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The Next Great Move Of God The Next Great Move Of God

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  • Author: Jennifer Leclaire
  • Size: 1.51MB | 247 pages
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About the Book


"The Next Great Move of God" by Jennifer Leclaire explores the concept of a coming spiritual revival and awakening, discussing how individuals can prepare themselves to be a part of this move of God. Leclaire examines the characteristics of past revivals and offers insights into how individuals can position themselves to be vessels for God's work in the world. The book is a call to action for believers to embrace their role in the next great move of God and be agents of change in their communities.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

Banished from Humanity

The safest road to hell is the gradual one — the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts. –C.S. Lewis, The Screwtape Letters C.S. Lewis said many profound and fascinating things about hell. Some are biblically precise, while others are more abstract and subject to misunderstanding. In some cases, his views are not solidly biblical. But many of his insights on hell are true to Scripture, and some of his speculations are compelling food for thought. Hell: Grave Injustice or Ultimate Justice? Lewis wrote in The Great Divorce, “There are only two kinds of people in the end: those who say to God, ‘Thy will be done,’ and those to whom God says, in the end, ‘Thy will be done.’” Of course, God does not fully let people have their way, since it is clear, for instance, that the rich man in Luke 16 wants out of hell but cannot escape it. Lewis’s point is, when someone says, “I do not want to have a relationship with God,” in that limited sense they ultimately get their way. The unbeliever’s “wish” to be away from God turns out to be his worst nightmare. Nonetheless, those who do not want God do want goodness and happiness. But what makes anything good is God. Second Thessalonians 1:9 describes hell like this: “They will suffer the punishment of eternal destruction, away from the presence of the Lord.” Where God withdraws, there can be no good. So, in Lewis’s terms, the unbeliever gets what he wants — God’s absence — yet with it gets what he doesn’t want — the loss of all good. C.S. Lewis said of hell, “There is no doctrine which I would more willingly remove from Christianity than this, if it lay in my power. But it has the full support of Scripture and, specially, of our Lord’s own words; it has always been held by Christendom; and it has the support of reason” (The Problem of Pain). Most of what Lewis says here is solidly biblical. Where there may be a chink in his logic is exactly where it is for many of us. We wish there were no hell — and imagine this comes from our sense of goodness and kindness. But God could remove hell yet chooses not to. Do we have more confidence in our goodness than his? What are we to do with Revelation 18:20, where God brings down his wrath on Babylon’s people, then says, “Rejoice over her, O heaven, and you saints and apostles and prophets, for God has given judgment for you against her!”? Doesn’t this suggest that in heaven we will see sin’s horrors clearly and have far stronger convictions about hell’s justice? Hell is not pleasant, appealing, or encouraging. But neither is it evil; rather, it is a place where evil is judged. Indeed, if being sentenced to hell is just punishment, then the absence of hell would itself be evil. Hell Itself Is Morally Good, Because a Good God Must Punish Evil Most of us imagine that we hate the idea of hell because we love people too much to want them to suffer. But that implies God loves them less. Our revulsion is understandable, but what about hell makes us cringe? Is it the wickedness that’s being punished? Is it the suffering of those who might have turned to Christ? Or do we cringe because we imagine hell’s punishments are wicked or disproportionate? These very different responses expose different views of God. Perhaps we hate hell too much because we don’t hate evil enough. This is something that could have been developed more in Lewis’s thinking. The same could be said of many of us. If we regard hell as a divine overreaction to sin, we deny that God has the moral right to inflict ongoing punishment on any humans. By denying hell, we deny the extent of God’s holiness. When we minimize sin’s seriousness, we minimize God’s grace in Christ’s blood, shed for us. For if the evils he died for aren’t significant enough to warrant eternal punishment, perhaps the grace displayed on the cross isn’t significant enough to warrant eternal praise. How Jesus Viewed Hell In the Bible, Jesus spoke more about hell than anyone else did. He referred to hell as a real place (Matthew 10:28; 13:40–42; Mark 9:43–48). He described it in graphic terms: a fire that burns but doesn’t consume, an undying worm that eats away at the damned, and a lonely, foreboding darkness. “Perhaps we hate hell too much because we don’t hate evil enough.” Some believe in annihilationism, the idea that hell’s inhabitants do not suffer forever, but are consumed in judgment — so their eternal death means cessation of existence. Edward Fudge, in his book and DVD The Fire That Consumes, defends this position. It’s an argument I have considered seriously, one that holds up to much of the Old Testament revelation, but which I find very difficult to reconcile with Jesus’s words: “And these will go away into eternal punishment, but the righteous into eternal life” (Matthew 25:46). Or with the words of Revelation 20:10, which speak of not only Satan but two human beings, the Antichrist and the false prophet, being cast into the lake of fire and “tormented day and night forever and ever.” Revelation 14:11 appears to apply to a large number of people: “And the smoke of their torment goes up forever and ever.” Christ says the unsaved “will be thrown into the outer darkness. In that place there will be weeping and gnashing of teeth” (Matthew 8:12). He taught that an unbridgeable chasm separates the wicked in hell from the righteous in Paradise. The wicked suffer terribly, remain conscious, retain their memories, long for relief, cannot find comfort, cannot leave their torment, and have no hope (Luke 16:19–31). In short, our Savior could not have painted a bleaker picture of hell. It is one that C.S. Lewis, with reluctance, believed and affirmed, bowing his knee in submission to a higher authority. If the evils Jesus died for aren’t significant enough to warrant eternal punishment, then the grace displayed on the cross isn’t significant enough to warrant eternal praise. Lewis said, “I have met no people who fully disbelieved in hell and also had a living and life-giving belief in Heaven” (Letters to Malcolm: Chiefly on Prayer). The biblical teaching on both destinations stands or falls together. When heaven and hell are spoken of in Scripture, each place is portrayed as being just as real and, in some passages anyway, as permanent as the other. Lewis’s friend, Dorothy Sayers, said it well: There seems to be a kind of conspiracy to forget, or to conceal, where the doctrine of hell comes from. The doctrine of hell is not “mediaeval priestcraft” for frightening people into giving money to the church: it is Christ’s deliberate judgment on sin. . . . We cannot repudiate hell without altogether repudiating Christ. (Dorothy Sayers, Introductory Papers on Dante [Methuen, 1954], 44) The Problem of Emeth in ‘The Last Battle’ Occasionally, Lewis seems to depart from the biblical doctrine of hell by supposing things that aren’t stated in Scripture and appearing to contradict things that are. In The Last Battle, the soldier Emeth, who served the demon Tash, is welcomed into heaven though he did not serve Aslan, the Christ figure, by name. Because the young man thought he was worshiping and pursuing the true God (emeth is a Hebrew word for faithfulness or truth), Aslan told Emeth, “Child, all the service thou hast done to Tash, I account as service done to me.” Some have used this passage to charge Lewis with being a universalist, though Lewis’s other writings clearly show he was not. But this passage does imply Lewis believed in a kind of inclusivism, where in some cases, mentally responsible people who have not embraced Christ in this life may ultimately be saved. The criterion for salvation, then, is not believing in Jesus while still here (John 1:12; 14:6; Acts 4:12; Romans 10:9–10). Rather, in some cases, God may consider it sufficient that someone has followed a false god with true motives. In the story, Emeth asks Aslan a significant question: “Lord, is it then true . . . that thou and Tash are one?” Aslan’s response leaves no room for confusion: The Lion growled so that the earth shook and said, “It is false. Not because he and I are one, but because we are opposites. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore, if any man swear by Tash and keep his oath for the oath’s sake, it is by me that he has truly sworn, and it is I who reward him. And if any man do a cruelty in my name, then it is Tash whom he serves and by Tash his deed is accepted. . . . Beloved . . . unless thy desire had been for me thou wouldst not have sought so long and so truly. For all find what they truly seek.” (The Last Battle) Aslan categorically affirms he and Tash are in no sense alike. Indeed, Aslan despises the demon! There is nothing in Lewis indicating a belief that “all roads lead to heaven.” On the contrary, all who are in Aslan’s Country are there by only one way — the way of Aslan. Emeth is saved by Aslan — no one and nothing else. Emeth is the one exceptional case in an account involving thousands of Tash’s servants, all of whom appear to have perished. Emeth seems to be Lewis’s one hopeful exception, certainly not the rule. Emeth’s Better Parallel: Cornelius The Bible clearly states that “it is appointed for man to die once, and after that comes judgment” (Hebrews 9:27). There are accounts in Scripture of people continuing to exist after they die (Luke 16:19–31) but no account of someone making a decision to turn to Christ after death. “I have met no people who fully disbelieved in hell and also had a live-giving belief in Heaven.” C.S. Lewis Bible believers are naturally perplexed by Emeth’s story and how to reconcile it with Lewis’s orthodox statements about salvation, heaven, and hell. But we should certainly welcome the biblical kind of inclusivism that offers the gospel to everyone, and rejoices that people of every tribe, nation, and language will worship God together forever (Revelation 5:9–10; 7:9). We should celebrate stories like that of Cornelius, whose service God accepted even before drawing him to a full understanding of the gospel (Acts 10:2, 22, 31). Emeth’s story would have paralleled Cornelius’s if Aslan had come to the young man before his death. That would have been my preference, certainly. But even with occasional imperfections, of which Emeth may be most prominent, the great truths of The Chronicles of Narnia remain clear, strong, and biblically resonant. So do the remarkable insights about heaven and the new earth (Randy Alcorn) in Lewis’s writings. People sometimes ask me why I tolerate Lewis’s more troubling doctrine. My answer is that his trajectory is toward the gospel, not away from it, and that God has used him to speak into my life Christ-centered and paradigm-shifting biblical truths. I do not have to embrace 100 percent of what Lewis said to benefit from that 85 percent that is so incredibly rich. Because Our Choices in This Life Shape Us Forever, God-Rejecters Might Be as Miserable in Heaven as in Hell In The Problem of Pain, C.S. Lewis spoke to those who argue against the doctrine of hell: In the long run the answer to all those who object to the doctrine of hell is itself a question: “What are you asking God to do?” To wipe out their past sins and, at all costs, to give them a fresh start, smoothing every difficulty and offering every miraculous help? But he has done so, on Calvary. To forgive them? They will not be forgiven. To leave them alone? Alas, I am afraid that is what he does. He adds this oft-quoted statement: “The damned are, in one sense, successful, rebels to the end; the doors of hell are locked on the inside. . . . They enjoy forever the horrible freedom they have demanded, and are therefore self-enslaved.” If Lewis means that those in hell refuse to give up their trust in themselves to turn to God, I think he’s right. While they long to escape from hell, that is not the same as longing to be with God and repenting. Lewis speaks in The Great Divorce of “the demand of the loveless and the self-imprisoned that they should be allowed to blackmail the universe: that till they consent to be happy (on their own terms) no one else shall taste joy: that theirs should be the final power; that hell should be able to veto heaven.” Heaven and hell are places defined, respectively, by God’s presence or absence, by God’s grace or wrath. Whose we are, not where we are, determines our misery or our joy. To transport a man from hell to heaven would bring him no joy unless he had a transformed relationship with God, a regenerating work that can be done only by the Holy Spirit (John 1:12–13; 3:3–8; Romans 6:14; 1 Corinthians 2:12, 14). To the person sealed forever in righteousness, God will remain wondrous; to the one sealed forever in sin, God will remain dreadful. If we reject the best gift that a holy and gracious God can offer us, purchased with his blood, what remains, in the end, will be nothing but hell. Lewis also said in The Great Divorce, “All that are in hell, choose it. Without that self-choice there could be no hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. To those who knock it is opened.” This too is insightful but can be taken too far. One can desire joy outside of God and not find it, of course, but I take it that Lewis speaks of one who earnestly seeks the true God, the source of all joy. This is suggested in Jeremiah 29:13: “You will seek me and find me, when you seek me with all your heart.” And Matthew 7:7: “Ask, and it will be given to you; seek, and you will find; knock, and it will be opened to you.” “To the person sealed forever in righteousness, God will remain wondrous; to the one sealed forever in sin, God will remain dreadful.” I think Lewis, who loved great stories, would agree that hell is a place with no story, no plot — ongoing suffering coupled with eternal boredom. Ironically, Satan labors to portray heaven, from which he was cast out, as boring and undesirable. The Bible, on the other hand, portrays the new heavens and the new earth as the setting for joy without end. If we think correctly about heaven, we will realize that because God is infinitely great and gracious, heaven is the ultimate adventure while hell is the ultimate sinkhole. Perhaps the best last word to give Lewis is this: “To enter heaven is to become more human than you ever succeeded in being on earth; to enter hell is to be banished from humanity” (The Problem of Pain). Article by Randy Alcorn

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