Eschatology - The High King Of Heaven Order Printed Copy
- Author: Dean Davis
- Size: 5.45MB | 812 pages
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About the Book
"Eschatology - The High King of Heaven" by Dean Davis explores the Christian beliefs regarding the end times and the return of Jesus Christ as the ultimate ruler of heaven and earth. Davis examines biblical prophecies and theological perspectives on eschatology, offering insights into the hope and significance of Christ's ultimate victory for believers.
Corrie Ten Boom
Corrie ten Boom and her family helped Jews escape the Nazi Holocaust during World War II and, by all accounts, saved nearly 800 lives.
Who Was Corrie ten Boom?
Cornelia "Corrie" ten Boom grew up in a devoutly religious family. During World War II, she and her family harbored hundreds of Jews to protect them from arrest by Nazi authorities. Betrayed by a fellow Dutch citizen, the entire family was imprisoned. Corrie survived and started a worldwide ministry and later told her story in a book entitled The Hiding Place.
Early Life
Cornelia Arnolda Johanna ten Boom was born on April 15, 1892, in Haarlem, Netherlands, near Amsterdam. Known as "Corrie" all her life, she was the youngest child, with two sisters, Betsie and Nollie, and one brother, Willem. Their father, Casper, was a jeweler and watchmaker. Cornelia was named after her mother.
The ten Boom family lived in the Beje house in Haarlem (short for Barteljorisstraat, the street where the house was located) in rooms above Casper's watch shop. Family members were strict Calvinists in the Dutch Reformed Church. Faith inspired them to serve society, offering shelter, food and money to those in need. In this tradition, the family held a deep respect for the Jewish community in Amsterdam, considering them "God's ancient people."
Seeking a Vocation
After the death of her mother and a disappointing romance, Corrie trained to be a watchmaker and in 1922 became the first woman licensed as a watchmaker in Holland. Over the next decade, in addition to working in her father's shop, she established a youth club for teenage girls, which provided religious instruction as well as classes in the performing arts, sewing and handicrafts.
World War II Changes Everything
In May 1940, the German Blitzkrieg ran though the Netherlands and the other Low Countries. Within months, the "Nazification" of the Dutch people began and the quiet life of the ten Boom family was changed forever. During the war, the Beje house became a refuge for Jews, students and intellectuals. The façade of the watch shop made the house an ideal front for these activities. A secret room, no larger than a small wardrobe closet, was built into Corrie's bedroom behind a false wall. The space could hold up to six people, all of whom had to stand quiet and still. A crude ventilation system was installed to provide air for the occupants. When security sweeps came through the neighborhood, a buzzer in the house would signal danger, allowing the refugees a little over a minute to seek sanctuary in the hiding place.
The entire ten Boom family became active in the Dutch resistance, risking their lives harboring those hunted by the Gestapo. Some fugitives would stay only a few hours, while others would stay several days until another "safe house" could be located. Corrie ten Boom became a leader in the "Beje" movement, overseeing a network of "safe houses" in the country. Through these activities, it was estimated that 800 Jews' lives were saved.
Capture and Imprisonment
On February 28, 1944, a Dutch informant told the Nazis of the ten Booms' activities and the Gestapo raided the home. They kept the house under surveillance, and by the end of the day 35 people, including the entire ten Boom family, were arrested, Although German soldiers thoroughly searched the house, they didn't find the half-dozen Jews safely concealed in the hiding place. The six stayed in the cramped space for nearly three days before being rescued by the Dutch underground.
All ten Boom family members were incarcerated, including Corrie's 84-year-old father, who soon died in the Scheveningen prison, located near The Hague. Corrie and her sister Betsie were remanded to the notorious RavensbrĂĽck concentration camp, near Berlin. Betsie died there on December 16, 1944. Twelve days later, Corrie was released for reasons not completely known.
Work After the War
Corrie ten Boom returned to the Netherlands after the war and set up a rehabilitation center for concentration camp survivors. In the Christian spirit to which she was so devoted, she also took in those who had cooperated with the Germans during the occupation. In 1946, she began a worldwide ministry that took her to more than 60 countries. She received many tributes, including being knighted by the queen of the Netherlands. In 1971, she wrote a best-selling book of her experiences during World War II, entitled The Hiding Place. In 1975, the book was made into a movie starring Jeannette Clift as Corrie and Julie Harris as her sister Betsie.
Death
In 1977, at age 85, Corrie ten Boom moved to Placentia, California. The next year, she suffered a series of strokes that left her paralyzed and unable to speak. She died on her 91st birthday, April 15, 1983. Her passing on this date evokes the Jewish traditional belief that states that only specially blessed people are granted the privilege of dying on the date they were born.
The Blissful and Trivial Life - How Entertainment Deprives a Soul
When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org