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Financial Security In The Last Days Financial Security In The Last Days

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  • Author: Perry Stone
  • Size: 3.87MB | 137 pages
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About the Book


"Financial Security in the Last Days" by Perry Stone explores biblical principles and practical advice for navigating economic challenges and uncertainties in the end times. The book offers insights into how to maintain financial stability, make wise investments, and prepare for an uncertain future, while also emphasizing the importance of faith and trust in God's provision.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

What Is Life’s Ultimate Good

Dear Dan, I agree; any view that has God as the foundation of morality — like the Christian view I described in my last letter — will have further, serious issues to address. In fact, your two objections get at the most central ones. Let me respond to both. What Makes God’s Laws Good? Your first objection has a great pedigree and can be traced all the way back to Plato. Namely, what makes God’s moral laws — his moral values — good? Does he like these laws because they are good? Or are they good because he likes them? Either way seems to spell trouble for Christianity. Take the first option. Are God’s laws good because they meet some separate standard of good, one “outside” of God? If so, God has to defer to — is beholden to — some higher authority. And that’s impossible, according to Christianity. But the alternative seems just as bad. If God’s laws are good because he likes them, it makes morality seem arbitrary, dependent merely on his personal tastes or whims. After all, what if he had preferred things like murder, rape, and torture? Would these therefore be good? Do we really want to define “good” as “what God likes,” similar to the way “coolness” is just whatever the cool kids like? Wouldn’t this rob statements like “God is good” of all significance, reducing them to saying merely that “God is the way he is”? Again, neither choice looks very promising. So, which horn of the dilemma should the Christian choose? Goodness Is Godness I think the second option is the right one: God’s laws are good because he likes them. That is, anything that God likes or values is good by definition. Goodness just is Godness. So then, is the phrase “God is good” nothing but an empty tautology, saying no more than “God is God”? “Anything that God likes or values is good by definition. Goodness just is Godness.” Well, no. In this specific context, where we’re defining “good,” “God is good” tells us something informative — namely, that God’s values are what make things morally good. But in most other contexts, when we say, “God is good” we can generally take for granted which properties or characteristics go on the “good” list. In these ordinary cases, “God is good” expresses something different — for example, “Here’s what God is like: he hates lying, murder, stealing — things we all agree are bad.” But then, if goodness is defined as whatever God likes, doesn’t my view mean that murder and rape would have been good if God had liked them? In a sense, perhaps; at least their advocacy would have been included in his moral laws. But remember that we’re currently defining “good,” and I think some of the rhetorical force of the wouldn’t-rape-therefore-be-good objection comes from ignoring this context. After all, it seems that regardless of what we say ultimately “makes” something good, if that “good-maker” were different, good would be different. And in any case, the traditional Christian view of God holds that he couldn’t have liked these things, that it’s logically impossible for God to be different than he is, just as a square couldn’t fail to have four equal sides. It turns out, therefore, that things aren’t as nearly as bad as the objection initially implied. Why Follow God’s Moral Law? Then there’s your second objection: why should we follow God’s laws? Is it because, if we don’t, he’ll submit us to everlasting punishment? Should we follow God’s laws simply to avoid pain? Does it turn out, after all, that morality is merely a matter of might makes right? Well, I think Christians should acknowledge that avoiding pain and suffering is a good reason to follow God’s moral laws. Moreover, I concede that this would be a genuine problem — if this were the only reason for obeying God. And as I said, even this reason isn’t without its virtues. After all, if we think of God as a parent — which the Bible encourages us to do — it’s a perfectly good reason, morally as well as rationally. As children we often obeyed our parents, in part, to avoid discipline. In fact, this was the reason for discipline in the first place — to help motivate us to obey. But of course, our obedience wasn’t merely motivated by a fear of discipline. We also obeyed our parents because we loved and trusted them. We knew that their requirements were an integral part of their deep love and affection for us, that they gave us these rules to benefit us. Their laws were evidence of our parents’ love. This interweaving of love and law, this close relation between our love for our parents, their love for us, and their moral values (that is, their moral loves) usually resulted in us adopting their morals; their values naturally became our values. We liked these values. And it didn’t stop with moral values; we sometimes adopted our parents’ values about sports teams, movies, and music — again, sometimes simply because we loved them. So, according to my view, we ought to follow God’s laws because, ultimately, we want to — and the main reason we want to is that we love him. In this way, morality is ultimately personal and grounded in what we love. Meaning of Life The personal aspect of value isn’t limited to moral value; it’s a component of all value, including life’s ultimate value. What we might call life’s ultimate meaning or purpose is perhaps the most important topic of all. So, what is our ultimate value, meaning, purpose, or goal in life? Well, suppose you’re right that there’s no God. The meaning of life, then, would be like all value in a godless cosmos: subjective and relative. And because each person has his own values, there would be as many meanings of life as there are persons. In such a world, there would be no objective meaning that life has. But according to Christianity, humans have been made for something, for a purpose. Moreover, this purpose does not depend on us, and so, in this sense, it’s objective, human-independent. And because we were designed for a specific purpose, humans will only truly flourish and thrive by fulfilling this purpose. Fulfilling God’s purpose for us is life’s ultimate meaning. That doesn’t mean that, in a world without God, humans could not find some measure of meaning or value in things like family, work, art, gardening, or whatever. But unless these individual goods are put into the context of the much larger, overall purpose, they will never be as meaningful (to us) as they could be. Only by fulfilling this ultimate purpose is our meaning of life maximized. What Are Humans For? What is this larger context or purpose? What were we made for? We find a hint by noticing that, for many of us, relationships and community are what we most value, where we find our greatest fulfillment. We flourish best in community with people we love. And this fact is entirely in line with the Christian view that our ultimate purpose is to know and love the ultimate Person, God himself. Christianity is of one voice on this. As one famous confession says, our ultimate purpose “is to glorify God and enjoy him forever.” Indeed, God is a loving relationship, as odd as that sounds. The mysterious doctrine of the Trinity says that the Godhead is an intimate community of three (divine) persons. That’s what he is. (This is one reason why monistic religions can’t truly make sense of the view that God is love: Who was God loving before he created persons other than himself? Such a being couldn’t essentially be love; at best, he would need creatures in order to love.) “Our ultimate purpose is to know and love the ultimate Person, God himself.” Notice that the centrality of relationships is also evident when Jesus sums up all of God’s laws in just two: love God and love your neighbor. The moral law — and, not coincidentally, life’s ultimate meaning — is about relationships, both human and divine. God, then, created humans for his own purpose. Our purpose — the meaning of life — is also importantly objective, just as morality is: it is human-independent. Yet it’s obvious that we can and do reject God’s purpose for us. In fact, the gospel message — and the entire Bible — is predicated on such rejection. But God has given us another chance to truly flourish, to find ultimate meaning through the life, death, and resurrection of Jesus Christ. He has made this possible at an immense cost to himself. Dan, I get why you would reject Christianity, viewing it as you do from the outside. I hope you’ll continue to consider all this and at least begin to sense that genuine atheism might be a lot different from your current “kinder, gentler” version. I also hope that in the process you’ll reconsider Christianity’s claims — in particular, Jesus’s offering of himself and the relationship you were made for. Article by Mitch Stokes

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