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"Engaging the Revelatory Realm of Heaven" by Paul Keith Davis explores the concept of accessing hidden mysteries through spiritual revelation. The book teaches readers how to engage with the heavenly realm, develop a deeper connection with God, and receive divine insight and knowledge. Davis delves into the importance of seeking revelation from God and shares practical insights for unlocking the mysteries of heaven.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Am I Really a Christian

Am I really a Christian? Perhaps for you, that question looms like a shadow in the back of the soul, threatening your dearest hopes and peace. Others may struggle to understand why. You bear all the outward marks of a Christian: You read, pray, and gather with your church faithfully. You serve and sacrifice your time. You look for opportunities to share Christ with neighbors. You hide no secret sins. But “the heart knows its own bitterness” (Proverbs 14:10), and so too its own darkness. No matter how much you obey on the outside, when you look within you find a mass of conflicting desires and warring ambitions. Every godly impulse seems mixed with an ungodly one; every holy desire with something shameful. You can’t pray earnestly without feeling proud of yourself afterward. You can’t serve without some part of you wanting to be praised. You remember Judas and Demas, men whose outward appearance deceived others and deceived themselves. You know that on the last day many will find themselves surprised, knocking on the door of heaven only to hear four haunting words: “I never knew you” (Matthew 7:23; 25:11–12). And so, in the stillness before sleep, in quiet moments of the day, and sometimes in the middle of worship itself, the shadow returns: Am I real — or am I just deceiving myself? ‘With You There Is Forgiveness’ Sometimes, the most apt answers to our most pressing questions are buried hundreds of years ago. And when it comes to assurance in particular, we may never surpass the pastoral wisdom of those seventeenth-century soul physicians, the Puritans. Assurance proved to be a common struggle for the Christians of that era, such that John Owen devoted over three hundred pages to the topic in his masterful Exposition of Psalm 130, most of which addresses a single verse: “With you there is forgiveness, that you may be feared” (Psalm 130:4). “When it comes to assurance, what matters most is not sin’s persistence, but our resistance.” With God there is forgiveness — free forgiveness, abundant forgiveness, glad forgiveness, based on the blood and righteousness of Jesus Christ. But Owen knew that some Christians would hesitate to believe that forgiveness was for them. He knew that some introspective believers, bruised with a sense of their indwelling sin, would respond, “Yes, there is forgiveness with God, but I see so much darkness within myself — is there forgiveness for me?” In a way, Owen’s entire book is his answer to that question. But he devotes special attention to such believers in one brief section — not aiming, necessarily, to remove every doubt (something only God can do), but merely to help readers see themselves from a new, more gracious angle. Grief can be a good sign. When some Christians search their hearts, they have eyes only for their sin. Their highest worship seems tainted with self-focus; their best obedience seems spoiled by strains of insincerity. They are ready to sigh with David, “My iniquities have overtaken me, and I cannot see; they are more than the hairs of my head; my heart fails me” (Psalm 40:12). But such grief can be a good sign. Owen asks us to imagine a man with a numb leg. As long as his leg has lost sensation, the man “endures deep cuts and lancings, and feels them not.” Yet as soon as his nerves awake, he “feels the least cut, and may think the instruments sharper than they were before, when all the difference is, that he hath got a quickness of sense” (Works of John Owen, 6:604). Outside of Christ, our souls are numb to the evil of sin. The guilt and the consequences of sin may have wounded us from time to time, but its evil we could hardly feel (if at all) — no matter how often it thrust us through. But once our souls come alive, we need only a paper cut to wince. Sin burdens us, oppresses us, grieves us, not because we are worse than we were before, but because we finally feel sin for what it is: the thorns that crowned our Savior’s head, the spear that pierced our Lord. So, Owen writes, “‘Oh wretched man that I am! who shall deliver me from the body of this death?’ [Romans 7:24] is a better evidence of grace and holiness than ‘God, I thank thee I am not as other men’ [Luke 18:11]” (601). Grief over our sin, far from disqualifying us from the kingdom, suggests that comfort is on the way (Matthew 5:4). Your resistance, not sin’s persistence, matters most. Temptation is frustratingly persistent. Sin would grieve us less if it left us alone more often: if pride were not ready to rise on all occasions, if anger did not flame up from the smallest sparks, if foolish thoughts did not fill our minds so often. Can we have any confidence of assurance if we find sin so relentlessly tempting? Owen takes us to 1 Peter 2:11, where the apostle writes, “Abstain from the passions of the flesh, which wage war against your soul.” He comments, “Now, to war is not to make faint or gentle opposition, . . . but it is to go out with great strength, to use craft, subtlety, and force, so as to put the whole issue to a hazard. So these lusts war” (605). “God’s ‘well done’ says less about the worth of our works than about the wonder of his mercy.” Sin wars — and not against those whom it holds captive, but against those who have been rescued from its authority and now fight below Christ’s banner. When it comes to assurance, then, what matters most is not sin’s persistence, but our resistance. Or as Owen puts it, “Your state is not at all to be measured by the opposition that sin makes to you, but by the opposition you make to it” (605). Sin may burden and tempt you, oppose and oppress you. Every army does. But do you, for your part, resist? Do you run up the watchtower and raise an alarm? Do you grip your shield and swing your sword? Do you labor, strive, watch, pray, and keep close to your Captain? Then sin’s warfare against you may be a sign that you are in Christ’s service. Christ purifies our obedience. The most sensitive Christians, Owen writes, often “find their hearts weak, and all their duties worthless. . . . In the best of them there is such a mixture of self, hypocrisy, unbelief, vain-glory, that they are even ashamed and confounded with the remembrance of them” (600). Whatever fruit they bear seems covered with the mold of indwelling sin. But often, God sees more grace in his sin-burdened people than they see in themselves. Remember Sarah, Owen says: even when she was walking in unbelief, God took notice of the fact — a trifle in our eyes — that she called her husband “lord” (Genesis 18:12; 1 Peter 3:6). So too, on the last day, Jesus will commend his people for good works they have long forgotten and struggle even to recognize (Matthew 25:37–40). Of course, God’s “well done” says less about the worth of our works than about the wonder of his mercy. Our Father hangs our pictures upon his wall because Christ adorns them with the jewels of his own crown. Owen writes, Jesus Christ takes whatever is evil and unsavoury out of them, and makes them acceptable. . . . All the ingredients of self that are in them on any account he takes away, and adds incense to what remains, and presents it to God. . . . So that God accepts a little, and Christ makes our little a great deal. (603) The only works that God accepts are those that have been washed in the blood of Jesus (Revelation 7:14). And any work that is washed in the blood of Jesus becomes transfigured, a small but resplendent reflection of “Christ in you, the hope of glory” (Colossians 1:27). And therefore God, in unspeakable grace, “remembers the duties which we forget, and forgets the sins which we remember” (603). Assurance arises from faith. Owen’s final piece of counsel may feel counterintuitive to the unassured heart. Many who struggle with assurance hesitate to rest their full weight on Christ’s saving promises until they feel some warrant from within that the promises belong to them. They wait to come boldly to the throne of grace until they find something to bring with them. But this gets the order exactly backward. Owen writes, “Do not resolve not to eat thy meat until thou art strong, when thou hast no means of being strong but by eating” (603). When we wait to focus our gaze on Christ’s promises until we are holy enough, we are like a man waiting to eat until he becomes strong, or waiting to sleep until he feels energized, or waiting to study until he grows wise. Sinclair Ferguson, a modern-day pupil of Owen, puts it this way: Believing [gives] rise to obedience, not obedience . . . to assurance irrespective of believing. Such faith cannot be forced into us by our efforts to be obedient; it arises only from larger and clearer views of Christ. (The Whole Christ, 204) The faith that nourishes both obedience and assurance arises only from larger and clearer views of Christ. If we stay away from Jesus until we are holy enough, we will stay away forever. But if we come to him right now and every morning hereafter, no matter how dead we feel, looking for welcome on the basis of his blood rather than our efforts, then we can hope, in time, to find faith flowering in fuller obedience and deeper assurance. But we will come only if we know, with Owen, that “with you there is forgiveness, that you may be feared” (Psalm 130:4). All who come to Christ, trust in Christ, and embrace Christ find the forgiveness that is with Christ. And you are no exception. Article by Scott Hubbard

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