A movie version of The Silver Chair was slated to hit theaters in the near future, with filming starting in the winter of 2018.
Lewis' relationship with his wife, Joy, has also been depicted in Shadowlands, presented as a play and two films; one of the film versions was directed by Richard Attenborough and starred Anthony Hopkins as Lewis.
'The Chronicles of Narnia'
During the 1940s, Lewis began writing the seven books that would comprise The Chronicles of Narnia children's series, with The Lion, The Witch and the Wardrobe (1950) being the first release. The story focused on four siblings who, during wartime, walk through an armoire to enter the magical world of Narnia, a land resplendent with mythical creatures and talking animals. Throughout the series, a variety of Biblical themes are presented; one prominent character is Aslan, a lion and the ruler of Narnia, who has been interpreted as a Jesus Christ figure. (Lewis would assert that his Narnia stories weren't a direct allegory to the real world.)
Though the book received some negative reviews, it was generally well-received by readers, and the series retained its international popularity over the following decades.
Marriage
In 1954, Lewis joined the faculty of Cambridge University as a literature professor, and in 1956 he married an American English teacher, Joy Gresham, with whom he had been in correspondence. Lewis was full of happiness during the years of their marriage, though Gresham died of cancer in 1960. Lewis grieved deeply for his wife and shared his thoughts in the book A Grief Observed, using a pen name.
Death
In 1963, Lewis resigned from his Cambridge position after experiencing heart trouble. He died on November 22, 1963, in Headington, Oxford.
hero in an unmarked grave - the unusual modesty of john calvin
On May 27, 1564, just after eight oâclock in the evening, a nurse urgently summoned Theodore Beza (1519â1605) to Calvinâs bedside. âWe found he had already died,â Calvinâs friend and fellow pastor later wrote. âOn that day, then, at the same time with the setting sun, this splendid luminary was withdrawn from us.â 1  Calvin was 54 years old. Calvinâs death sent a shock wave throughout Geneva and beyond. Beza writes, âThat night and the following day there was a general lamentation throughout the city . . . all lamenting the loss of one who was, under God, a common parent and comfort.â He records that two days later âthe entire cityâ gathered at the St. Pierre Cathedral to honor their beloved pastor. Despite Calvinâs prominence, the funeral was unusually simple, âwith no extraordinary pomp.â 2  But Calvinâs burial was particularly unusual. Unmarked Grave Eighteen years earlier, on February 18, 1546, fellow Reformer Martin Luther died at the age of 63. As was common practice for ministers, Lutherâs remains were interred inside the church where he had faithfully served. His casket lies in Wittenbergâs Castle Church, near the pulpit, seven feet below the floor of the nave. Lutherâs successor and fellow Reformer, Philip Melanchthon (1490â1560), is buried beside him. So also William Farel (1489â1565), who first called Calvin to Geneva in 1536, is buried in the cathedral of NeuchĂątel, where he spent the final years of his ministry. When Calvinâs friend and successor Theodore Beza died in 1605, he was buried next to the pulpit of St. Pierre, the Genevan church in which he and Calvin ministered together. But Calvinâs remains lie elsewhere. Rather than being interred in St. Pierre, Calvinâs body was carried outside the city wall to a marshy burial ground for commoners called Plainpalais. With close friends in attendance, Calvinâs body was wrapped in a simple shroud, enclosed in a rough casket, and lowered into the earth. Beza writes that Calvinâs plot was unlisted and, âas he [had] commanded, without any gravestone.â 3 Why did Calvin command that he be buried, contrary to common practice, in an unmarked grave? Some speculate that he wanted to discourage religious pilgrims from visiting his resting place or to prevent accusations from the Roman church that he desired veneration as a saint. 4  But the answer lies somewhere deeper â in Calvinâs understanding of Christian modesty. Forgotten Meaning of Modesty When we speak of modesty today, we most often mean dressing or behaving in such a way as to avoid impropriety or indecency. But modesty more generally refers to the quality of being unassuming or moderate in the estimation of oneself. For centuries, the church understood the connection. Immodest dress was not simply ostentatious or sexually suggestive; it reflected an overemphasis on appearance. As Jesus warned, outward appearance can mask impiety (Matthew 6:16) or pride (Luke 18:12). This is why both Gentile women converts in Ephesus and the Jewish Christians addressed in Hebrews are urged to consider how their outward appearance relates to the disposition of the heart. Excessive adornment could be evidence of self-importance (1 Timothy 2:9). Acceptable worship requires a posture of reverence, not pretension (Hebrews 12:28). Thus, a modest person represents himself neither too highly nor too meanly because he understands both the dignity and the humility of being transformed by the grace of God. âModesty is simply the outward reflection of true Christian humility.â Modesty, then, is simply the outward reflection of true Christian humility. It obliterates pride by embracing the reality that a Christian is both creaturely and beloved. In this light, self-importance becomes absurd. Grandiosity becomes laughable. Celebrity becomes monstrous. We Are Not Our Own For Calvin, the gospel radically reshapes our view of self. As those created in Godâs image, provisioned by his goodness, redeemed by his mercy, transformed by his grace, and called to his mission, those who belong to Christ no longer live for themselves. âNow the great thing is this,â Calvin writes, âwe are consecrated and dedicated to God in order that we may thereafter think, speak, meditate, and do, nothing except to his glory.â Calvin continues, If we, then, are not our own but the Lordâs, it is clear what error we must flee and whither we must direct all the acts of our life. We are not our own : let not our reason nor our will, therefore, sway our plans and deeds. We are not our own : let us not therefore see it as our goal to seek what is expedient for us according to the flesh. We are not our own : in so far as we can, let us therefore forget ourselves and all that is ours. Conversely, we are Godâs : let us therefore live for him and die for him. We are Godâs : let his wisdom and will therefore rule all our actions. We are Godâs : let all the parts of our life accordingly strive toward him as our only lawful goal. Oh how much has that man profited who, having been taught that he is not his own, has taken away dominion and rule from his own reason that he may yield it to God! For, as consulting our self-interest is the pestilence that most effectively leads to our destruction, so the sole haven of salvation is to be wise in nothing through ourselves but to follow the leading of the Lord alone . 5 âModesty blossoms when we experience the freedom from having to prove ourselves to God or one another.â Modesty and humility flow from a heart transformed by the Spirit of Christ. âAs soon as we are convinced that God cares for us,â Calvin writes, âour minds are easily led to patience and humility.â 6  The Spirit shapes us with a kind of moderation that âgives the preference to othersâ and that guards us from being âeasily thrown into agitation.â 7  Modesty blossoms when we experience the freedom from having to prove ourselves to God or one another. âModesty, His Constant Friendâ Calvinâs life reflected this reality. Despite the doors that were opened to him through his writing and network of connections, he was committed to âstudiously avoiding celebrity.â 8  When the Institutes  was published in 1536, he was so successful in his object to ânot acquire fameâ that no one in Basel knew that he was its author. For the rest of his life, wherever he went, he took care to âconceal that I was the author of that performance.â 9  Calvin even sought to avoid a wider ministry in Geneva, having âresolved to continue in the same privacy and obscurity.â He was drawn into the limelight only when William Farel warned him âwith a dreadful imprecationâ that turning down the post would be refusing Godâs call to service. 10  In brief autobiographical comments he wrote the year that he died, we see a glimmer of his own surprise over Godâs sovereign hand through his life. God so led me about through different turnings and changes that he never permitted me to rest in any place, until, in spite of my natural disposition, he brought me forth to public notice. . . . I was carried, I know not how, as it were by force to the Imperial assemblies, where, willing or unwilling, I was under the necessity of appearing before the eyes of many. 11 It is no surprise, then, that a few days before his death, Calvin exhorted his friends to not be those who âostentatiously display themselves and, from overweening confidence, insist that all their opinions should be approved by others.â Instead, he pleaded with them to âconduct themselves with modesty, keeping far aloof from all haughtiness of mind.â 12  For Beza, Calvinâs modesty â forged by his vision of Godâs glory, Christâs redeeming love, and the Spiritâs animating power â was his defining characteristic. After Calvinâs burial, Beza captured it in verse: Why in this humble and unnoticed tomb Is Calvin laid â the dread of falling Rome; Mournâd by the good, and by the wicked fearâd By all who knew his excellence revered? From whom evân virtueâs self might virtue learn, And young and old its value may discern? âTwas modesty, his constant friend on earth, That laid this stone, unsculptured with a name; Oh! happy ground, enrichâd with Calvinâs worth, More lasting far than marble is thy fame! 13 Free to Be Forgotten In old Geneva, on the grounds of the college Calvin founded, stands an immense stone memorial to four leaders of the Protestant Reformation. At its center are towering reliefs of Calvin, Beza, Farel, and John Knox (1513â1572). Calvin would surely detest it. But the monument is a metaphor. We live in a culture that fears obscurity and irrelevance. We measure ourselves against others and build our own platforms in the hope that we will not be forgotten. We attempt to distinguish ourselves at the expense of the humility and modesty that honors Christ. Calvin would have us be free from such striving. For however anyone may be distinguished by illustrious endowments, he ought to consider with himself that they have not been conferred upon him that he might be self-complacent, that he might exalt himself, or even that he might hold himself in esteem. Let him, instead of this, employ himself in correcting and detecting his faults, and he will have abundant occasion for humility. In others, on the other hand, he will regard with honor whatever there is of excellences and will, by means of love, bury their faults. The man who will observe this rule, will feel no difficulty in preferring others before himself. And this, too, Paul meant when he added, that they ought not to have everyone a regard to themselves, but to their neighbors, or that they ought not to be devoted to themselves. Hence it is quite possible that a pious man, even though he should be aware that he is superior, may nevertheless hold others in greater esteem. 14 We may rightly regard Calvin as a hero of the faith, but he didnât ultimately see himself that way. Humility had taught him to walk modestly before God and others â and, in the end, the freedom to lie down in a forgotten grave. Theodore Beza, âThe Life of John Calvinâ in Tracts Related to the Reformation  (Edinburgh: Calvin Translation Society, 1844), 1:xcv. ⩠Beza, Tracts , 1:xcvi. ⩠Beza, Tracts , 1:xcvi. ⩠Eighteenth-century guidebooks indeed list the disused Plainpalais cemetery as an important stop for tourists, though they warn that pilgrims will search for Calvinâs resting place in vain. By the nineteenth century, keepers of the burial ground staked out a âlikely-enoughâ site for Calvinâs grave (complete with a rudimentary marker) simply to avoid the irritation of being so frequently asked. ⩠John Calvin, Institutes of the Christian Religion , ed. John T. McNeill, trans. Ford Lewis Battles (Louisville, KY: Westminster John Knox Press, 2011), 3.7.1 (emphasis mine). ⩠John Calvin, Commentaries on the Catholic Epistles , trans. John Owen (Edinburgh: T. Constable,1855), 149. ⩠John Calvin, Commentaries on the Epistles of Paul the Apostle to the Philippians, Colossians, and Thessalonians , trans. John Pringle (Edinburgh: T. Constable, 1851) 52â53. ⩠John Calvin, Commentary on the Psalms , trans. James Anderson (Edinburgh: Edinburg Printing Company, 1845), 1:xli, xlii. ⩠Calvin, Psalms , 1:xlii. ⩠Calvin, Psalms , 1:xlii. ⩠Calvin, Psalms , 1:xli, xliii. ⩠Beza, Tracts , 1:xci. ⩠Beza was widely known for his literary works. As a humanist, he became famous for his collection of Latin poems in Juvenilia , published just before his conversion in 1548. He continued to write poetry, satires, and dramas until the end of his life. Francis Sisbonâs nineteenth-century translation attempts to capture the sense of the Latin in a more familiar poetic form (Theodore Beza, The Life of John Calvin , trans. Francis Sibson, [Philadelphia: J. Whetham, 1836], 94). For the original text, see Calvin and Beza, Tracts , 1:xcvi. ⩠Calvin, Commentaries on the Epistles of Paul , 53. â©