The One Who Knows Me (A Novel) Order Printed Copy

Author: Joan Embola
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About the Book

"The One Who Knows Me" follows the story of a young woman named Ada who struggles to navigate her way through family secrets, betrayal, and heartbreak. As she uncovers shocking truths about her past, Ada must confront her own identity and find the strength to forge a new path forward. This novel explores themes of love, loss, and resilience in the face of adversity.

Isaac Watts

"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing." In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion." He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun. Head of a genius At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps. Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor. His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large folds—an apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it." Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead. Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross." Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719. Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90? Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian." Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims." But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson. More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations. But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a genius—though Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.

Heaven Will Be Better Than Eden

When we read about the garden of Eden in Genesis 1 and 2, we can’t help but feel drawn to its beauty and abundance and innocence. It must have been wonderful to live in such a pristine environment, with every need met, to experience an intimate marriage full of delight in each other, and to have a satisfying sense of purpose in ruling over God’s creation together. In fact, we often hear people talk about the future in terms of a return to, or restoration of, Eden. But to speak of the new creation in terms of a restoration of Eden is actually a reduction of what God has planned for his people and for his world. Eden was never intended to be the end. It was always headed somewhere — somewhere even more glorious: new heavens and a new earth (2 Peter 3:13; Revelation 21:1–2). Rather than thinking of Eden in terms of perfection, we should think of it in terms of potential. Eden was unspoiled, but it was also unfinished; it was unsullied, but it was also incomplete. As Adam and Eve were fruitful and multiplied, more offspring in the image of God would come to glorify God by enjoying him forever. As they worked and kept the garden, the boundaries of Eden would expand, and the glory of their royal rule would increase. Just as Eden was not yet all that God intended the home he shared with his people to be, so Adam and Eve were not yet all that God intended his people to be. They were sinless, but they were vulnerable to temptation. They were alive, but they were vulnerable to death. They were made in God’s image, and crowned with a measure of his glory, but they weren’t yet as glorious as God intended them to be. If they obeyed God regarding the forbidden tree, they would be able to eat of the tree of life and enter into the unending, glorious life promised by the tree of life. But, of course, that’s not what happened. Garden Gone Wrong “Rather than thinking of Eden in terms of perfection, we should think of it in terms of potential.” When Satan slithered into Eden in the form of a serpent, Adam did not crush his head then and there but listened to and obeyed him. So rather than extending the boundaries of Eden, Adam and Eve were expelled from Eden. Rather than more fully sharing the glory of the image of God, the image of God in them became marred. Rather than entering into the endless Sabbath rest, they were plunged into the restlessness of the wilderness of this world. But God’s plan for his people and the place he intends to share with them could not be hindered by human sin. God’s plan for his creation was then, and remains now, to establish his kingdom in a new creation, ruled by his Son and his Son’s bride who will share his glory and enjoy his presence in an eternal Sabbath rest. So why does this plan matter? Why does it matter that we understand that God’s original and still-in-place plan always has been headed toward an escalation of the excellencies of the original Eden? Understanding Eden orients us toward a better home. Sometimes we get sick of this world, and we find ourselves very homesick for the next. But what we long for is not merely a return to Eden. Eden was beautiful, but it wasn’t secure. Evil made its way into Eden and brought ruin with it. The new creation, where we will make our home forever, will be completely secure. “Nothing unclean will ever enter it, nor anyone who does what is detestable or false” (Revelation 21:27). It will be a vast garden city, filled with a “ransomed people for God from every tribe and language and people and nation” (Revelation 5:9). As the bride of Christ, we will share this home with our perfect Bridegroom. We won’t just hear his sound in the garden (Genesis 3:10); we “will see his face” (Revelation 22:4). Understanding Eden compels us to be joined to the true Adam. The first Adam failed in the work God gave him to do. Jesus, the second Adam, accomplished the work he was given to do, declaring from the cross, “It is finished!” (John 19:30). The first Adam failed to obey regarding a tree. Jesus obeyed regarding the tree of Calvary. The first Adam failed to love and protect his bride. But Jesus loved his bride by giving himself up for her. Understanding the failure of Adam in Eden compels us to take hold of the true Adam, Jesus. We all are born connected by our shared humanity to the first Adam, physically alive but spiritually dead. Unless something supernatural happens, we remain spiritually dead. It is when our eyes are opened to the beauty of Christ, and we respond in repentance and faith, that something supernatural does happen. We become joined to Christ by faith so that we are made spiritually alive with his life. Understanding Eden fills us with anticipation for future glory. To be joined to the risen Christ is to have the newness and glory and life of the greater Eden breaking into our lives in the here and now. “If anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come” (2 Corinthians 5:17). We find that the glory of the future transforms our sense of shame now. A settled sense of the security of the future soothes our fear of death now. A growing sense of our identity as citizens of heaven changes how we see ourselves now. Truly taking in the love relationship we’re going to enjoy forever warms our hearts toward Christ now. “We’re looking forward to the consummation of all that Eden was intended to be.” But the glory we experience now is nothing compared with the glory to come. One day Christ is going to come and call us to rise from our graves. He’s going to give us resurrected, glorified bodies that are fit for living forever with him. We’ll experience all that God has planned, and been preparing, to share with his people from the very beginning. We’re not merely looking forward to a restoration of what Eden once was. Instead, we’re looking forward to the consummation of all that Eden was intended to be. Jesus, the true Adam, our glorious Bridegroom, the Seed who crushed the serpent’s head (Genesis 3:15), will not fail to lead us into all that God is preparing for us — a home even better than Eden. Article by Nancy Guthrie