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Exceptional piece. Highly recommended!

- abba solomon (7 months ago)

About the Book


"The Prayer Warrior's Way" by Cindy Trimm is a guide to developing a powerful and effective prayer life. Trimm provides practical strategies and insights for engaging in spiritual warfare, interceding for others, and deepening your relationship with God through prayer. She emphasizes the importance of aligning your prayers with God's will and standing firm in faith. Through engaging stories and practical advice, Trimm shows readers how to become strong and effective prayer warriors in their own lives.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

The Bible Was His Only Crime: William Tyndale

Stephen Vaughan was an English merchant commissioned by Thomas Cromwell, the king’s adviser, to find William Tyndale and inform him that King Henry VIII desired him to come back to England out of hiding on the continent. In a letter to Cromwell from Vaughan dated June 19, 1531, Vaughan wrote about Tyndale these simple words: “I find him always singing one note” (David Daniell, William Tyndale: A Biography, 217). That one note was this: Will the King of England give his official endorsement to a vernacular Bible for all his English subjects? If not, Tyndale would not come. If so, Tyndale would give himself up to the king and never write another book. This was the driving passion of his life — to see the Bible translated from the Greek and Hebrew into ordinary English available for every person in England to read. Whatever It Costs Henry VIII was angry with Tyndale for believing and promoting Martin Luther’s Reformation teachings. In particular, he was angry because of Tyndale’s book Answer to Sir Thomas More. Thomas More was the Lord Chancellor who helped Henry VIII write his repudiation of Luther called Defense of the Seven Sacraments. More was thoroughly Roman Catholic and radically anti-Reformation, anti-Luther, and anti-Tyndale. So Tyndale had come under excoriating criticism by More. But in spite of this high-court anger against Tyndale, the king’s message to Tyndale, carried by Vaughan, was mercy: “The king’s royal majesty is . . . inclined to mercy, pity, and compassion” (William Tyndale, 216). The 37-year-old Tyndale was moved to tears by this offer of mercy. He had been in exile away from his homeland for seven years. But then he sounded his “one note” again: Will the king authorize a vernacular English Bible from the original languages? The king refused. And Tyndale never went to his homeland again. Instead, if the king and the Roman Catholic Church would not provide a printed Bible in English for the common man to read, Tyndale would, even if it cost him his life — which it did five years later. The Plowboy Will Know His Bible When he was 28 years old in 1522, he was serving as a tutor in the home of John Walsh in Gloucestershire, England, spending most of his time studying Erasmus’s Greek New Testament that had been printed just six years before. We should pause here and make clear what an incendiary thing this Greek New Testament was in history. David Daniell describes the magnitude of this event: This was the first time that the Greek New Testament had been printed. It is no exaggeration to say that it set fire to Europe. Luther translated it into his famous German version of 1522. In a few years there appeared translations from the Greek into most European vernaculars. They were the true basis of the popular reformation. (Tyndale, Selected Writings, ix) Every day, William Tyndale was seeing these Reformation truths more clearly in the Greek New Testament as an ordained Catholic priest. Increasingly, he was making himself suspect in this Catholic house of John Walsh. Learned men would come for dinner, and Tyndale would discuss the things he was seeing in the New Testament. John Foxe tells us that one day an exasperated Catholic scholar at dinner with Tyndale said, “We were better be without God’s law than the pope’s.” In response, Tyndale spoke his famous words, “I defy the Pope and all his laws. . . . If God spare my life ere many years, I will cause a boy that driveth the plow, shall know more of the Scripture than thou dost” (William Tyndale, 79). One-Note Crescendo Four years later Tyndale finished the English translation of the Greek New Testament in Worms, Germany, and began to smuggle it into England in bales of cloth. He had grown up in Gloucestershire, the cloth-working county, and now we see what that turn of providence was about. By October 1526, the book had been banned by Bishop Tunstall in London, but the print run had been at least three thousand. And the books were getting to the people. Over the next eight years, five pirated editions were printed as well. In 1534, Tyndale published a revised New Testament, having learned Hebrew in the meantime, probably in Germany, which helped him better understand the connections between the Old and New Testaments. Biographer David Daniell calls this 1534 New Testament “the glory of his life’s work” (William Tyndale, 316). If Tyndale was “always singing one note,” this was the crescendo of the song of his life — the finished and refined New Testament in English. Liberating Gospel What drove Tyndale to sing “one note” all his life was the rock-solid conviction that all humans were in bondage to sin, blind, dead, damned, and helpless, and that God had acted in Christ to provide salvation by grace through faith. This is what lay hidden in the Latin Scriptures and the church system of penance and merit. The Bible must be translated for the sake of the liberating, life-giving gospel. There is only one hope for our liberation from the bonds of sin and eternal condemnation, Tyndale said: “Neither can any creature loose the bonds, save the blood of Christ only” (Selected Writings, 40). By grace . . . we are plucked out of Adam the ground of all evil and graffed [sic] in Christ, the root of all goodness. In Christ God loved us, his elect and chosen, before the world began and reserved us unto the knowledge of his Son and of his holy gospel: and when the gospel is preached to us [it] openeth our hearts and giveth us grace to believe, and putteth the spirit of Christ in us: and we know him as our Father most merciful, and consent to the law and love it inwardly in our heart and desire to fulfill it and sorrow because we do not. (Selected Writings, 37) This is the answer to how William Tyndale accomplished what he did in translating the New Testament and writing books that set England on fire with the Reformed faith. He worked assiduously, like the most skilled artist, in the craft of compelling translation, and he was deeply passionate about the great doctrinal truths of the gospel of sovereign grace. Man is lost, spiritually dead, condemned. God is sovereign; Christ is sufficient. Faith is all. Bible translation and Bible truth were inseparable for Tyndale, and in the end it was the truth — especially the truth of justification by faith alone — that ignited Britain with Reformed fire and then brought the death sentence to this Bible translator. Burned for the Bible It is almost incomprehensible to us today how viciously the Roman Catholic Church opposed the translation of the Scriptures into English. Tyndale, who escaped from London to the European continent in 1524, watched a rising tide of persecution and felt the pain of seeing young men burned alive who were converted by reading his translation and his books. His closest friend, John Frith, was arrested in London and tried by Thomas More and burned alive on July 4, 1531, at the age of 28. Richard Bayfield ran the ships that took Tyndale’s books to England. He was betrayed and arrested, and More wrote on December 4, 1531, that Bayfield “the monk and apostate [was] well and worthily burned in Smythfelde” (Brian Moynahan, God’s Bestseller, 260). Three weeks later, the same end came to John Tewkesbury. He was converted by reading Tyndale’s Parable of the Wicked Mammon, which defended justification by faith alone. He was whipped in More’s garden and had his brow squeezed with small ropes until blood came out of his eyes. Then he was sent to the Tower where he was racked till he was lame. Then at last they burned him alive. More “rejoiced that his victim was now in hell, where Tyndale ‘is like to find him when they come together’” (God’s Bestseller, 261). Four months later, James Bainham followed in the flames in April 1532. He had stood up during the mass at St. Augustine’s Church in London and lifted a copy of Tyndale’s New Testament and pleaded with the people to die rather than deny the word of God. That virtually was to sign his own death warrant. Add to these Thomas Bilney, Thomas Dusgate, John Bent, Thomas Harding, Andrew Hewet, Elizabeth Barton, and others, all burned alive for sharing the views of William Tyndale about the Scriptures and the Reformed faith. Tyndale the Fugitive What did it cost William Tyndale under these hostile circumstances to stay faithful to his calling as a translator of the Bible and a writer of the Reformed faith? He fled his homeland in 1524 and was burned at the stake in 1536. He gives us some glimpse of those twelve years as a fugitive in Germany and the Netherlands in one of the very few personal descriptions we have, from Stephen Vaughan’s letter in 1531. He refers to . . . my pains . . . my poverty . . . my exile out of mine natural country, and bitter absence from my friends . . . my hunger, my thirst, my cold, the great danger wherewith I am everywhere encompassed, and finally . . . innumerable other hard and sharp fightings which I endure. (William Tyndale, 213) All these sufferings came to a climax on May 21, 1535, in the midst of Tyndale’s great Old Testament translation labors. We can feel some of the ugliness of what happened in the words of Daniell: “Malice, self-pity, villainy, and deceit were about to destroy everything. These evils came to the English House [in Antwerp], wholly uninvited, in the form of an egregious Englishman, Henry Philips” (William Tyndale, 361). Philips had won Tyndale’s trust over some months and then betrayed him to the authorities, who locked him in Vilvorde Castle, six miles north of Brussels. Here Tyndale stayed for the final eighteen months of his life. Cost of Spreading the Gospel Tyndale’s verdict was sealed in August 1536. He was formally condemned as a heretic and degraded from the priesthood. Then in early October (traditionally October 6), he was tied to the stake and then strangled by the executioner, then afterward consumed in the fire. Foxe reports that his last words were, “Lord, open the King of England’s eyes!” He was 42 years old, never married, and never buried. His closing words to us are clear from his life and from his writings. Following God’s call in accomplishing the spread of his saving gospel is often very costly. I will let him speak in his own words from his book The Obedience of a Christian Man: If God promise riches, the way thereto is poverty. Whom he loveth he chasteneth, whom he exalteth, he casteth down, whom he saveth he damneth first; he bringeth no man to heaven except he send him to hell first. If he promise life, he slayeth it first; when he buildeth, he casteth all down first. He is no patcher; he cannot build on another man’s foundation. He will not work until all be past remedy and brought unto such a case, that men may see how that his hand, his power, his mercy, his goodness and truth hath wrought all together. He will let no man be partaker with him of his praise and glory. (6) So let Tyndale’s very last word to us be the last word he sent to his best friend, John Frith, in a letter just before Frith was burned alive for believing and speaking the truth of Scripture (recorded in Foxe’s Book of Martyrs): Hereby have we perceived love, that he had lain down his life for us; therefore we ought also to lay down our lives for the brethren. . . . Let not your body faint. . . . If the pain be above your strength, remember, Whatsoever ye shall ask in my name, I will give it you. And pray to our Father in that name, and he will ease your pain, or shorten it. . . . Amen. Article by John Piper

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