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The Leadership Secrets Of Billy Graham The Leadership Secrets Of Billy Graham

The Leadership Secrets Of Billy Graham Order Printed Copy

  • Author: Harold Myra, Marshall Shelley
  • Size: 1.35MB | 340 pages
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Inspiring, I was much impacted.

- jan jacob (a year ago)

About the Book


"The Leadership Secrets of Billy Graham" explores the leadership principles and strategies employed by the renowned evangelist Billy Graham. The authors, Harold Myra and Marshall Shelley, delve into Graham's visionary leadership style, ability to connect with people, and commitment to integrity and authenticity. The book provides valuable insights and lessons on leadership that can be applied in various contexts and industries.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

When Our Waiting Will Be Over

My favorite songs are ones that make my heart burn with longing. They’re songs that have unusual power to, as C.S. Lewis put it, rip open my “inconsolable secret” — the secret “which pierces with such sweetness,” yet is so hard to capture in words, since “it is a desire for something that has never actually appeared in our experience” (The Weight of Glory, 29–30). Which is why among my favorites is a song written by Bob and Jordan Kauflin, “When We See Your Face.” The song taps into subterranean longings and triggers profound emotions in me. I am not one to cry easily, but I rarely can listen to it without tears. So, I usually listen to it alone, sparing others the awkwardness of a weeping middle-aged man. Lest it appear suspicious to anyone, let me say up front that I was not asked to promote this song. I asked permission to write about it, receiving no benefit beyond what the song itself delivers — which is a benefit more precious than gold. For my soul very much needs this song’s reminder, especially as another year passes and I am another year older, still fighting against the relentless darkness, still waiting, still desiring something that has never actually appeared in my experience. Not yet. It remains a desire for a promised appearing — an appearing I’m growing to increasingly love (2 Timothy 4:8). I share this song because I assume you also need its precious reminder. And perhaps it will tap into your piercing, sweet, inconsolable secret too. Though the Dark Is Overwhelming Though the dark is overwhelming And the brightest lights grow dim Though the Word of God Is trampled on by foolish men Though the wicked never stumble And abound in every place We will all be humbled when we see Your face It doesn’t take reaching our middle or elder years to know just how dark the world can be. But I can attest now to a cumulative effect it has upon the soul the longer one lives here. And I do not claim to have suffered greatly — yet. Prolonged exposure to confounding darkness is a wearisome experience (Psalm 73:16). It is not merely the physical effects of aging that tempt many of us to retreat from action as we enter the older demographic columns. It’s also the spiritual and psychological effects of prolonged dealing with evil that infects and harms our families, friendships, churches, vocations, societies, and nations. We probably thought ourselves more a match for it in the optimistic bloom of youth, but experience put us in our place. The evil is beyond our strength and our comprehension. Hope can take a beating in the relentless battle against darkness. Until we remember. Until we remember that one day all oppressive darkness will be banished from the experience of the saints (Revelation 22:5), and that even now, even as the darkness rages (Revelation 12:12), it is passing away as the true light shines (1 John 2:8). We remember that we were never supposed to know and understand the evil we face (Genesis 3:7) — of course it’s a wearisome task! Only the Omniscient and Omnipotent can comprehend it and not grow weary (Isaiah 40:28). We remember that he promised us, “In the world you will have tribulation. But take heart; I have overcome the world” (John 16:33). We remember that our great task, the one way we truly conquer darkness, is to trust him (Proverbs 3:5–6) and obey him (John 14:15). And the great day that will end all night — the day of the joyful humbling of the redeemed righteous and the horrible humbling of the condemned wicked (Philippians 2:10–11) — will be inaugurated when we see the face of Jesus (1 Corinthians 13:12). All Our Sins Will Be Behind Us And the demons we’ve been fighting Those without and those within Will be underneath our feet To never rise again All our sins will be behind us Through the blood of Christ erased And we’ll taste Your kindness when we see Your face I’m so sick of Satan and his wretched wraiths that I don’t even want to give them the attention of a mention — except to say that one day (hear this, you horrid hoard!), the almighty foot of the Son of Man will come down once for all upon the heads of the great dragon and all his infernal snakes, and we will wrestle them no more (Ephesians 6:12; Revelation 20:10). But we also remember something far, far sweeter — and growing sweeter every year we grow older and come more to terms with just how intractable and entwined our demon-like indwelling sin is in the very members of our bodies (Romans 7:23). We remember that our sin will someday be behind us. Oh, we know that Jesus has paid our ransom in full (1 Timothy 2:6) and that by God’s grace through faith (Ephesians 2:8) we have been clothed in Christ’s righteousness (Philippians 3:9), so that God even now sees us justified, as if we had never sinned and always obeyed (Romans 3:26). It is, for now, an almost incomprehensibly glorious thing. But one day, our blood-bought innocence, our holy purity, will cease to be primarily a forensic reality we embrace by faith. On that day we will fully experience what it’s like to be righteous in every atom of our resurrected bodies and every dimension of our eternal, immaterial souls. We will have no more sin. No more tainted motives, no more illicit desires, no more damned selfish ambition. We will know in every part of our being what it’s like to fully obey the Great Commandment as if it’s the most natural thing in the world — for it will be! And we will worship the Lamb who was slain for us with unclouded minds and hearts bursting with joy. We will taste this unfathomably gracious kindness of Jesus when we see his face. All the Waiting Will Be Over All the waiting will be over Every sorrow will be healed All the dreams it seemed Could never be will all be real And You’ll gather us together In Your arms of endless grace As Your Bride forever when we see Your face The waiting will be over. I can’t write that sentence with dry eyes. Most of our Christian experience in this dark valley is hopeful waiting for what we so long to see (Romans 8:25). And much of that waiting is accompanied by hopeful groaning (Romans 8:20): groaning in illness, groaning in grief, groaning in disappointment and perplexity over the terrible, violent brokenness of the world and the inscrutable purposes of our only wise God (Romans 16:27), whose ways are not our ways (Isaiah 55:8). And we hopefully groan, like a bride, with longing for the consummate intimacy of knowing the Lover of our souls, even as we have been fully known (1 Corinthians 13:12). But one day — our Groom has promised it will be “soon” (Revelation 22:20) — the waiting will be over. And he will come, our Hero, of which all legendary heroes are but copies and shadows, and he will save us to the uttermost (Isaiah 35:4; Hebrews 7:25). And all that is dark and diseased and damaged and destroyed will pass away like a bad dream and become the shadows of the great yesterday (Psalm 90:4–5), serving only to heighten our savoring of the bright, eternal today (Revelation 22:5). And of all the light in which we delight, the fairest will be his face. We’ll Be Yours Forevermore We will see, we will know Like we’ve never known before We’ll be found, we’ll be home We’ll be Yours forevermore Having once been lost, we will fully know just how found we are (Luke 19:10). Having once known our Savior in such a small part, we will fully know him — as much as the finite can fully know the Infinite (1 Corinthians 13:12). We will be fully his and fully home — forever. Home. That is our inconsolable secret, isn’t it? That piercing sweetness, that desire for what has never actually appeared in our experience, yet somehow we know it is where we truly belong. I think that’s what this song taps into: our homesickness for a place we’ve not been, and a sense of alienation in the very places we were born. We don’t belong here, where it’s dark, depraved, and demonic, and where our sweetest experience is the blessed hope we taste in the future promises we trust. We long for home. For home is where we will meet the One we have loved, though we have not seen him (1 Peter 1:8). Home is where we will see his face. Article by Jon Bloom

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