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"The Rules of Work" by Richard Templar provides practical advice on navigating the workplace and achieving success. The author outlines 108 rules to help readers excel in their careers, including tips on how to communicate effectively, manage time efficiently, and build strong relationships with colleagues. By following these rules, readers can develop the skills and mindset needed to thrive in their professional lives.

Steven Curtis Chapman

Steven Curtis Chapman Steven Curtis Chapman is an American Christian musician, singer, song writer, record producer, actor, author and social activist. He is the only artist in the history of music to have won 56 Gospel Music Association Dove Awards and is also a proud receiver of 5 Grammy Awards. His music is known for being a unique cross between country music, soft rock and orchestrated pop, which made him a prominent artist in the contemporary Christian music circuit of the 1980s. Chapman grew up in a humble environment where he found his calling for music, owing to his father’s inclination towards country music. He learnt to play instruments like guitar and piano just by hanging around in his father’s music store, listening to him play along with his friends. He took up music seriously when he moved to Nashville and got recognized by Sparrow Records, a company he stayed with for a long period in his career. He has released 19 studio albums and has sold over 10 million albums until now. Chapman is a family oriented person just like his father and has a big family comprising of his wife Mary Beth and 3 biological and 2 adopted children. He is a vocal advocate for adoption and has worked socially to eradicate the problem of youth violence. Childhood & Early Life Steven Curtis Chapman was born on November 21, 1962 in Paducah, Kentucky, to Herb and Judy Chapman. His father was a country singer and songwriter, who turned down opportunities to become a successful singer to concentrate on his family. His mother was a stay-at-home mom. His father owned a music store, a business he managed from his basement and used to play music with his friends. Such creative environment at home influenced Chapman’s life from very early on and he bought his first guitar at 6. Chapman joined as a pre-med student at Georgetown College in Kentucky but after few semesters he moved to Anderson College, Indiana. But he ultimately dropped the idea of studying and went to Nashville to pursue his first love, music. During 1980s, he wrote a song ‘Built to Last’, which gained huge popularity after getting recorded by a gospel group ‘The Imperials’. The success of the song fetched Chapman a songwriting deal with Sparrow Records. Career Chapman’s first official album ‘First Hand’ was released in 1987. The album was an instant hit with singles like ‘Weak Days’ and topped at number 2 on the Contemporary Christian Music chart. The album had a mix of country music with soft rock and pop. In 1988, following the success of his first album, Chapman released ‘Real Life Conversations’. Its hit single ‘His Eyes’ received the ‘Contemporary Recorded Song of the Year’ award from the ‘Gospel Music Association’. He co-wrote it with James Isaac Elliot. After a few years, he made a swift turn to mainstream music with his album ‘The Great Adventure’ in 1992. It earned him two Grammy awards for the album and for the title song of the album. After gaining consistent success with albums like ‘Heaven in the Real World (1994), ‘Signs of Life (1996) and ‘Speechless (1999), Chapman’s next great album ‘Declaration’ came out in 2001, for which he toured 70 cities. In 2003, ‘All About Love’ was released and it ranked at Top 15 on the Christian Music charts. It was released under Sparrow Records and Chapman very humbly credited his wife Mary Beth for being the inspiration for his album. ‘All Things New’ was released in 2004 and the album added another Grammy to Chapman’s proud award collection. This time he received it in the category of Best Pop/Contemporary Gospel Album. It was also nominated for the Dove Award. In 2005, ‘All I Really Want for Christmas’ was released, which was Chapman’s another successful Christmas album after ‘The Music of Christmas’. It had traditional holiday tunes and favorites like ‘Go Tell It on the Mountain’ and Silver Bells’. Chapman took his music to greater levels by taking his concert to South Korea for the U.S. troops who were serving there in 2006. It was the first Christian concert that ever performed for the American army in that country. In 2007, he released ‘This Moment’ which included hit singles like ‘Cinderella’, for which he was chosen for WOW Hits 2009. He also went on his ‘Winter Jam’ tour and took his sons’, Caleb and Will’s band along. ‘Beauty Will Rise’, Chapman’s seventeenth album, was released in 2009. It is said that he wrote the songs of the album after getting inspired by his daughter Maria Sue’s sad and untimely demise. It included songs like ‘Meant to Be’ and ‘Re:creation’. In 2012, Chapman finally parted ways with Sparrow Records, the record company that he remained loyal to for so many years. He was signed on by Sony’s Provident Label Group and came out with a Christmas album called ‘JOY’. ‘The Glorious Unfolding’ was released in 2013 under Reunion Records and it peaked on number 27 on the Billboard 200 and was number 1 Top Christian Album. The album was produced by Chapman himself and Brent Milligan. Major Works Chapman’s ‘The Great Adventure’ in 1992 was a turning point in his musical career because until now he was making soft and contemporary country music but with ‘The Great Adventure’ he targeted the mainstream audience and tasted huge commercial success for the first time. Awards & Achievements Chapman is the winner of five Grammy awards for albums like ‘For the Sake of the Call’ ‘The Great Adventure’ ‘The Live Adventure’, ‘Speechless’ and ‘All Things New’. He has also received 56 Gospel Music Association Dove Awards, more than any other artist. Personal Life & Legacy Chapman got married to Mary Beth in 1984 after they first met at Anderson University in Indiana. They have three biological children: Emily, Caleb and Will and three adopted children: Shaohannah, Stevey and Maria, together. In 2008, Chapman’s youngest son Will ran over his car by accident on his adopted daughter Maria Sue Chunxi Chapman. She was running towards him to meet him but he did not see her and she was pronounced dead on arrival at the hospital. Trivia Chapman’s wife Mary Beth Chapman has written and released a book about losing her youngest daughter called ‘Choosing to SEE: A Journey of Struggle and Hope’. Chapman and his wife have written three children's books with adoption themes: ‘Shaoey And Dot: Bug Meets Bundle’ (2004), ‘Shaoey and Dot: The Christmas Miracle’ (2005), and ‘Shaoey and Dot: A Thunder and Lightning Bug Story’ (2006). He has received an Honorary Doctorate of Music from Anderson University.

Narnia Meets Middle-Earth

On December 3, 1929, C.S. Lewis began a letter to Arthur Greeves, his boyhood friend from Belfast. Having just turned 31 and in his fourth year as an Oxford don, Lewis described how he had gotten “into a whirl” as he always did near the end of the term. “I was up till 2:30 on Monday,” Lewis wrote, “talking to the Anglo Saxon professor Tolkien who came with me to College from a society and sat discoursing of the gods and giants and Asgard for three hours, then departing in the wind and rain. . . . The fire was bright and the talk good.”1 This was Lewis pre-conversion and Tolkien before The Hobbit, two men virtually unknown outside their small circle at Oxford. Years later in The Four Loves, Lewis would note how great friendships can often be traced to the moment two people discover they have a common interest few others share — when each thinks, “You too? I thought I was the only one.”2 For Lewis and Tolkien, it was a shared interest in old stories. Beginning of a Friendship The two had met for the first time three and a half years earlier at an English faculty meeting. Not long afterward, Tolkien invited Lewis to join the Kolbitar, a group that met to read Icelandic sagas together. But Lewis’s suggestion that Tolkien come back to his rooms at Magdalen on that blustery December night marked a pivotal step in their friendship. During their late-night discussion, Tolkien came to see that Lewis was one of those rare people who just might like the strange tales he had been working on since coming home from the war, stories he previously considered just a private hobby. And so, summoning up his courage, he lent Lewis a long, unfinished piece called “The Gest of Beren and Luthien.” Several days later, Tolkien received a note with his friend’s reaction. “It is ages since I have had an evening of such delight,” Lewis reported.3 Besides its mythic value, Lewis praised the sense of reality he found in the work, a quality that would be typical of Tolkien’s writing. At the end of Lewis’s note, he promised that detailed criticisms would follow, and they did — fourteen pages where Lewis praised a number of specific elements and pointed out what he saw as problems with others. Tolkien took heed of Lewis’s criticisms, but in a unique way. While accepting few specific suggestions, Tolkien rewrote almost every passage Lewis had problems with. Lewis would later say about Tolkien, “He has only two reactions to criticism: either he begins the whole work over again from the beginning or else takes no notice at all.”4 And so began one of the world’s great literary friendships. ‘Has Nobody Got Anything to Read Us?’ While millions worldwide have come to love and value Tolkien’s stories of Middle-earth, Lewis was the first. His response, exuberant praise as well as hammer-and-tongs criticism, would also be the pattern for their writing group, the Inklings. And this blend of encouragement and critique provided the perfect soil in which some of the most beloved works of the twentieth century would sprout. The informal circle of friends would gather in Lewis’s rooms on Thursday nights. Lewis’s brother, Warnie, provides this description of what would happen next: When half a dozen or so had arrived, tea would be produced, and then when pipes were alight Jack would say, “Well, has nobody got anything to read us?” Out would come a manuscript, and we would settle down to sit in judgement upon it — real, unbiased judgement, too, since we were no mutual admiration society: praise for good work was unstinted, but censure for bad work — or even not-so-good work — was often brutally frank.5 “While millions worldwide have come to love and value Tolkien’s stories of Middle-earth, Lewis was the first.” Tolkien read sections of The Hobbit and The Lord of the Rings. Lewis read from The Problem of Pain, which he dedicated to the Inklings, as well as from The Screwtape Letters, which he dedicated to Tolkien. Other Lewis works debuted at Inklings meetings included Perelandra, That Hideous Strength, and The Great Divorce. Warnie read from The Splendid Century, his work about life under Louis XIV. Charles Williams read drafts of All Hallows’ Eve. The Inklings were not without flaws. Rather than trying to help improve The Lord of the Rings, several simply disparaged it. Hugo Dyson was so negative that Tolkien finally chose not to read if he were present, saving his chapters for Lewis alone. A letter to Tolkien’s son Christopher in 1944 provides a window into what those private meetings were like, as Tolkien reports, “Read the last 2 chapters (“Shelob’s Lair” and “The Choices of Master Samwise”) to C.S.L. on Monday morning. He approved with unusual fervor, and was actually affected to tears by the last chapter.”6 Unpayable Debt Years later, Tolkien would describe the “unpayable debt” he owed Lewis, explaining, “Only from him did I ever get the idea that my ‘stuff’ could be more than a private hobby. But for his interest and unceasing eagerness for more I should never have brought The Lord of the Rings to a conclusion.”7 Without Lewis, there would be no Lord of the Rings. We might also say that without Tolkien there would be no Chronicles of Narnia, not because of Tolkien’s literary interest in them but for a different reason. Today we know Lewis as one of the greatest Christian writers of the twentieth century, but while it was clear from the start that Lewis would be a writer, it was not clear at all that he would become a Christian. Before his midlife conversion, he would need Tolkien to provide a missing piece. Addison’s Walk In another letter to Arthur, this one dated September 22, 1931, Lewis tells about an evening conversation that would change his life. He explains that he had a weekend guest, Dyson, from Reading University. Tolkien joined them for supper, and afterward the three went for a walk. “We began (in Addison’s walk just after dinner) on metaphor and myth,” Lewis writes. He then describes how they were interrupted by a rush of wind so unexpected they all held their breath. “We continued (in my room) on Christianity,” Lewis adds, “a good long satisfying talk in which I learned a lot.”8 What Lewis learned was critical. He had previously ended his disbelief and became a theist. As he states in Surprised by Joy, “In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.”9 After this first step — with help from Christian friends and Christian authors like G.K. Chesterton, George Herbert, and George MacDonald — Lewis began the step that would lead to belief in Christ. Lewis explained to Arthur that what had been holding him back was his inability to comprehend in what sense Christ’s life and death provided salvation to the world, except insofar as his example might help. What Dyson and Tolkien showed him was that understanding exactly how Christ’s death puts us right with God was not most important but believing that it did. They urged him to allow the story of Christ’s death and resurrection to work on him, as the other myths he loved did — with one tremendous difference: this one really happened. Nine days after that special night on Addison’s Walk — during a ride to the zoo in the sidecar of Warnie’s motorbike — Lewis came to believe that Jesus is the Son of God. Years later he stated, “Dyson and Tolkien were immediate human causes of my own conversion.”10 ‘It Really Won’t Do’ Given Lewis’s encouragement of Tolkien and Tolkien’s role in Lewis’s acceptance of Christianity, we can say, in one sense, that without the other’s contribution, we would not have Narnia or Middle-earth. But only in one sense. For while Lewis appreciated Tolkien’s stories about Middle-earth, Tolkien did not like Lewis’s books about Narnia. “We can say, in one sense, that without the other’s contribution, we would not have Narnia or Middle-earth.” Perhaps too much is made of Tolkien’s dislike for Narnia, particularly since Tolkien seems never to have made that much of it. While there is a good deal of speculation on the reasons for Tolkien’s disapproval, this speculation is based on secondhand reports. In Green and Hooper’s biography, we have several vague, disapproving, private comments Tolkien made about The Lion, the Witch and the Wardrobe, such as, “It really won’t do, you know!”11 George Sayer, who knew both men personally, includes two paragraphs in his Lewis biography summarizing Tolkien’s objections but offering little in terms of direct quotes. In addition to their jumble of unrelated mythological elements, Sayer claims that Tolkien thought the Narnia stories showed signs of being “carelessly and superficially written.”12 In a letter to David Kolb, we have a brief instance where Tolkien directly expresses his opinion of Narnia as he states, “It is sad that ‘Narnia’ and all that part of C.S.L.’s work should remain outside the range of my sympathy.”13 Here we find the suggestion that Tolkien’s narrow tastes may have been part of the problem. We do know that when the Tolkiens’ granddaughter Joanna was staying with them and went looking for something to read, her grandfather directed her to the Narnia books on his bookshelf. ‘I Miss You Very Much’ As the two men grew older, they were less close — another aspect scholars sometimes make too much of. Evidence that they remained friends, though in a less intense and intimate way, is found in a number of places. In the autumn of 1949, twelve years after first starting it, Tolkien finished typing a final copy of The Lord of the Rings. Lewis, now 50, was the first person to whom he lent the completed typescript. “I have drained the rich cup and satisfied a long thirst,” Lewis wrote on October 27, 1949, declaring it to be “almost unequalled in the whole range of narrative art known to me.” Recalling the many obstacles Tolkien had overcome, Lewis declared, “All the long years you have spent on it are justified.” Lewis closed the world’s first review of Tolkien’s masterpiece with the words “I miss you very much.”14 It took more years for Tolkien to secure a publisher. In November 1952, when he learned Allen & Unwin was willing to publish the long-awaited sequel to The Hobbit, Tolkien immediately wrote Lewis with the good news. Lewis wrote back with warm congratulations, noting the “sheer pleasure of looking forward to having the book to read and re-read.”15 In 1954, after Lewis had been passed over more than once for a chair at Oxford, Tolkien played a key role in Lewis being offered and then accepting Cambridge’s newly created Chair of Medieval and Renaissance Studies. And in 1961, less than three years before his death, Lewis was invited to nominate someone for the Nobel Prize in Literature and put forth Tolkien’s name. In November of the following year, Tolkien wrote to Lewis inviting him to a dinner celebrating the publication of English and Medieval Studies Presented to J.R.R. Tolkien on the Occasion of His Seventieth Birthday — a collection to which Lewis had contributed an essay. Citing his deteriorating health, Lewis thanked him but graciously declined. A few days before Christmas, Tolkien wrote again. We do not know the topic but do know that on Christmas Eve, 1962, Lewis wrote back thanking him for his “most kind letter.” Lewis closed by saying, “Is it still possible amid the ghastly racket of ‘Xmas’ to exchange greetings for the Feast of the Nativity? If so, mine, very warm, to both of you.”16 By the next Christmas, Lewis was gone. Lewis died at home on November 22, 1963, a week shy of his 65th birthday. Shortly afterward, Tolkien wrote his son Michael about the loss. Although they had become less close, Tolkien stated, “We owed each a great debt to the other, and that tie with the deep affection that it begot, remains.”17 Here Tolkien, always careful with words, does not say that his tie and deep affection with Lewis remained all the way up until Lewis’s death, but that it remains. Presumably, it still does. ‘Much Good’ At the close of his biography, Alister McGrath seeks to explain Lewis’s enduring appeal, especially in America. McGrath proposes that by “engaging the mind, the feelings, and the imagination” of his readers, Lewis is able to extend and enrich their faith. Reading Lewis not only gives added power and depth to their commitment but also opens up a deeper vision of what Christianity is.18 I know this was true for me. Lewis was able to help extend and enrich my faith at a time when help was desperately needed. For those like me, Lewis’s books become lifelong companions, reminding us again and again of who we are and why we are here, seeing us through difficult times, and helping to shape and add meaning to our experience. Tolkien wrote in his diary, “Friendship with Lewis compensates for much, and besides giving constant pleasure and comfort has done me much good.”19 Today, on the anniversary of Lewis’s birth, people all over the world, from all walks of life and stages in faith, would agree. Yes, it does. And yes, it has. The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 1, Family Letters 1905–1931 (New York: HarperCollins, 2004), 838. ↩ C.S. Lewis, The Four Loves (New York: Harvest, 1988), 65. ↩ Humphrey Carpenter, J.R.R. Tolkien: A Biography (New York: Houghton Mifflin, 1977), 148–49. ↩ The Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 3, Narnia, Cambridge, and Joy 1950–1963 (New York: HarperCollins, 2007), 1049. ↩ Warren Lewis, “Memoir of C.S. Lewis,” in Letters of C.S. Lewis, ed. W.H. Lewis and Walter Hooper (New York: Harvest, 1993), 21–46. ↩ Letters of C.S. Lewis, 83. ↩ Letters of C.S. Lewis, 362. ↩ Collected Letters, 1:970. ↩ C.S. Lewis, Surprised by Joy: The Shape of My Early Life (New York: Harvest, 1955), 228–29. ↩ Collected Letters of C.S. Lewis, ed. Walter Hooper, vol. 2, Books, Broadcasts, and the War 1931–1949 (New York: HarperCollins, 2004), 501. ↩ Roger Lancelyn Green and Walter Hooper. C.S. Lewis: A Biography (London: HarperCollins, 2002), 307. ↩ George Sayer, Jack: A Life of C.S. Lewis (Wheaton: Crossway, 1994), 313. ↩ Letters of C.S. Lewis, 352. ↩ Collected Letters, 2:990–91. ↩ Collected Letters, 3:249–50. ↩ Collected Letters, 3:1396. ↩ Letters of C.S. Lewis, 341. ↩ Alister McGrath, C.S. Lewis — A Life: Eccentric Genius, Reluctant Prophet (Carol Stream, IL: Tyndale, 2013), 375. ↩ Carpenter, J.R.R. Tolkien, 152. ↩ Article by Devin Brown Professor, Asbury University

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