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About the Book
"Tree House Trouble" by Beverly Lewis follows the adventures of two siblings, Matt and Rachel, who build a treehouse in the woods. However, when a mysterious stranger starts leaving gifts in the treehouse, the siblings must figure out who is behind the surprises before their secret hideout is discovered. With themes of friendship, trust, and the importance of family, this heartwarming story is perfect for young readers.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
How Could We Be Silent
Much to my surprise, I became a Christian as a teenager. But when I did, I was quite determined to be a secret Christian. This was partly because, to be honest, I didn’t like most of the Christians I knew. But it was also partly because, living in a very post-Christian Scotland, I wasn’t sure I could bear the social stigma. Then one day the small group of Christians at my local school found me out. And they asked if I would be willing to speak on their behalf in a debate which involved an atheist, an agnostic, a liberal Christian, and an evangelical Christian (I was to fill that last slot). With some reluctance, I agreed. After the debate, the head of the English department came up to me, shook my hand, and said, “Congratulations, young man. That is the finest performance I have ever heard you give. You almost had me persuaded that you really were a Christian.” I replied, “Sir, I am. And that is the last time anyone will say that to me!” From then on, I have tried to live my faith openly, speaking up for Christ as boldly and graciously as God enables me to, and praying he’d give me the wisdom to say a word in season for the weary, the lost, the enemy, and the seeker. Speak Up What do I mean by speaking up? Some associate it with big public protests or demonstrations. But that is not what I’m talking about here. Did Paul, Barnabas, and Luke join forces with Lydia, Priscilla, and Aquila to organize demonstrations and marches in Greek cities to protest idolatry and the emperor cult? Sometimes when we hear the exhortation that Christians should be speaking up, that’s the image we have in mind: political action, media pressure, demonstrations, and protests. But that’s not what the New Testament church did. And in an increasingly hostile and anti-Christian West, it’s not normally what we should do either. Now, of course, there’s a place for Christians to use media and other public forums to prophetically speak truth to power in our degenerate cultures, and a few of us are called to do this. But most of us aren’t called to address the masses or the power elites, but to speak up for Jesus, proclaim his word, declare his glory, advocate for his people, and defend the poor right where we are, in the spheres of influence we are given. In Scotland, when we take each other aside for a quick chat, we will sometimes say, “Can I have a wee word?” That phrase is appropriate for this discussion. When I talk about speaking up as a Christian, I mean having a “wee word” about Jesus to the people we meet. Let me give a couple of personal examples. Ordinary, Courageous Speaking As a pastor, evangelist, and apologist, I now do a lot of speaking up for Christ in many public forums. But the vast majority of us Christians are called to speak up in our ordinary spheres. And when we do, doors open. I think of the football player who, when we met for lunch, quickly told me that he was a born-again Christian. A friend that he had brought along asked, “Am I one of those born-again Christians?” The new footballer replied, “If you have to ask, you probably are not!” From that discussion began a Bible study with some of the other players. Speaking up opened a real door for the gospel. And then there’s the secretary who, after attending an author’s lecture on Christian courage at a bookstore, returned to work the next day and told her boss that she was ashamed that she had never once mentioned she was a Christian, even though she had worked in that office for several years. The boss, not a believer himself, was delighted and told a colleague who happened to be an elder in a local evangelical church. And how can I forget the parent who, with trembling knees, went to the head teacher of her local school to ask why a form of sex education that went against the Creator’s instructions was being indoctrinated into the children. Rather than being laughed at or ignored (as she feared), the head teacher listened and sought to make some programmatic changes. And how about the social worker who worked with mostly atheist colleagues. Her patient witness, hard work, cheerful disposition, and refusal to live by the standards of the culture resulted many years later in a couple of her colleagues coming to church, and one of them becoming a believer. Break the Silence Patience is needed. Speaking up is not easy. We speak up because we love Jesus and we want to see him glorified. We speak up, not to defend ourselves, but because we love those we are speaking to and want them to share in the greatest gift of all: Christ. Here is the great promise for every Christian: when we speak up in faithfulness to God’s word, it is not we who are speaking, but the Holy Spirit who is speaking through us (Mark 13:11; 2 Corinthians 5:20). And his word will never return to him empty (Isaiah 55:11). For any who know and experience the beauty and glory of Christ, the question is not whether we should speak up, but rather how on earth can we keep silent? Article by David Robertson